Music heightens the senses, conjures catharsis, and unlocks other levels of consciousness.
Just ask Korn frontman Jonathan Davis.
Throughout his storied career, he's unleashed his demons night after night on stage, sharing an escape with audiences of millions. However, Davis does something that he's never done before on his 2018 solo debut.
"This time, I'm pulling something out of the audience," he grins. "I've bared my soul for so fucking long I thought it'd be really cool to pull listeners in a different direction for once. I'm taking them out of that dark place and into somewhere that's spiritual, positive, and makes them really think! It's just art. I've changed lives with Korn, but I wanted to open minds with this shit."
The new music represents a natural step for the Bakersfield, CA singer, songwriter, composer, producer, and multi-instrumentalist. A true original, the overpowering figure he casts behind that H.R. Giger-made microphone remains just as iconic as his signature scream does. His output in Korn encompasses two GRAMMY® Award wins, worldwide sales of 40 million-plus, and countless sold out shows in nearly every corner of the globe. Throughout over 20 years in music, his presence coursed through film scores to popular video game franchises, and official remixes for the likes of Steve Aoki and more. Along the way, he lent his voice to tracks for everyone from Linkin Park to Tech N9ne.
Throughout this whirlwind, Davis quietly compiled ideas for what would become this solo effort beginning back in 2007. Writing and recording on the road, he personally played guitar, keys, and anything else he could get his hands on. Moreover, the music was primarily record live.
Numerous times, it felt like fans might experience this music, but it was never the right time.
That changes now.
"This is how fate would have it," he explains. "Deals would come and go. Then, we'd do a Korn record and a tour. There was no time for me to do this. All of the stars finally aligned. Velvet Hammer believed in it. Sumerian Records came to the fold. It's like an extension of where I was at on the Queen of the Damned shit mixed with rock, early goth, new romantic, and everything I love. It's going to take you on a journey."
That journey bears a resemblance to the Ganzfeld Experiment. Often studied in universities and replicated on YouTube, the parapsychology test involves a combination of a split ping pong ball, red light, and white noise that can spark natural hallucination without any drugs. Loosely inspiring the album's own trip, Davis breathes life into the role of "The Teacher," as if assuming his own tarot card.
"During the experiment, some people see shit, some people have out-of-body experiences, and some people think there's someone else in the room," he goes on. "To me, it shows there's something else out there other than religion, consumerism, and all of that. There's a level of enlightenment I want to achieve. With all of the bullshit going, everyone is stuck on their fucking cell phones. This takes us way out of that."
The music does as well. Siphoning his love for Dead Can Dance, Bauhaus, The Cure, and Andrew Lloyd Weber into a twisted pastiche, the songs comprise a tableau of divine darkness. On the lead single "What It Is," ominous piano keys bleed into a slow-burning verse before thick guitars snap towards an expansive and engaging refrain punctuated by his dynamic vocals.
"No matter how hard you try to fight bad things in your life, life will be what it is," he admits. "It's up to you to accept that, combat it, and move forward, or it's up to you to be in denial. Then, it becomes a thorn in your side until you finally deal with it. This is it. Just deal with it."
The six-minute "Basic Needs" tempers a hulking groove with a breakdown played live by percussive instruments from Japan, India, and beyond.
"It's a fucking love song about what I need to survive," states Davis. "I don't need fucking money, fame, or anyone to pat me on the back. Basic needs are all it takes."
As always, he makes a primal connection by doing what he does best in the end.
"I've always got to be different," he leaves off. "Once again, I'm doing something I haven't heard before. This is my swan song. It's my fucking masterpiece up to this point."
If that sounds familiar, it's just because Jonathan Davis once again rewrote the rule book. - Rick Florino, January 2018

Vocals: Louis Miceli
Guitar: Matt Marshall
Guitar: Xavier Adames
Bass/Vocals: Brandon Elgar
Drums: Aaron Rosa

Sometimes things catch fire. Just ask Dark Avenue. Originally formed as a side project to the Dallas/Fort Worth heavyweight Pistol Whippin Ike, three of the members began writing alternate jams for fun – and the project instantly sparked a wildfire. In a short amount of time the band established a reputation in the DFW area, performed with acts like Pop Evil, Queensrÿche, Red Sun Rising, Bobaflex, 36 Crazyfists, and launched a successful crowdfunding campaign to finance their first recordings. With the release of their debut album Illusions, Dark Avenue have bridged the gap between metal and hard rock – and Texan crowds have been drawn to their fulgent flame.

Formed in 2014, Dark Avenue is comprised of guitarists Barry Lorberbaum and Andrew Lewthwaite, bassist Alan Sauls, drummer Jeff Hathcock and vocalist Mario Cadena. The band’s first recording was Seasons Change, a five-song EP whose title track was the catalyst that ignited regional interest. It spurred a showcase during SXSW/Austin Music Week and a development deal with Breakout Artist Management, who fostered their growth and transcended them beyond the Dallas scene.

“The scene in Dallas is super vibrant,” explains Lorberbaum. “But there wasn’t anyone bridging the gap between heavy bands and the lighter bands. The heavy music crowds stuck to their bands, and the alterative/hard rock fans stuck to theirs. You did not see any crossover fans. That gap is bridged with our music. The metal fans get their heavy, and the alt-rock fans get their more mainstream sound, and all get songs they can relate and sing along to.”

That middle ground between heavy and light is where the nexus of creativity lies for Illusions. In the center of a Killswitch Engage/Imagine Dragons Venn diagram, the first single “Outside” is colossal and robust, yet driven by dynamic and melodic vocals. Perhaps that’s why it’s been featured on several nationally televised MMA events. Then there’s the song "Una Vez Mas," the group’s first single in Spanish. Its overwhelming response prompted the band to track Spanish versions of their songs for a future deluxe release of Illusions. And let’s not forget the crowd favorite “Maybe Tomorrow.” It won Video of The Year at the 2016 Krave Music Awards and helped them take home the grand prize: Artist of The Year.

“I want people to leave listening to the album like they were right there with us,” says Cadena, “feeling what we were feeling, seeing what we were seeing, as if they were part of it.”

Dark Avenue is:

Mario Cadena - Vocals
Barry Lorberbaum - Guitar
Andrew Lewthwaite - Guitar
Alan Sauls - Bass
Jeff Hathcock - Drums

$35.00 - $750.00

Tickets

LIMITED $15 (GA) Gas Monkey Pre Sale from 1/31-2/1 10AM-10PM! Use Code: WHATITIS - SOLD OUT

All Tickets on-sale 2/2

$35 Advance/ $40 Day of Show/ $60 Premier Red Room/ $250 Premier Tables/ $750 Premier Cabanas

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Upcoming Events
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