Moonchild w/ Elise Trouw
167 N College Ave
Fort Collins, CO, 80524
Doors 7:00 PM / Show 8:00 PM
‘Voyager’ is the third full-length album from LA’s Moonchild, whose candid style of soul and new-school jazz has propelled them onto a swirling, emotionally charged journey of the heart. Since 2014 they have dedicated their time and energy into honing dreamlike and ethereal compositions which explore the intricacies of relationships with emotional nuance. The band cites influences like D’Angelo, Hiatus Kaiyote and J. Most as playing a key part in expanding the group's musical horizons which none more evident than on ‘Voyager’.
Following two years after their widely-praised album ‘Please Rewind’, the album marks a new level of maturity in the band’s sound. Building on their trademark sound, the band brought in a harpist and string players to their usual line-up, enriching standout motifs; these range from the importance of making time for loved ones, to the feeling of waking up in the middle of the night and missing someone, to the deep bonds shared between mother and child.
Since cementing themselves into the vibrant LA soul scene, Moonchild have released two albums and collaborated or toured with highly-respected names in the soul-jazz crowd including Stevie Wonder, Jill Scott, India.Arie, Leela James, The Internet (Odd Future’s Syd tha Kyd & Matt Martians) and more. Along the way, Moonchild have accumulated a host of iconic supporters from Robert Glasper and Laura Mvula to James Poyser, Jazzy Jeff, Jose James, 9th Wonder and Tyler, The Creator who have all shown love for the band.
Since finishing the new album, the band are looking forward to announcing a string of tour dates across USA, Europe and Asia. “We feel like we progress and get better with each album and we’re really excited to put this out.” Andris enthuses.
I was born in Southern California to a South African father and a mother from New York in the very last year of the millennium. Raised on The Carpenters, Green Day, and 80s New Wave, I always looked forward to rides in my mom’s car where she played her “ mixtapes", whether it was on a compilation CD or an ancient iPod. Inspiration struck when my six-year-old self first heard the haunting piano melody in “My Immortal” by Evanescence. I distinctly remember a five hour plane ride that consisted of that one song blasting repeatedly into my ears. So I begged my parents for piano lessons, and after they finally relented, they were then begging me to not practice at five in the morning every day. I did it anyway, and my love for piano just grew stronger.
Life changed when my family bought the game Rockband for Xbox. After mastering the drums to "Dani California” on Expert Mode, I thought I was ready to rock (thank you, Chad Smith). It took a lot more to convince my parents I needed drum lessons, but I managed to wear them down with my obsessive talk and relentless requests. Luckily, at that time we were living on a 2-acre former chicken farm in the middle of nowhere, so the decibel change from piano to drums was irrelevant.
A few months after finding my way around an actual drum kit, my parents realized that I was serious about drumming, so they supported my cause and enrolled me in School of Rock, where I learned how to play and perform with other young musicians. Being one of the youngest only pushed me harder to keep up with the older kids. From Mitch Mitchell's jazz-rock waltz on Jimi Hendrix’s “Manic Depression" to the syncopated groove of Richard Bailey on Jeff Beck’s “Blow by Blow" to the funky feel of Tower of Power’s David Garibaldi, I wanted to learn it all.
During my high school years, I started reading charts in band, and jazz became another component of my musicality. At the same time, I began writing both on piano and guitar, spending hours before, after, and even during school to fulfill my creative desires. Because of my dedication to music and growing following on social media, I graduated early to commit fully to music and the creation of my first album. The decision to perform all of the instrumental and vocal tracks on the recordings stemmed from my desire to learn more about recording and to push myself beyond my own limits.
People ask me "What genre is your music?” With songs in 5/4 and 7/4, chords that you'd normally find in The Real Book next to "Take Five,” and influences like Radiohead, The Police, and Steely Dan, I’m really not sure what box I fit into- I’ll leave that up to you.
$13 Advance / $15 Day of show
Hodi's Half Note
Tue, May 22
Tue, May 22
Wed, May 23
Wed, May 23
Thu, May 24