Claptone

In a now long forgotten world, many generations ago, a bird like shape emerged from wooded dark- ness, floating and fluttering, drifting and dreaming. Backlit by a bright glow of iridescent light, the undecipherable form wore a dazzling golden mask. Its long beak swooped down like an inverted horn and since then, people have referred to the mythical being simply as Claptone.

Years spending wandering medieval landscapes have informed Claptone's view of the world, experi- encing both magical mystery and muted melancholy he enchanted onlookers with occult instruments and beguiling sounds. Forever surrounded by a sense of intrigue, the world soon cottoned on to the elusive yet enchanting musical powers of this otherworldly beast. The results are that today his sha- manistic sonic powers take him all around the world.

Whilst Claptone has continued to roam in his own circles, 2012AD proved to be a year dominatedby his infectious 'Cream' track. It became an immediate hit, topping new world charts at Beatport and RA, whilst the sonic conjuring of the 'Night On Fire' EP also lured all those who heard it, with the result another Top 20 hit. But that's not all, for the creativity flows freely in our hero, and his 'Another Night' also proved to be just as successful on the dancefloor. Deep and woozy, the Claptone sound pairs theatre with tragedy, feel good vibes with acute melancholia and imbues each groove with a Rhodes laced funk, an organic string hook and myriad earthy elements.

Up to the present day, Claptone releases have been birthed on Germany's influential Exploited label, picking up props from the likes of Pete Tong, DJ Sneak, Soul Clap, DJ Hell, Jesse Rose, A-Trak along the way. Who or whatever Claptone is, it is alive, with a life of its own, evolving and revolving in equal measure, exploring new sounds naturally and forever taking inspiration from long gone and occult worlds.
So far, esteemed and influential dancefloors at clubs in Berlin, London, Paris, Melbourne, Shanghai, New York and many others around the world have fallen under the sonic spell of this secretive alche- mist. The future is unpredictable for Claptone, but a new release 'Wrong' including the track 'No Eyes' with the inimitable JAW from French funsters dOP is on the horizon. Beyond that, your guess is as good as ours...

Will Eastman’s DJ performances have earned him the title “DC’s titan DJ” from the Washington Post. Leader of numerous indie bands since age 15, Will pushes boundaries, melding house, techno, disco, and left-field sounds in his DJ sets and productions. His career began in 2000 when he started Bliss, a monthly resident night focused on emerging dance music held in a no-attitude/no velvet rope setting. While DJing at night, he worked by day for the Smithsonian’s National Museum of American History documenting histories of the electric guitar and sound recording technologies. His Bliss residency, however, meant to be a temporary creative release, would set him on course for a music career. Growing over time in popularity and stature, Bliss became DC's longest running emerging dance music club night, lasting 15 years, eventually morphing into the dance music website Blisspop. Building on his experience with Bliss, Will ultimately dedicated himself to a full time DJ and music production career. His debut single, “Feelin’”, received endorsements from dance music legends Fatboy Slim and Donald Glaude. More original productions and remixes received broad support from artists diverse as Daniel Avery, Aeroplane, and Tiesto, and earned features on BBC Radio 1 and NPR. In addition to his solo work, he’s a member of the group Volta Bureau, whose song, "Alley Cat", topped Beatport’s Indie Dance chart for 11 weeks in 2011.

Using curatorial skills shaped during his time at the Smithsonian, Will is resident DJ at several touring parties that encapsulate and pay tribute to musical eras and guilty pleasures: No Scrubs: 90’s Dance Party and Hot In Herre 2000’s Dance Party. The events have sold out the legendary 9:30 Club in DC 25 times since 2008 and now tour the East Coast. In addition to making and playing music, Will is founder and principal owner of U Street Music Hall, a music-focused venue that hosts top DJs and live bands. Named one of America’s top 10 dance clubs by Rolling Stone and best dance club in the region by the Washington Post, U Hall’s laid back environment with no dress code, 1,200 square foot cork-cushioned floor, award-winning sound system, and internationally recognized programming have made it an underground favorite since its 2010 opening.

$25

Tickets Available at the Door

Unlocked by Beck’s Access #BecksAccess

***$30 at the door.*** No photo/video allowed. Advance ticket sales end one hour before doors.

Who’s Going

Upcoming Events
U Street Music Hall