The Mallett Brothers Band featuring Jon Fishman (Phish)
Parsonsfield, Escaper, Limited Lane Availability until 9:00pm
61 Wythe Avenue
Brooklyn, NY, 11249
Doors 6:00 PM / Show 7:45 PM
This event is 21 and over
The Mallett Brothers Band featuring Jon Fishman (Phish)
The Mallett Brothers Band's busy tour schedule over the past seven years has helped them to build a dedicated fanbase across the U.S. and beyond while still calling the state of Maine their home. With a style that can ranges from alt-country to Americana, country, jam and roots rock, theirs is a musical melting pot that's influenced equally by the singer/songwriter tradition as by harder rock, classic country and psychedelic sounds. Texas Hill Country Explore Magazine calls them “New England’s wildly eclectic crew of genre rebels.” Bill Copeland Music News says “Combining their authentic roots rock sound with a reflective lyrical style that perceives stories on the level of epic myth, it’s like William Faulkner has been resurrected with an electric guitar in hand..
While remaining fully independent, The Mallett Brothers Band has performed at some of the country’s top venues and festivals, including Austin Texas’s famed Continental Club; Alexandria, Virginia’s Birchmere (sharing the stage with Oklahoma red-dirt rockers The Turnpike Troubadors), New Hampshire’s Meadowbrook Pavilion (opening for The Allman Brothers Band, and again opening for Lynyrd Skynyrd); Nashville’s Bluebird; and Little Rock’s The Rev Room, to name a few. Festival appearances include FloydFest (Virginia), Hop Jam (Vermont), Nateva (Maine), The New England Country Music Festival (New Hampshire), Eastbound Throwdown (New York), and many more.
“The Falling of the Pine,” the band's most recent release, reimagines a group of 19th Century Maine folk songs collected in the 1927 book "Minstrelsy of Maine."
Though they call western Massachusetts home, Parsonsfield draws their name from the rural Maine town that's home to the Great North Sound Society, the farmhouse-turned-recording-studio of Josh Ritter keyboardist/producer Sam Kassirer. It was there that they cut their outstanding debut, 'Poor Old Shine,' which established them as a roots force to be reckoned with. The New York Times hailed the band as "boisterously youthful yet deftly sentimental," while Folk Alley dubbed their songs "the most jubilant and danceable indie roots music this side of the Carolinas." Their rowdy live performances only upped the ante, with The Bluegrass Situation falling for their "fun and frenzy" and No Depression raving that they'll "give you rich five-part harmonies one minute, sound like bluegrass on steroids the next, and then rock you over the head with unbearably cool and raucous Celtic rhythms."
It was only natural, then, that they called on Kassirer once again for their follow-up, 'Blooming Through The Black,' enlisting his engineering and production ingenuity to help convert the axe factory into a temporary recording studio. In addition to placing microphones on each instrument, Kassirer set up additional mics throughout the factory just to capture the feel of the enormous space, which itself became another instrument in the band's already-impressive repertoire.
Parsonsfield spent nearly six months writing and rehearsing in the factory, discovering that song ideas that had begun life in Canada radically transformed in their new home. The space demanded understatement and subtlety to balance out the band's exuberance and energy, and by the time they were ready to hit record, they were sitting on a collection chock full of the most infectious, emotionally mature songs of their career.
'Blooming Through The Black' opens with 'Stronger,' a slow-burner that, much like Parsonsfield's career, begins as an acoustic folk number and builds to an electrified tumult. It's a showcase for their instrumental prowess, lyrical chops, and unbridled passion, and it's just the start. The title track—inspired by the sight of the first flowers growing back in the forest fire-charred landscape of Hell Canyon, South Dakota—finds Freeman blending punk energy with earnest sincerity in his delivery, while "Across Your Mind" rides a feel-good groove driven by bassist Harrison Goodale and drummer Erik Hischman, and "Water Through A Mill" ebbs and flows like a solemn hymn on top of Max Shakun's meditative pump organ.
As the band explored the quirks and eccentricities of the factory, unexpected sounds and moments sometimes became permanent fixtures of the songs, but a particularly happy accident occurred outside the studio entirely, when Shakun called mandolin player Antonio Alcorn for help setting up his new record player. Upon dropping the needle somewhere in the middle of a copy of 'Poor Old Shine,' they discovered it was spinning backwards, but the melody coming out of the speakers was perhaps even more of an infectious earworm than it was when played forward. They brought the new riff to the rest of the band, where it morphed into "The Ties That Bind Us," a stand-out foot-stomper and a highlight of their live show.
Catch Parsonsfield onstage any night and the band's joy is palpable. They trade instruments, share microphones, and shoot each other big grins. They sing in tight multi-part harmonies, their voices blending like they've been doing this together all their lives. That's because Parsonsfield is a family band, not by birth but by choice. And with an album this thrilling, it's only a matter of time before you share their same enthusiasm.
Listen closely at the top of "Don't Get Excited" and you'll hear the clatter of a cyclist crossing the rickety bridge over the river. That's the sound of Parsonsfield inviting you into the axe factory. It's time to begin 'Blooming Through The Black.' Good luck not getting excited.
The definition of an “escaper” is, “one who breaks loose from confinement.” The space rock, spy funk band was just named one of "5 Bands You Need to Know" in the “On the Verge” feature of Relix Magazine (October 2017 edition).**
The band released their first album with Ropeadope Records in May 2017 to critical acclaim including being named one of three "Release Day Picks" by JamBase. Live for Live Music said, “Their sound is a reckoning force of funky fusion music...there’s no telling how high this band can climb."
The band will release their 2nd album in February 2018. As with the first album, it was recorded at The Bunker Studio in Brooklyn, with all five band members playing together simultaneously, while in isolated rooms. Recording this way helped capture the great live synergy between the players which you can witness during their performances. Their live sets tend to be open with many in-the-moment improvisational aspects, and this essence was not lost during the studio recordings. Bandleader and guitarist, Will Hanza, expresses, “The term ‘jam’ can be a loaded one, but the idea of having some concrete ideas, while still allowing the music to be open to take advantage of the moment is really important to us.”
Their live shows are known for keeping the late night funky dance parties going strong. The band has already shared the stage with notable acts such as Aqueous, Jimkata, Roots of Creation, Strange Machines, G-Nome Project, ShwizZ and Teddy Midnight, and its members have graced numerous stages from Bonnaroo, Mountain Jam, Camp Bisco, Electric Forest and Catskill Chill to Hammerstein Ballroom, 9:30 Club, Cervantes, World Cafe Live and Brooklyn Bowl.
"A mind blowing set filled with psychedelic guitar virtuosity, tight grooves, and impressive musicianship." - The Jamwich
“This up-and-coming juggernaut blends together effortlessly with each member adding his own unique flavor. The band’s music alone draws you in, but it’s their connection to it and to each other that truly completes the package. Their passion oozes out of each and every note they play as they seamlessly take turns controlling the stage.” - Music Fest News
$12.00 - $15.00
$12 in advance; $15 day of show
The Mallett Brothers: 10:30pm
Wed, January 23
Thu, January 24
Fri, January 25
Fri, January 25
Sat, January 26