Walker McGuire / Drew Baldridge

Walker McGuire

There are brothers in blood, and then there are brothers in spirit. Jordan Walker and Johnny McGuire may not look like family or share a last name, but you wouldn’t know it by hearing them sing.

Signed to BBR Music Group’s Wheelhouse Records as the new duo Walker McGuire, Jordan and Johnny take an opposites-attract approach to their music, fusing electrifying “brotherly” harmonies with a fresh new take on modern country.

After meeting onstage at a writers round just days after moving to Nashville, Jordan – the “super country” guy, raised in Texas with a love for classics like Keith Whitley and Dan Seals – and Johnny – the quintessential “rootsy” guy, a Kansas City native schooled by left-of-center icons like Tom Petty and John Prine – discovered a yin-and-yang musical connection that fit together like puzzle pieces – and the duo Walker McGuire was born.

“If you put us in a room with 100 people and everybody listed the kind of music they grew up on, there’s no way you would put us together,” Jordan explains with a laugh. “It was one of those written-in-the-stars things you just can’t deny.”

Aside from the differences in taste, the duo even look like polar opposites – Jordan in an ever-present ball cap and cowboy boots and Johnny in his laid-back bohemian threads – but their vocal blend has a chemistry that could melt steel, a match of crystal-clear and raspy tenors that recalls sibling-harmony greats.

Since solidifying their bond, Walker McGuire have set to work honing their sound on the road, building an under-the-radar fanbase and playing close to 300 cross-country shows each year.

“The sound ranges from those old-school ballads to really uptempo, in-your-face pop-country rock,” Johnny explains.

“We tell people, if you took Keith Whitley and Tom Petty and intersected them at Matchbox 20, that’s kind of what we’re going for,” Jordan adds.

Far from a copy-cat act, though, Walker McGuire write story songs with in a modern country style that is 100 percent their own – rooted in classic themes and sounds, but with an added touch of wit and sometimes flat-out comedy.

“When we started writing together, we didn’t have some guy who already had a few No. 1s saying ‘Hey, I’ve got a system,’” says Jordan. “We just did our own thing and now people are saying ‘Hey, what are these guys doing?’”

What they’re doing has already turned heads. Since earning placement on Spotify in Spring of 2016, “Til Tomorrow” has been streamed nearly 15 million times – which the guys playfully jest is way more times than they could click on it.

The buzzworthy hit captures the see saw of emotions we all struggle through after a breakup, even months later.

“We wrote it like we were sitting on a barstool, ordering drinks like ‘I’m fine. I’m good. I don’t need her,’” Jordan explains. “But in the morning you wake up and it hits you like a ton of bricks, you check your phone and you’ve texted them in the middle of the night.”

Drew Baldridge

Music is best when it’s authentic, when it comes straight from an artist’s heart and bursts from the speakers. It makes a connection with the listener that forms an immediate bond. Drew Baldridge creates music with that kind of impact. The happy-go-lucky guy looking to get his groove on in his debut single “Dance With Ya” is the same Drew that enjoys visiting with fans after a show, and it’s that kind of down home charm combined with a powerful voice and constantly-honed songwriting skills that make Baldridge one of country music’s most promising new talents.

“It’s really who I am. I love to dance,” Baldridge says of his debut single. “Sirius XM jumped on it. CMT loved the video and they put it on. I was kind of scared at first about how people were going to take to it because it is really different, but it has taught me to not to shy away from my influences and to just do what I love. I think that’s what people like about it is they can see when I’m singing it on stage that I love it.”

“Dance with Ya” isn’t a song that just happened by accident. Baldridge was very intentional when he went to collaborate with co-writers Chris Yarber and Jake Mitchell. “I had a plan for what I wanted to write. I saw the outcome before we even wrote it and it’s been really cool to watch it take off,” Baldridge says with an infectious smile.

“Guys like Michael Jackson created moments within their song structure that allowed them to interact with the audience and dance. It was kind of signature to them and I always looked forward to those musical breakdowns. I knew I wanted to write a song where I could create moments like that. I even wanted my band to get into it. They hated me at first, but now it’s one of the biggest parts of our show. People just freak out and love it. It’s been exciting to see that this is the song that’s been the one to open doors for us.”

Baldridge’s plan is paying off. The horn-infused party anthem works because it captures a facet of the Illinois native’s talent that has been part of his life since he was a child in the tiny town of Patoka. “I love to perform. I always did talent shows growing up,” he recalls. “I have so many home videos that are really embarrassing. We watched them back-to-back a couple months ago and just died laughing. It starts out when I was in second or third grade and I did a ‘Thriller’ dance. I had a couple of buddies dress up as monsters and I was Michael Jackson and then we did ‘Men in Black,’ ‘The Blues Brothers’ and ‘Grease.’ When I was older, I started singing in church. My dad sang too and we performed in a quartet together.”

He grew up soaking up a variety of musical influences — Southern gospel greats The Cathedrals, country superstars Alabama and even Earth, Wind & Fire. Though he loved performing, the 6’1” Baldridge was also a natural athlete and earned a college scholarship to play baseball, but a birthday gift from his mother changed his plans.

“I went to a Josh Turner concert when I was 18. Mom bought me tickets for my birthday and surprised me with a trip to Nashville,” Baldridge says. “I’ll never forget sitting there watching his concert and thinking, ‘You know what? I REALLY want to do this. If he can do it, I can do it.’ It was the night I decided I was going to move to Nashville. At 19, I moved here and just started in diving in. Even though I was going to go to college and play baseball, I just told my mom, ‘Hey I think God is calling me to do something different,’ and that’s when I turned down my scholarship and moved to Nashville.”

After arriving in Music City, he threw himself into the local scene — writing songs and performing at local nightspots. “I met some of my best friends through playing those writer’s nights,” says Baldridge. “I went to the Bluebird Café, which ended up being great for me. Its where I first met my publisher, Rusty Gaston, who turned out to also be a champion and a mentor.”

Baldridge has grown as a songwriter and performer since those first nights at the Bluebird Café. His buoyant personality and gift of penning slice-of-life songs that connect with his audience has led him to tour extensively, opening shows for Cole Swindell, Jerrod Niemann, Eric Paslay. Dustin Lynch and others. Yet, it’s his versatile and powerful vocals that take center stage on his debut EP.

Raised working on his grandfather’s farm, singing in church on Sunday and playing sports have provided a strong foundation for Baldridge and have given him a deep well to draw from as a songwriter. “My music comes from a real place,” says Baldridge, “and when people hear my songs, I think they’ll realize this is who I am.”

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