Cindy Wilson (of the B-52s)
Easter Island, The Daybreaks
One Cannery Row
Nashville, TN, 37203
Doors 7:00 PM / Show 8:00 PM
This event is 18 and over
Known the world over as a vocalist, songwriter, and founding member of the one and only B-52s, Cindy Wilson has made a truly extraordinary solo debut with her new CHANGE (Kill Rock Stars). The album ‚Äď which arrives just in time to celebrate the legendary singer‚Äôs fortieth anniversary in the musical spotlight ‚Äď marks a milestone for Wilson, abounding with pop creativity, ingenious production, confident songcraft, and deeply felt emotion.
‚ÄúThis music is beautiful,‚ÄĚ she says. ‚ÄúAnd I love beautiful.‚ÄĚ
CHANGE began for Wilson nearly a decade ago upon her part-time return to her hometown of Athens, GA. She first encountered local musician Ryan Monahan when his Beatles tribute band was hired to play her son‚Äôs birthday party ‚Äď ‚ÄúOne of the best parties ever,‚ÄĚ says Wilson. The veteran vocalist and talented young musician began teaming up for gigs, beginning with R.E.M.‚Äôs star-studded 30th anniversary event.
‚ÄúRyan and drummer Lemuel Hayes and I put together a few songs and it was fantastic,‚ÄĚ Wilson says. ‚ÄúThat started our own musical relationship.‚ÄĚ
Wilson and her new bandmates continued performing together, first playing classic garage and psychedelic covers but ultimately deciding to create new music all their own. They hit the studio in 2014, with local producer-musician Suny Lyons manning the board. The songs and sonic concepts flowed like the Broad River, leading Wilson to invite Lyons to join her fast developing combo.
‚ÄúWe went to Suny‚Äôs studio to kick around ideas and see if we can do anything interesting,‚ÄĚ Wilson says. ‚ÄúWe wanted to see how our styles would blend. He comes from a totally different place than I do but I was great. It also became immediately clear we had to bring Suny in to be part of the band, he also had wonderful ideas. I had a really great team.‚ÄĚ
Backed by her gifted collaborators, Wilson developed a distinctive sound that is both utterly contemporaneous and also rooted in her long history of kaleidoscopic pop reinvention. A pair of EPs ‚Äď SUNRISE and SUPERNATURAL ‚Äď introduced the world to Wilson‚Äôs modern vision, with both EPs acclaimed by PopMatters for possessing ‚Äúan undeniable sense of adventure.‚ÄĚ
Produced by Lyons at The Space Station in Athens, CHANGE is as bold as anything in Wilson‚Äôs groundbreaking four decade canon, melding future pop, disco drama, American standards, electronica, and more into her own distinctive creative vision. New songs like ‚ÄúMystic‚ÄĚ and the transformative title track are intricate and inventive, lush and luminous with strings, synthesizers, harmonies, and Wilson‚Äôs utterly distinct vocal magic.
‚ÄúOur sound is both consistent and still evolving,‚ÄĚ Wilson says. ‚ÄúAll these ingredients come together from left field to create something really interesting.‚ÄĚ
Further album highlights include a pair of unexpected covers: a widescreen orchestral rendition of New Colony Six‚Äôs soft rock classic, ‚ÄúThings I‚Äôd Like to Say,‚ÄĚ and ‚ÄúBrother,‚ÄĚ written and originally performed by Athens‚Äô own beloved Oh-OK.
‚ÄúWe played a show, Athens musicians playing songs by other Athens bands,‚ÄĚ Wilson says. ‚ÄúWe did an R.E.M. song, a Pylon song, and ‚ÄėBrother‚Äô by Oh-OK, which turned out so great we decided it had to be on record. It hits you over the head; it‚Äôs an interesting texture. It brings the album home I think.
Though she is fast to praise her musical partners‚Äô contributions, the center of CHANGE is Wilson‚Äôs instantly identifiable voice, as radiantly human as anything in her prior work only now being showcased in heretofore-unprecedented fashion.
‚ÄúMy voice is very rustic,‚ÄĚ she says with a smile. ‚ÄúIt has a realness that I hope comes through.‚ÄĚ
A veteran of one of pop‚Äôs most consistently entertaining live acts, Wilson is heralding CHANGE with an unprecedented multimedia concert tour. Merging conceptual structure, unique visuals, and kicked off in March with SXSW, Wilson and her bandmates are touring the US (in a van, it should be mentioned).
‚ÄúThe show is totally different from anything I‚Äôve done before,‚ÄĚ Wilson says. ‚ÄúIt has an incredible flow, from beginning to end. The great thing about touring a show like this is you can solve problems and tweak things as you go along.‚ÄĚ
With CHANGE, Cindy Wilson has once again remade pop in her own innovative, irresistible image. Excited and energized by the experience, the iconic artist is already looking forward to her next evolution.
‚ÄúEveryone has other bands, other jobs,‚ÄĚ Wilson says. ‚ÄúI‚Äôve got the B-52s‚Äô fortieth anniversary, there‚Äôs a lot going on with that. At the same time, I‚Äôm very committed to this record and continuing to perform with these guys. We‚Äôre trying to go into the studio at least once a month, to continue working creatively and keep the songs coming. We‚Äôre still experimenting, still growing, but it retains a certain sound. I feel very comfortable in this band. I‚Äôm loving it. ‚Äú
Formed by brothers Ethan and Asher Payne in 2010, Easter Island creates panoramic, post-rock inspired dream pop. Behind the wall of towering drums, glassy guitars, and the forceful tide of synthesizers, hide soft-spoken melodies, tender harmonies, and understated musings on the subtle, yet visceral moments in life.
Often compared to sonic pioneers of the 90s and 00s, Explosions In Sky, My Bloody Valentine, Pedro The Lion, and Sigur R√≥s, Easter Island makes no compromise to explore unknown sonic territory, embodying the ‚Äúfeeling that you‚Äôd stumbled onto something great...knowing that you had a potential game changer in your hands‚ÄĚ (Pop Matters).
In 2011, Easter Island‚Äôs ‚ÄúProud‚ÄĚ from the debut EP, Better Things, was featured on ABC‚Äôs Off The Map. Their debut LP, Frightened, was released July 2012.
When songwriters Kaleb Jones and Heather Bond began writing music together in early 2015, their goal was not to start a band, but to write songs for use in TV and film. When Bobby Holland heard their early demos and suggested he produce a record for them; Bond and Jones jumped at the opportunity. Holland had previously worked with Jones, producing and mixing his solo concept album, "Open Ocean" (2014), and the two often discussed collaborating on a new project. During the course of recording, Holland began playing and singing background vocals on the project; only then did they seriously consider starting a band. The timing was perfect, and the three decided to form The Daybreaks in December 2015.
Bond, Holland, and Jones are all music industry veterans. Both Jones and Bond have successful solo careers; Bond with her eloquent debut album "So Long" (2015) produced by GRAMMY award winner Matthew Odmark, her vivid "Walk Alone" EP, and various international advertising placements, and Jones as the frontman of Lorien, The Young International, and INTL, along with "Open Ocean," and success on NBC's hit series 'The Sing Off." Holland's mixing and producer credits run the gamut from Meghan Linsey, to Sam and Ruby, to Reece Mastin, to Milktooth, as well as INTL's 'Mystery,' and he is a respected multi-instrumentalist.
With The Daybreaks, Holland's varied sensibility of sound, plus Bond's piano prowess, paired with Jones' bold guitar playing, is at once immediately welcoming and uncharted territory. The blend of Bond's and Jones' voices is beautiful; Jones' vocal power is skillfully matched by Bond's celestial sound, with the combination intensified by Holland's production. The Daybreaks have written electrifying lyrics that intrigue the listener and beg for repeat spins. Lightning 100, Nashville's independent radio, quickly dubbed the band a "Nashville super-group."
The songs are theatrical and haunting, but never melodramatic, with substantive verses that keep the listener firmly on solid ground. The Daybreaks eponymous album is pure cinematic pop.