Alex Guthrie

Alex Guthrie is a singer-songwriter based in Atlanta. With the infusion of different genres such as soul, folk and rock, Guthrie brings audiences together through brilliant lyrics and an expressive voice. Most recently, Guthrie has been noted as “the guy from the Jennifer Hudson commercial.” The now-infamous American Family Insurance commercial features him playing in Atlanta’s Woodruff Park when the Grammy Award-Winning singer and performer Jennifer Hudson surprises Guthrie and sings along to Bill Wither’s beloved “Lovely Day.” The commercial has played on national television and radio, resulting in new opportunities and heightened
awareness for Alex Guthrie, his band and his music.

Guthrie and his band have performed events including Milwaukee’s Summerfest — which was also featured on Jimmy Kimmel Live! Music — as well as the 30A Songwriter’s Festival in Florida, Wire and Wood Songwriter Festival in Alpharetta, GA, Jammin’ Java Listening Room in Vienna, VA, the Elbo Room in Chicago, IL and Eddie’s Attic in Atlanta, GA. In the early stages of his career, Guthrie released his first album, Lessons Learned, and also scored the Atlanta Braves Band of the Year in 2014. In 2015, Guthrie and his band were awarded the Georgia Americana Artist of the Year — another astounding achievement bringing his music much-deserved attention and recognition. Within a short span of time, Guthrie was opening up for national touring artists including renowned BMLG Records recording Artist Drake White, RCA recording artist Bleachers, and famous Atlantic Records recording Artist Kelly Clarkson. Singer-songwriter Alex Guthrie continues to impress and defy conventional expectations, making waves as he makes great music. A new album is currently being recorded and is expected to be released in Spring 2018.

More at alexguthriemusic.com

Davin McCoy

PAIN, SUFFERING, AND LOSS…
three elements baked deeply into the fabric of love, or rather, a true love lost. These are the things of which the greatest artists of all time have feasted, in through their uniquely experienced and engineered pores, and out to the world après time served within the walls of the artist’s hearts and minds. Such are the autobiographical, painstaking roads traveled by Davin McCoy’s eloquently crafted, individually wrapped soulful pieces of art, his songs, tied together, so ever tightly, by a grief stricken fueled common thread, by cigarette stained fingers avec a not yet finished quarter left high ball. A personal compilation of emotions wrapped with and by a heart-wrenching bow known as McCoy’s sophomore effort Whiskey Sexy.

Recalls McCoy, “I called up [label head] Adam Blank, and said, ‘I’ve been on the floor for two weeks with a bottle of whiskey and a guitar, and I’ve written a whole new record—if you want to do this, tell me right now,’ and Adam didn’t hesitate. He said ‘Let’s do it.'”

Enter veteran producer Don McCollister. After 20-plus years producing hits for artists like Shawn Mullins, Third Day and Sister Hazel, the studio veteran admits he’d lost his passion for making records. In fact, he’d stopped entirely until the prospect of working with McCoy singlehandedly brought him out of retirement. “Davin’s voice is so compelling,” McCollister says. “As soon as he opens his mouth in front of a microphone, everybody stops to listen. Working on this record with him really rekindled my fire.”

Together, they recorded Whiskey Sexy in just two weeks, powering through a series of inspired sessions using Brendan O’Brien’s state-of-the-art gear at Third Day’s studio, The Quarry, just outside of Atlanta.

“We were always on the same page, and we completely committed ourselves to the process,” McCoy says. “I basically slept at the studio for two weeks straight—Don and I both did, and we had some amazing players rally around us. It seemed like everybody knew we were making the record. There was a buzz about the project—all these great Atlanta musicians were dropping by to hang out. There was a pool table and a bar in the studio. Ryan Newell from Sister Hazel would be shooting pool, and we’d be like, ‘Hey, man, you hear something? Why don’t you go in there and lay down a guitar part?'”

Whiskey Sexy also features Grant Reynolds (of Ed Roland’s Sweet Tea Project), Marty Kearns (Shawn Mullins, Drivin’ N’ Cryin’, Anthony David), Davin’s live band and about a half-dozen others. But more than all the prime guest spots, it’s McCoy’s inspired voice and unmistakable songcraft that tie the record together as it meanders from blue-eyed soul to country, classic pop to blues and rock & roll. It’s a sound rooted deeply in the artist’s childhood.

On irreverent pop-culture sendup, “Movie Stars and Drama Queens,” McCoy sings, “God made a monster to shoulder the blame / He gets the glory, we take the shame / I ate the apple, but you made the tree / So you go to hell and leave heaven for me.” You can hear his unique blend of childhood influences come to fruition on Whiskey Sexy, as he turns his clever wordplay inside out with his impassioned delivery. And he’s equally adept at taking a simple line and wringing every ounce of feeling from it. Nowhere is this better exemplified than in his stirring, incendiary delivery on the outro of pensive, lovelorn ballad “C’est La Vie.”

For a fleeting hour, Whiskey Sexy fingers the jagged grains of life and love, expectation and disillusionment, anger and anguish, and—finally—transcendence through music. “Turning real heartbreak into song can validate the whole experience,” McCoy says. “It can take all that negative energy and do something productive with it.” And not just for the artist, for the listener, too.

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