Fri, May 4
Sat, May 5
M3 Rock Festival 2-Day Passes, Queensrÿche, Kix, Ace Frehley
Tom Keifer, Night Ranger, Slaughter, Y&T, L.A. Guns, LYNCH MOB, Faster Pussycat, Loudness, Last In Line, Nelson, Pretty Boy Floyd, Tyketto
10475 Little Patuxent Parkway
Columbia, Maryland, 21044
Doors 5:00 PM
This event is all ages
M3 Rock Festival 2-Day Passes
Now in its tenth year, M3 Rock Festival has grown from an up-and-comer to the definitive way to party like it's 1989. Starting with the annual Kix-Off Party on Friday and heading straight into the festival on Saturday, M3 features enough hard rock and hair metal bands to make your head spin (although, let's be honest... that's probably from the two cans of hairspray you used). Both stages are coordinated so that no sets overlap with each other, meaning you can jam-pack your entire day with the maximum amount of metal. We recommend that you start doing tons of arm curls, '80s movie montage-style, because this May at Merriweather you'll be throwing up more horns than you can possibly imagine.
Queensrÿche first burst onto the music scene in 1982 with the release of their self-titled 4 song EP “Queensrÿche”. They very quickly gained international recognition and performed to sold out audiences around the world. With the follow up first full length album “The Warning” in 1984, and the ground breaking 1986 release of “Rage For Order”, Queensrÿche continued to prove their worldwide dominance as one of the most respected and creative bands of the 80’s. In 1988 the band turned out yet another monumental album “Operation: Mindcrime”, which would go on to become one of the TOP 10 best selling concepts records of all time, and set the stage for continued sold out performances around the world. With the release of the critically acclaimed and commercially successful “Empire” in 1991, the band earned multiple Grammy Award nominations and won the MTV “viewers choice” award for the #1 chart topping hit “Silent Lucidity”. During the next ten years, the band continued to release albums and tour the world to sold out audiences. Queensrÿche has sold over 30 million albums worldwide and have continued to break new ground and push their creative process.
The band’s name is uttered in the same breath as many of the groups they looked to as influences and others who arose as peers. Queensrÿche built a dedicated legion of fans traveling the globe on tour with fellow rock giants like Iron Maiden, Guns N’ Roses, Metallica, Judas Priest, and Def Leppard. In recent years, they’ve consistently delivered high-octane live shows combining the hungry fire of a new band with the tempered experience of master showmen. Even with eleven gold and platinum plaques and several Top 10 hard rock anthems woven into the very fiber of the genre, Queensrÿche won’t relent. In fact, they’re in the throes of a jaw-dropping creative resurgence.
KIX was founded in 1978 in Hagerstown, Maryland as The Shooze, then changed its name to The Generators before eventually settling on KIX. They were considered one of Maryland's top cover bands prior to their signing with Atlantic Records in 1981. Though considered by many glam metal, the band's pop-metal stylings drew inspiration from bubblegum pop and new wave as well as hard rock.
In 1981, they debuted with a self-titled album “KIX,” featuring "Atomic Bombs," "Heartache," "Contrary Mary", "The Itch," and "The Kid." "Love at First Sight" instantly became a concert favorite. "KIX Are for Kids" creatively merged the name of the band with two popular cereals of the 1960s and 1970s, KIX (that featured an atomic bomb commercial) and the Trix Rabbit (i.e., "Silly rabbit, Trix are for kids!").
"Yeah, Yeah, Yeah" became the band’s most popular concert song, always with a unique ad-lib performance by Whiteman. With this album, the tongue-in-cheek rock & roll style of KIX was established. Their 1983 follow-up, “Cool Kids,” showcased a slightly more commercial side of the band featuring the title song and the single "Body Talk.” Somewhat overlooked but a favorite with female fans was the ballad "For Shame."
KIX then partnered up with Ratt and future Warrant producer Beau Hill and, in 1985, released the album “Midnite Dynamite,” featuring a hard rock single by the same name and funk rock songs “Cold Shower" and "Sex." The band headed west to begin to make a name for themselves in such places as the Sunset Strip, where Mötley Crüe and other glam metal bands rose to stardom.
KIX went back to the studio to write more songs. In 1988, they released “Blow My Fuse,” and finally achieved fame as it went platinum. The slow ballad "Don't Close Your Eyes" -- containing anti-suicidelyrics -- led the way and other popular cuts followed. The album featured popular singles "Cold Blood" and "Blow My Fuse" with popular videos showing the band in concert at Hammerjacks. In 1989, the band released “KIX, Blow My Fuse, the Videos” with their now popular videos and behind-the-scenes footage. As KIX finally graduated to arenas, they opened for such popular artists as Aerosmith.
The album “Hot Wire” finally arrived in 1991 with the single, “Girl Money". While on tour in 1992, they made a live album, titled “KIX Live” at the University of Maryland, College Park. This album was released in 1993. In 1995, the band released their final album “Show Business,” on CMC records. KIX broke up in 1995, and Hammerjack’s Concert Hall was torn down in June 1996 to make way for a parking lot for the Baltimore Ravens' stadium. Steve Whiteman would re-emerge as the singer for local Baltimore band Funny Money, with whom he continues to work. Jimmy Chalfant has also joined Funny Money as the full time drummer. Steve also teaches voice at The Musician's Institute in Baltimore and Triple R Guitar in Lemoyne, Pa. Ronnie Younkins moved to L.A. and wrote, recorded, and released the album "The Slimmer Twins - Lack of
Luxury" as a collaboration with singer Jeremy L. White in 2000. In 2002 he founded The Blues Vultures, maturing into the lead singer and main songwriter position and followed in 2005 with the
album "The Blues Vultures - Cheap Guitars & Honky Tonk Bars." Brian Forsythe plays in The Snakehandlers and has recently been on tour as the guitar player of Rhino Bucket. Brian can be
heard on the Bucket's 2005 release 'And Then It Got Ugly'. Steve Whiteman, Jimmy Chalfant, Ronnie Younkins, and Brian Forsythe have teamed up a few times a year for the last few years to do KIX reunion shows in the Maryland/Pennsylvania area that have been very well received.
Then in the summer of 2008 KIX performed outside their home area for the first time in 13 years at two of the biggest rock festivals in the US. Rocklahoma in Pryor, Oklahoma and Rock the Bayou in
Houston, TX. KIX was hailed by many music websites and attendees as “Best Performance” at both festivals. These were both massive rock festival where KIX played alongside acts such as Sammy Hagar, Alice Cooper, Telsa, Queensrÿche, Ratt, Lita Ford, Warrant and more. Since then KIX has been performing more and more shows at festivals, casinos and biker rally’s across the country impressing promoters with their top notch performances and cult following of fans who seem to turn up in big numbers to see them everywhere they play.
Ask a modern day rock guitarist who his influences were, and more often than not the name Ace Frehley is on the list.
Considered by those in the know to be the musical genius behind KISS, Ace “Space Ace” Frehley was an original member of the band when it formed in 1973, and was a mainstay of the group until his departure in 1982 to pursue a solo career.
Having written and recorded some of KISS’s most identifiable tunes such as Cold Gin, Shock Me, Parasite, Rocket Ride and New York Groove , Ace was more known for his blistering guitar licks, and his patented smoking guitar that added to the band’s over the top stage antics.
After leaving KISS, Ace formed the band Frehley’s Comet with Anton Fig, John Regan and Tod Howarth, and performed together beginning in 1986 and continuing through 1990. Ace remained popular with fans and critics alike, and continued to be respected in music’s inner circle as the musical force that drove the KISS machine. To this day, those in the music industry acknowledge that KISS was never the same after Ace moved on.
Ace reunited with the original members of KISS in 1996, and toured throughout the world until his departure in 2002. His last appearance with KISS was the closing ceremonies of the 2002 Winter Olympics in Salt Lake City, Utah.
Ace continues to make music, and is currently putting the finishing touches on Anomaly which is scheduled for release in 2009. Those who have heard the new album likened it to the early days of Ace’s career, with the notable difference being that Ace brings to the table a storied legacy of songwriting, musical maturity, and youthful exuberance that when combined, form a mixture that longtime fans are sure to embrace.
Best known as the singer/songwriter/guitarist of the Best known as the singer/songwriter/guitarist of the Philadelphia-based Blues-Rock band Cinderella, TOM KEIFER is making his debut as a solo artist with the release of his long-awaited and highly-anticipated solo album, THE WAY LIFE GOES, April 30 via Merovee Records (through Warner Music Group's Independent Label Group).
The collection of 14 new songs ranges from intimate, organic, acoustic tracks to driving hard rock. It embraces the Blues, Rock and Country roots that have always been present in his unique sound that has generated the sale of over 15 million records worldwide for Cinderella. Rolling Stone praised KEIFER as “a gritty, bluesy (rocker) with enough genuine swagger to draw comparisons to Mick Jagger.
With more than 17 million albums worldwide, over 3000 live shows performed, and more than a billion in radio audience, Night Ranger has both epitomised and transcended the arena rock sound and style of that era and beyond. With songs that have significantly impacted popular culture and continue to expand their ever-growing fanbase,Night Ranger is proof that powerful song plus accomplished musicians is the perfect formula for continued success.
In 1990 Slaughter hit radio, MTV and the U.S. touring circuit like a tornado- coming seemingly out of nowhere to roll through everything in its path and turn it upside down. Touring the world with bands that they loved, Kiss, Ozzy, and others meant the good times were just a song away , and their first hit single, "Up All Night" certainly fit into that mold, their second chart-topper, "Fly To The Angels" was more representative of the spirituality and awareness that goes into most of the band's music and lyrics. But never were Slaughter more accurately represented that live onstage in front of their legions of devoted fans over the last ten years.
During this time filmed what became a platinum home video "From the Beginning" depicting the bands rather different and humorous lifestyle. To showcase the live prowess the band had garnered during their first tour, the band released "Stick It Live" a five song EP collection which entered the billboard charts and went gold as quickly as it was released. This was certainly a shock to the non-believers in the world.
Slaughter was contacted by Orion pictures and Record Producer Jimmy Iovine to write and record what would become the theme song for "Bill and Ted's Bogus Journey" and later made a video featuring clips from the film as well. This CD was also Gold.
The band went on to record the "WildLife", it's second record after a consistent schedule of touring behind the multi-platinum debut, "Stick It To Ya." During this time the band was awarded the prestigious American Music Award in 1991. The "WildLife" CD entered the billboard charts the first week of release in the top ten at # 8 and was shortly their after certified platinum. The band also filmed what became a second gold home video documenting the making of the "WildLife" CD. The band embarked on a tour that would take them through their first challenging obstacle to overcome.
During the Ozzy Osbourne Tour (June 1992), Singer Mark Slaughter was diagnosed with a nodule on his right vocal chord that required surgical attention that was later performed in August 1992. The band would not perform again until Halloween of 1992 on the Dick Clark's Halloween Special from Universal Studios in Hollywood, CA. The band continued to tour with the Damn Yankees bringing them midway through the 1993 season. After receiving the most media attention for a second CD effort, the band began to make plans to record their next Chrysalis release (Fear No Evil). The next series of challenges was soon to come. The writing of "Fear No Evil" in Las Vegas seemed to start out with a normal timber as all other records thus far. However midway into writing, guitarist Tim Kelly and then tour manager were arrested in Las Vegas by drug enforcement agents for a six plus year old charge involving narcotic trafficking. From this point through completion of the record, it was not known if Tim Kelly would ever tour with the band again. Soon to add gasoline to the fire was the small dirt bike accident within a half mile of Dana Strum's house in Las Vegas, NV causing multiple broken bones including a left wrist and two fingers on the left hand (the hand he plays bass with). Once again the band was determined to continue on. Tim was now travelling coast to coast to record and meet with attorneys as Dana was going through rehabilitative therapy and the band embarked on a recording schedule starting in November of 1993.
The band played it's first engagement on new years 1993 debuting material from the forthcoming CD at the Hurricane in Las Vegas at a meager price of $100 dollars per person. "Fear No Evil" was completed in February 1994 with the band touring with Damn Yankees from February on . After flying to New York to debut the album for the record company at the mid year point, the group soon realized that no one involved in the promoting of their early records was any longer employed by Chrysalis(EMI) records. The band spent four months negotiating their release from the label. Within three months after negotiating the release the band signed a deal with then newcomer CMC International records with a vision of bringing Hard Rock and Metal Music to the people again. Slaughter also made a Pacific Rim record deal with JVC Victor Records of Japan, marking a new world release period for Slaughter.
The band embarked on a tour that would take them through late 1995 that took them from the days of tour busses to adjusting to Chevy Astro Vans. The band never lost their humor or spirit during these trying times. The group also released "Rain On", a five song import EP featuring Slaughter's first cover song, Elton John's "Saturday Nights Alright for Fighting." The band then embarked on their first tour of Japan. The tour was a long overdue overwhelming success. Slaughter had to perform with Vince Neil guitarist "Dave Marshall", (Tim Kelly's long time friend) in Japan due to Tim's ongoing legal problems. Many seeing the band during these trying times felt as thought the group itself was beginning to perform better as a unit ironically. By this time Tim Kelly's legal problems had ended and the band was now bound and determined to continue it's pursuit of good time rock and roll.
Returning from a rather long tour, the band begun to make plans to record "Revolution", the bands fourth full length effort and first enhanced CD. With musical climates changing the band embarked on a bit of a psychedelic approach still maintaining a good time spirit with often more challenging songs to be recorded. The record was released with an in store promotion campaign across major cities in America with the band signing copies of all of its catalog to date. Slaughter then embarked on it's first of what would become many package tours, this time with "Motley Crue" singer Vince Neil who had performed with Tim, Mark and Blas at a Las Vegas charity engagement earlier that year. (Ironically the band had met a talented young sound man/guitarist from Orlando, Florida named Jeff Blando who would later become the fourth member of Slaughter after the tragic passing of Tim Kelly.) The band began to feel an upswing in audience attendance and peoples determination to let hard rock live.
The band continued to tour with Alice Cooper, Dokken and Warrant on it's second package tour showing even more promise and teaching the band that sticking to their guns was the right thing to do. After playing their last headlining date in Detroit, MI (November 1997) the band returned to their respective homes and planned a new live release to encompass performances of material spanning the years.
"Eternal Live" was the band's 6th record, and their first full-length live release is Slaughter at it's best- live on stage. Recorded in the summer of 1997 at two of their most exciting concerts - one in Mexico in front of more than 20,000 fans, and one in their hometown, Las Vegas, "Eternal Live" captures the excitement of a Slaughter performance and showcased 12 songs off their earlier albums. Sadly, this album must also serve as a tribute to original Slaughter guitarist Tim Kelly (1963-1998)-RIP, who was killed in a car accident. "Eternal Live" was Tim's farewell performance, "explains bassist and producer of all Slaughter albums, Dana Strum." And I think he'd be pleased that his last recordings were not just in the studio, but were with our fans there too." Uncertain if the band would continue or tour after Tim's passing, the only logical replacement was Jeff Blando who was described by late guitarist Tim Kelly as "One Hell of a player."
The band rehearsed with Jeff Blando during the last week of May 1998 with no other goal in mind than to continue and make this work. The bands first performance with out Tim Kelly was in Salt Lake City in June 1998. The warmth and support of the audience was nothing short of overwhelming. The band several gigs later realized that the fans would rather feel and hear the music than see it fade away. This marked a noted positive change for all of the members, with Blando being received with open arms. Drummer Blas Elias adds, "You can't top our fans. They stick with us through the best and worst of times. We keep in touch with them all via the internet and they never let us down." According to front man Mark Slaughter, "It's been the love and support of our fans that helped us carry on after Tim died. And we make this solemn promise to them that as long as they are there, so will Slaughter be there."
The band continued touring on there self named "1998 "Rock Never Stops" Tour playing to as many as 16,000 fans the likes of which Slaughter had not seen in a great many years.
This would become a positive turning point for the group with nothing but promise ahead of them. All of the members reflect that Slaughter has enjoyed plenty of "BIG TIME" success in their 10 year career. Five songs on their albums were #1 MTV videos. Seven of the songs were in rotation on AOR radio. Like any group who has known the thrill of selling millions of records around the world , filling large arenas and having their faces plastered on magazine covers, the members of Slaughter have felt the pressures of maintaining that success. "Five years ago , it's all we could think about," says Dana, "but then losing Tim and seeing music come and go over the past few years has taught us a lot about the music business and has allowed us to re-evaluate what we're doing." Blas admits, "From this point on our only priority as a band is to make the best records and perform the best live shows that we can for as long as we can."
Las Vegas, Nevada / May 1999 : Slaughter had completed their seventh CD to date entitled "Back to Reality."(CMC/BMG RECORDS) That marked the first joint writing effort involving all four band members and the most challenging recording schedule to date. (With Production of the CD beginning only in March of 1999) During this time the band also filmed for VH-1 "Where Are They Now", the show aired Summer 1999.
During the summer of 1999 it was interesting to note that while on it's own (SELF-NAMED) "Rock Never Stops Tour" (which included : TED NUGENT and NIGHT RANGER) Slaughter did more press (including "Forbes" and "Various TV and Radio Shows", but also had the "#1 Track" on the "VH-1" CD "Power Ballads" with "Fly To The Angles" and "Up All Night" became the "#1 Track" on Rhino Records "Hard Hitters" meaning that Slaughter had Never released more Product in any year of the GROUP'S history.
VH-!,MTV and Major Film Companies have gone to SLAUGHTER requesting that "Songs, Sounds and Images" be included in releases for 2003 and beyond.
Slaughter took part in the hugely successful summer 2000 "Poison, Cinderella, Dokken and Slaughter" tour proving that rock is stil alive and well.
In 2001 Slaughter was a part of the "Voices of Metal" tour featuring Vince Neil of Motley Crue, Ratt, and Vixen.
Slaughter has shown that with perseverance and sheer talent, a band can survive and win over the support of fans , regardless of what others may say about the quality of their music. What's most important is that their music is still here and the vast majority of critics who panned them in the past are not, and that's as good as gold.
In summer 2003 Capital records re-released the first two Slaughter CD's "Stick it to Ya" and the "Wildlife" featuring 24 bit digital re-mastering, additional photos, bonus tracks and liner notes written by Mark Slaughter and Dana Strum.
In April of 2004, Slaughter released a DVD-A entitled "Then and Now" that features 12 songs and 50 rare photos of the band over the years. Slaughter will also have a DVD that features all of the music videos and behind the scenes footage during the 2004 season". "Check the SLAUGHTER TOUR DATES PAGE for SLAUGHTER TOUR DATES
In 2005 Slaughter toured the USA between February and November.
Before Mötley Crüe, before RATT, even before there was a Metallica, Y&T was slogging away in sweaty rock clubs around America. When the band formed in the early 1970s, little did they know they would set the standard for hard rock bands that trailed. Many of the biggest acts of the ’80s became popular opening for headliners Y&T—and cut their teeth on the band, as evidenced by the Y&T mentions in tell-all books by acts such as Metallica and Mötley Crüe.
Born in Oakland, California, Y&T is one of the San Francisco Bay Area’s own innovators of the hard rock sound. Whether performing to a festival crowd of fifty-thousand or in an intimate nightclub, Y&T’s high-energy set and passionate performances still captivate legions of fans around the globe, proving Y&T’s music timeless.
Originally formed as Yesterday and Today, the initial powerhouse quartet—featuring Dave Meniketti (lead guitar/lead vocals), Phil Kennemore (bass), Leonard Haze (drums), and Joey Alves (rhythm guitar)—tore through the ’70s and ’80s with their own brand of hard rock. After two ’70s albums on London Records, they shortened their name to Y&T and released eight albums on A&M in the ’80s. Two more albums with Geffen Records marked an era of change with Jimmy DeGrasso (Alice Cooper, Suicidal Tendencies, Megadeth) on drums and Stef Burns (Alice Cooper, Berlin, Huey Lewis) on guitar.
With a discography of 18 albums, three greatest hits collections, plus a boxed set, Y&T has sold over four million albums since their 1974 inception. The band’s most recent single I’m Coming Home has climbed to roughly 1.5 million views on YouTube. Y&T received extensive airplay with hits such as Forever, Rescue Me, Mean Streak, Don’t Stop Runnin’, and Summertime Girls—which played in heavy rotation on MTV. Y&T songs have been featured in a multitude of movies and television shows, including Real Genius, Out of Bounds, Baywatch, and Hunter. After five top 100 albums, songs that tipped into the 40s, two Bammie Awards, and many international television appearances, Y&T’s hits are still played on VH1 Classic and classic rock radio stations worldwide.
With the passing of Kennemore, Haze, and Alves, it’s Meniketti who carries on the legacy that is Y&T. Y&T continues to tour the world, featuring the dynamic original frontman Dave Meniketti (lead guitar/lead vocals), John Nymann (guitar/vocals), Aaron Leigh (bass/vocals), and Mike Vanderhule (drums/vocals), playing songs that span the band’s five-decade career and including all the hits and fan favorites. Prepare to have your face melted.
Produced by Chris "The Wizard" Collier (Lynch Mob; Flotsam And Jetsam; Prong; KXM), “The Brotherhood” features eleven brand new hard rock tracks from Lynch Mob. This album will surely resonate with long time fans of the band, as well as those longing for that good ol' hard rock sound and feel. "The Brotherhood” highlights the unique pairing of Oni Logan and George Lynch, and along with Sean McNabb (bass) and Jimmy D’Anda (drums), the band has created a solid offering from start to finish. From the heavy guitar riffs of the opening track “Main Offender” to the melodic album finale ”Miles Away”, Lynch Mob have once again proven they remain on top of their game and at the top of their genre!
On the subject of Lynch Mob’s new record, Oni Logan comments, “After doing quite a few miles together with this latest line-up of Sean McNabb and Jimmy D’Anda, we consider ourselves a pack of wolves, and we came up with the name ‘The Brotherhood’ for the title of the next Lynch Mob album. It’s got more of an adventurous sound in part and maybe a darker, colder sound to it. We are always willing to go farther. We come from the early 90’s and it's when we released the first Lynch Mob album which set a sound and course for us. Here we are 27 years later, George and I are still able to keep on stretching. As a player, as a writer, that is very important to us. Otherwise we would be fooling ourselves and fooling you”.
George Lynch adds, "We wrote this album as a band and the name of the record reflects what the band is about, and what all my bands have been about since I've been a kid. This is my second family. These are my brothers. You go through a lot together and have a lot of experiences together. And that then becomes a part of the music."
Sleaze: immoral, sordid, and corrupt behavior or material.
No band epitomizes Hollywood sleaze more than Faster Pussycat. Countless bands have adopted their look and demeanor in order to try and ride the Hollywood wave to success. Most fail. For those bands it’s a costume…an act. For Faster Pussycat it’s a way of life. They said it best in their own song “Sex, drugs & Rock-n-Roll” off their 2006 album “The Power and the Glory Hole”. However don’t be mistaken, they are much more than an image. First and foremost they are a rock n roll band that has put out consistently great records and given it all on stage, where it counts the most.
Singer Taime Downe formed the band in 1986, taking its name from the cult classic Russ Meyer film Faster Pussycat! Kill! Kill! In 1987 they released their self-titled debut album which went gold. The album was loaded with sexual innuendo and bravado and struck a nerve in the glam rock community, though they were always a little more down and dirty than glam. During that time they were interviewed and played two songs (Cathouse and Bathroom Wall) in the documentary film “The Decline of Western Civilization Part II: The Metal Years. The documentary captured the general vibe of the Sunset Strip bands during that time period, with Faster Pussycat being featured front and center.
In 1989 they released the album “Wake me when it’s over”, which spawned the massive top 25 hit single “House of Pain” propelling them beyond the sunset strip to worldwide acclaim. They received substantial airtime on MTV for the video and toured with some of the biggest bands in history: Guns n Roses, David Lee Roth, Motley Crue, Kiss, Alice Cooper and many more. They were able to reach fans all across the world and the sunset strip seemed endless as fans clamored for a taste of the famed Faster Pussycat sleaze. The album went gold and to this day many hail “House of Pain” as one of the greatest power ballads of all time. The band’s line-up during this time was Taime Downe (vocals), Greg Steele (guitar), Brent Muscat (guitar), Kelly Nickels (bass) and Mark Michals (drums).
In 1992 the band released the album Whipped and toured in support of it. Following the tour the band broke up, with each member heading in separate musical directions.
Taime Downe decided to go in a more industrial rock direction working with the Chicago-based band Pigface, before relocating back to Los Angeles to form The Newlydeads, who would release three albums. Their self-titled debut, a remix album titled “Re-bound” and “Dead End”.
In 2001 Taime Downe decided it was time to get Faster Pussycat back together to give the world another dose of the Hollywood Sleaze that had all but disappeared during the grunge era. Muscat and Steele rejoined the band along with The Newlydeads core members; Xristian Simon, Danny Nordahl and Chad Stewart.
Faster Pussycat quickly put out a collection of industrial remixes of the band’s early songs produced by Downe and played to enthusiastic crowds around the world. During this time Muscat and Steele left again.
2006 saw the band’s first full-length release in 14 years, “The Power & The Glory Hole” and proved that under Taime’s leadership the band was in good hands. 2009 saw the release of a live album “Front Row for the Donkey Show”. Both were put out by Full Effect and the reviews were positive.
In 2010 guitarist Ace Von Johnson joined Faster Pussycat cementing the current line-up. The interjection of fresh blood into the band was immediately noticeable as his high energy performance rejuvenated the band and their live performances. It was like 1987 again.
Faster Pussycat is currently working on a new EP and doing what they’ve always done, touring heavily, rocking the fuck out of every venue they play and keeping the spirit of Hollywood Sleaze alive and well.
"By the time they were introduced to the West by 1985's Thunder in the East album, Japan's Loudness had arguably already hit their peak. Their previous effort, Disillusion, was the fourth chart-topping release in their homeland, not to mention a critical triumph among members of the European press. But when faced with a contingency plan to conquer America, Loudness were gradually forced to alter their sound by unsuitable producers and clueless record company hacks, never coming close to translating their far-East success into Western stardom.
Guitarist Akira Takasaki and drummer Munetaka Higuchi first played together during the mid-'70s in a mainstream rock band called Lazy. Unhappy with the band's direction, the duo split and decided to follow in the footsteps of Bow Wow (the first ever Japanese heavy metal band), forming Loudness with vocalist Minoru Niihara and bass player Masayoshi Yamashita. Combining a classic metal approach with Takasaki's Eddie Van Halen-inspired guitar heroics, the band immediately scored local success with their first three albums, which were sung entirely in Japanese. But it wasn't until the release of their first live album, Live-Loud-Alive, and fourth studio effort Disillusion that the group attracted any significant attention outside their homeland, eventually issuing an English version of Disillusion.
Atlantic Records soon came calling and the band's international career began in earnest with 1985's Thunder in the East, which sold quite well in the U.S. for its novelty value, giving the band false hopes about their acceptance by Western metal audiences. Subsequent efforts, Lightning Strikes and Hurricane Eyes, were "made to order" records geared for the American market, and saw the band slowly drifting away from their roots towards a more commercial, pop-metal sound. All to no avail, and after recording 1988's independently-released Jealousy, the classic lineup's glory years came to an end with the firing of Niihara and the arrival of American-born singer Mike Vescera for 1989's Soldier of Fortune. 1991's disappointing On the Prowl saw them resort to re-recording watered down versions of some of their Japan-only material and would be the last to feature Vescera, who briefly joined the temperamental Yngwie J. Malmsteen's band.
Yamada Masaki, from rival Japanese metal band EZO, was brought in for Loudness' 1992 self-titled effort, 1994's Heavy Metal Hippies, and 1997's Ghetto Machine. The latter saw the departure of the band's long-time rhythm section being replaced by bassist Shibata Naoto and drummer Homma Hirotsugu. This lineup recorded two more albums, 1998's Dragon and 1999's Engine, after which it has been rumored that Takasaki welcomed back the original members for an as yet unconfirmed reunion." - Eduardo Rivadavia, AllMusicGuide
Last In Line
What started as a casual reunion jam in a Los Angeles rehearsal room in 2011 has grown into a fully-fledged project that has taken on a life of its own. Last In Line, the band, takes its name from the second Dio album released in 1984. Vinny Appice, Jimmy Bain and Vivian Campbell were Ronnie Dio’s co-conspirators and co-writers on the “Holy Diver”, “Last In Line” and “Sacred Heart” albums – these records have gone on to become part of rock history.
During that first jam it was apparent that the chemistry of the original band was very much intact – even after a 27 year hiatus. The excitement generated by that rediscovery led to a second session, where this time they called in acclaimed vocalist Andrew Freeman. Hearing Andrew’s interpretations of the original Dio songs was a revelation and the inspiration to move forward as a band.
Over the ensuing years a handful of local LA shows led to a handful of overseas shows in the U.K. and Japan, and eventually to an offer from Frontiers to record a new album of original material.
During the course of 2014 the band wrote and recorded 12 new songs and chose longtime friend Jeff Pilson as producer. Jeff very much captured the organic crunch of the band and the very best in Andrew’s voice and delivery.
Last In Line’s debut album, “Heavy Crown” was released in February 2016, with the singles “Devil In Me” and “Starmaker” leading the charge. But the release was preceded by tragedy, when Jimmy Bain passed away at the age of 68 on January 23rd, another great musician taken from us far too soon.
Jimmy was immensely proud of the new album and his input to “Heavy Crown” was immeasurable. “We will continue to celebrate his life through his music.. Rest in peace, dear friend.”..Viv
Earlier this year Last In Line played a handful of shows, including headlining both the frontiers Rock Festival in Milan and the Metal Stage at the Rocklahoma Festival, bringing in renowned bassist Phil Soussan and keyboardist Erik Norlander. The gigs featured tracks from “Heavy Crown” alongside songs from those classic Dio albums.
With “Heavy Crown” finally being released on gatefold vinyl on August 26th, Last In Line will take that line up out on a full European tour in November 2016 appearing as special guests to Saxon on selected European dates and headlining a raft of venues across the UK.
Matthew and Gunnar have rare insights into what it takes to earn longevity in the entertainment world. They continue the inspiring story of a most remarkable show business family. Their grandparents, Ozzie and Harriet, achieved immortality with “The Adventures of Ozzie and Harriet,” the longest-running live action sitcom in television history. Earlier, the couple had enjoyed big band success and had scored a number one hit in 1934. Long before MTV made twins Matthew & Gunnar pop-rock icons, Ozzie Nelson is credited with creating the first conceptual music video for Ricky Nelson’s “Travelin’ Man”.
“After the Rain” was the debut multi-platinum album by NELSON and they zoomed to number one with their hit song, “(Can’t Live Without Your) Love and Affection,” which made history landing America’s iconic Nelson family (bandleader Ozzie Nelson, rock legend Rick Nelson, and twins Matthew & Gunnar) into the Guinness Book of World Records as the ONLY family in Entertainment with 3 successive generations of #1 hitmakers. NELSON’s “After the Rain” record and tour became a phenomenon just prior to the rise of grunge. The last major success of the good time rock’n’roll era, NELSON has had (1) Number One, (4) Top Ten, and (5) Top 40 Billboard Hot 100 hit singles, plus (5) #1 MTV videos and has sold over 6.5 million albums worldwide!
Pretty Boy Floyd
Not too long ago, when rock was about having a good time, letting your hair down and creating chaos and anarchy, four guys got together in Hollywood and formed a band. NYC guitarist Kristy Majors hooked up with west coast front man Steve Summers and laid the foundation for their dream band. They worked, wrote songs and played and played and played. The band chose the name “Pretty Boy Floyd” because it seemed to describe them - four teen toughs armed with guitar licks and teenage angst who set out to conquer the world.
The group signed to MCA records and released Leather Boyz with Electric Toyz, an album whose very name was a tongue-in-cheek tip of the hat to their glamorous heroes - Sweet, Kiss, the NY Dolls - all the bands who believed that rock music wasn’t just music - it was a show, a spectacle, a lifestyle - “a prostitute to be trumped up and tarted around like a band aid or cheap whore” - to borrow a quote from David Bowie. The Howard Benson-produced album made a significant impact, being named one of the hottest albums of its genre by Metal Edge and Spin magazines.
Pretty Boy Floyd landed on the cover of metal bible Kerrang! and their two Top 20 videos “I Wanna Be With You” and “Rock and Roll is Gonna Set the Night on Fire” hit MTV, back when MTV ran videos instead of reality shows. The band toured the world and were recognized as the kings of the Sunset Strip, breaking attendance records held by Van Halen and Warrant. Their album would go on to sell 750,000 copies worldwide.
As the new millennium rolled in, new music fans began to wonder what they had missed. While most Pretty Boy Floyd fans were at an age that you wouldn’t commonly associate with concert goers, a whole new breed of young fans who weren’t even out of school when the band first emerged began to rediscover their music. The original fans and the new fans meshed on their common ground - a love of Pretty Boy Floyd’s music, sleazy shows, and fun times. Never mind what the critics think, or what trends may have come and gone.
Having outlasted many of the critics who cried “they’ll never make it,“ Pretty Boy Floyd continues to record and tour the world.
AOR rockers Tyketto release their fifth studio album, REACH,
October 2016 on Frontiers Records
After five years of relentless touring on some of the most
prestigious stages on the planet, Tyketto took their new
infusion of energy into the studio in the spring of 2016. The
sessions took place at the legendary Rockfield Studios in
Wales (Queen, Rush, Oasis).
Lead vocalist Danny Vaughn comments, “Although we only
had planned on recording ten songs for REACH, we were
so pleased with everything, we decided to keep all twelve
songs on the record. We unanimously decided on REACH as
the title of the album, as it defines who this band is in 2016.
We have a new energy, some incredible new members, and
a fresh outlook toward the future. All of us have pushed
each other beyond our limits to make what we feel is a
pinnacle record in our catalog.”
Drummer and founding member Michael Clayton Arbeeny
adds, “Many bands who have been out as long as we have
feel they need to fit into a preconceived notion of what
their fans expect to hear. Following in the footsteps of
icons such as Queen, Led Zeppelin, and Prince, we have
decided to expand our musical boundaries and introduce
our friends around the world to Tyketto 2016. Rest as-
sured that all the songs on REACH still carry the trademark
melodies and choruses our fans have grown to love over
the decades. The band is feeling stronger and performing
better than ever and we can’t wait to share this music with
In addition to Vaughn and Arbeeny, the unstoppable 2016
lineup includes Chris Green (guitars and vocals), Ged Ry-
lands (keyboards and vocals) and Chris Childs (bass).
A video for the leadoff song, “Reach,” will be released this
fall, and an eleven country tour to support the album com-
mences in October.
$60.00 - $850.00
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Click HERE to view parking for 5/4/18
Click HERE to view parking for 5/5/18
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