With his heady, intricately woven tracks and ominously funky live performances, Bruno Pronsato is one of techno’s most intriguing artists. His signature romantic-techno sound is full of contradictions: abstract but organic, sexy but drab, and though most of his records could easily stir a dance floor, they exist purely for themselves, never compromised for club potential. 

In 2006, after years playing drums in punk bands, Bruno moved from Seattle to Berlin to concentrate on electronic music full time, and it wasn’t long before he made a name for himself. His debut 12" was released in 2003 on Orac, a Kompakt distributed label, and was followed the next year by a full-length album, Silver Cities. By 2005, Bruno’s live performance—an unusually nimble and improvisatory act—began receiving praise from XLR8R, The Wire, and dozens of underground European zines. It also piqued the interest of Ricardo Villalobos and Perlon boss Zip, who invited Bruno to play in their laptop super-group, Narod Niki. Around this time, Bruno formed a duo with Sammy Dee called Half Hawaii. The pair played at venues around Europe and international festivals like Mutek and DEMF, and released records on Perlon and Hello?Repeat. But Bruno’s real breakthrough came in 2007 when he released Why Can’t We Be Like Us, a strange and beautiful album that received a 5/5 from Resident Advisor (and inclusion at #82 in its Top 100 Albums of the '00s list), that secured Bruno’s position as one of techno’s most imaginative and virtuosic artists.

In 2009, Bruno started his own label, thesongsays. It was partly a matter of necessity; he needed an imprint for his most ambitious work yet, a 38-minute epic called The Make Up The Break Up (which made use of Nico's "It Was A Pleasure Then" in a rare moment of sampling), so he decided to simply release it himself. Possibly his best work to date, The Make Up The Break Up received a deluge of praise upon its release, including another 5/5 review from Resident Advisor. 

Further explorations culminated in 2011's his next LP, Lovers Do, which was again met with widespread acclaim. Pitchfork heralded it a "massive and striking statement," awarding it with an 8.1 score. In Resident Advisor's 4.5/5 review, they marveled that the album had "a way of slowly enveloping a space until everything else just feels inconsequential." Exclaim! remarked that "his unique voice and skillfully produced compositions place him in a league all his own."

Navbox emigrated to the States in the 90s from Iran as a classically trained pianist with a deep passion for music. That passion turned him onto electronic music and he picked up a pair of turntables at the turn of the last century. In the early 2000's, he got his start playing in Washington DC before relocating to Boston and studying music engineering. Soon after, he found himself playing the underground circuit in Boston, comfortably tangled up in house & techno yet again.
Returning to the District in '08, he continued to pursue DJ'ing and found that the city was missing an underground dance music scene. He founded Stranger Than Paradise (STP) and began curating events in clubs, bars, warehouses, rooftops and wherever else he could. Navbox mastered his craft playing alongside leading talents like Cassy, Bruno Pronsato, Delano Smith, Jan Krueger and many others.

Fast forward to 2016 and Navbox has been at it for many years. Between DJ'ing and producing, he is booker and resident DJ for Flash in Washington DC, an incredible venue built for house and techno. His love for music is evident in his musical repertoire, spanning from deep house to techno, and his passion leads him to seek music that moves the feet as well as the mind. Navbox portrays the DJ-set as a journey, continually striving to break down static conceptions of house music in ways that inspire listeners beyond the confines of clubs and parties.

Born in Casa Blanca, Morocco, Jubilee understood the power of music at a young age. He watched as his father played old records and instruments such as the tarbouga, the aoud and the bandir. Arriving to the U.S. in 2001, Jubilee immediately took to the streets of Washington D.C. as a club promoter for Panorama. During this time, his interest in becoming a DJ grew while watching people like DJ Alex Kelly in 2001 hit the tables for six-hour sets. Noticeably inspired, he was soon handed the headphones and hit the ground running with innovative sounds inspired by his own unique and culturally infused sense of rhythm and beats.

For Jubliee, now producing his own tracks, the medium of house music continues to evolve as an art form. He is dedicated to creating both a journey for his listeners as well as using music as a base for his own journey through the intricacies of life. His is known for his unmatchable creativity and his impenetrable work ethic. Yet, more than anything Jubliee is a product of the exclusive and ever growing house music scene in our nation's capital.

Though based in Washington D.C., he travels routinely between cities such as New York, San Francisco , and more With pals Gabriel , Benoit , Navid Jubilee has put together successful events at established venues like D.C.’s WAREHOUSE/THE LOFT along with a regular residencies at NAPOLEON, and U ST MUSIC HALL . He has booked and played with global talents such as Stephan Bodzin, Marc Romboy , Deepak sharma , Seuil, till von sein, Kate Simko, Ryan Crosson, Shaun Reeves, Ewan Pearson, Pantha du Prince, Nicolas Jaar and Nick Curly, just to name a few.

In 2010, Jubilee launched his production career with the critically acclaimed release “Dopamine” for New York City based Hidden Recordings. Label owner Deepak Sharma recently stated: “Jubilee is definitely one to watch. For me, he is D.C.'s best DJ and producer. I was immediately drawn to the tracks he submitted to Hidden Recordings. His style is deep and bouncy in all the right ways." Sharma was so impressed with Jubilee’s work that he has him slated for a new EP in 2011 on Hidden . already seeing support from alexi delano, DVS1, alland byallo, someone else, derek marin, signal deluxe, stefano infusino, kane roth, subfractal, funk shuei, roman kramer to name a few .

Jubilee’s previous work has also appeared on Mexico City’s Blaq Records and the esteemed Mo’s Ferry imprint.

Hiroko Yamamura

Classic Chicago ride or die bitch style DJ/producer influenced by The Warehouse, technology, and straight up techno, it’s no wonder she has been named one of Chicago’s top 10 DJ’s by XLR8R magazine. Right prior her leave of absence in her DJ career, Now back after an extended break, she is regularly housed Chicago’s most essential techno club, Spybar, as well as Soundbar, houses her regularly. Her sound is reminiscent of Ifach, Technoir, perhaps a sound equivalent to Axis and Underground Resistance, whom also reference major influences such as anime and robots.

Sarah Myers is widely recognized in the world of dance music as both a DJ and Event Promoter.

As co-founder and resident DJ of “Life”, Sarah has helped to establish one of Washington D.C.’s most esteemed parties -- now into its fourth year.

As a DJ, Sarah has played alongside some of the major players in today’s underground movement such as Matt Tolfrey, Jozif, Gavin Herlihy, Till von Sein, Clockwork, and Lee Foss. Sarah also hosts Hooked, a monthly podcast aired on DE Radio and TunnelFM where she holds residencies. It's featured past guests: Inxec, Bella Sarris, Ben Ashton, Randall M, and Chad Andrew.

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