Bootleg Theater Presents
Madison Cunningham, Yay Blynn (Motor Sales)
2220 Beverly Blvd
Los Angeles, CA, 90057
This event is 21 and over
Rainstorm Brother is a new collaboration between John Isaac Watters & Tyler Chester
Originally from Hanford, California, Tyler Chester is An LA based producer and multi-instrumentalist who has worked with Jackson Browne, Nikka Costa, Blake Mills, Sara Watkins, Hayes Carll, Gungor, and George Ezra among many others. When he is not touring, Chester works out of his recording studio in Glassell Park.
From Mexico City and Tucson, AZ, John Isaac Watters has independently released 3 albums over the last few years: Parachute Tramps, CASAS, and Campanas.
"John Isaac Watters is an understated, determined and diverse songwriter who touches on country, folk and even a little gospel to make carefully crafted songs that drift to land somewhere between Townes Van Zandt and Leonard Cohen." - LA WEEKLY
"John Isaac Watters sings as if he's just completed a marathon. One can practically hear the sweat dripping from his brow as his voice shakes, quivers and cracks as if these Southwestern ramblers are the most important thing in the world." -L.A. TIMES
Madison Cunningham "Love Lose Remember" Available now on iTunes and Spotify
Yay Blynn (Motor Sales)
The latest music from songwriters Pete Harper and J. Blynn seemed doomed almost from the beginning. The duo, who had released two albums as Harper Blynn, had been playing in Mosco Rosco until about three years ago. Motor Sales was born shortly thereafter, when they recorded an EP with Shawn Everett, who has produced music by Weezer, Julian Casablancas, the Growlers and Lucius and won a Grammy for engineering Alabama Shakes’ 2015 album. But the recordings were lost in a power surge in New York City right before they were mixed. The first song, “Kick It Off,” is the only one to have survived.
It’s a song that damned near glows in the dark — a rocker in electronic clothing, modern and atmospheric but somehow carrying pieces of Beatles’ DNA, with a finger-snapping beat propelling it toward an indelible falsetto chorus. The duo says it’s representative of a batch of songs encapsulating “the sometimes-dystopic future-present landscape of Los Angeles, and by extension our current personal and societal predicaments. … Imagine taking one of your favorite records to the desert and playing it through a boombox during a swirling Van Gogh meteor shower.”
If the song is weighted by existential dread, it anticipates something better, a breakthrough of some kind. And that’s revealed in the video for the song, directed by Max Knight and starring Matt Russell, who plods through his household routine before finally catching the what’s-next spirit at the end.
What’s next for Motor Sales are more releases in 2018; since their original sessions, the duo have since reconvened with Everett to record a full album.