The Rutabega, Mint Mile, The God Eaters, Photo-Curio
1354 W. Wabansia Ave
Chicago, IL, 60642
This event is 21 and over
South Bend, Indiana‘s The Rutabega - singer-songwriter-guitarist Josh Hensley and drummer Garth Mason - make some of the fullest, brightest sounds ever generated by just two people, weaving punchy, short pop songs and sweeping, ten-minute epics together seamlessly. The first time I saw The Rutabega they were feeling every note of every song, and the crowd was right there with them — teary-eyed from the emotional weight of the material, yet smiling from the joy with which Hensley and Mason delivered it. This is music with serious healing qualities; fitting, then, that one of the highlights of that set — and the pair’s monumental 2013 full-band debut Brother the Lights Don’t Work — was a song called “The Shaman.”
Hensley started the Rutabega as a solo project almost 15 years ago, learning his way around a four-track while listening to a lot of Neutral Milk Hotel, Guided by Voices and Jeremy Enigk from Sunny Day Real Estate’s Return of the Frog Queen. He gained exposure from a split 12” EP with Owen, Mike Kinsella from American Football’s singer-songwriter project, on venerable Midwest emo clearinghouse Polyvinyl Records. But it wasn’t until Hensley hooked up with Mason in 2011 - a jack-of-all-trades who besides playing drums, plays auxiliary keys, records all the songs at home and runs live sound at the shows - that the Rutabega as we now know it came to be.
An eight-song cycle written for a wayward friend, Brother garnered comparisons to Built to Spill for its guitar heroics, Elliott Smith for its unfiltered emotion and Big Star for its pop sensibility. They have since sold out of three pressings of the self-released LP and toured to both the East and West Coasts, sharing bills with a range of household names from Low to Kurt Vile and Ben Folds.
The Rutabega’s Comedy Minus One debut Unreliable Narrator reprises the track-sequencing strategy that worked so well on Brother — short songs leading off both sides, longer ones ending them — and there are callbacks, lyrically and sonically. The ultra-catchy “Problem Solving Skills” finds Hensley continuing to ponder the changing nature of friendships over time; album centerpiece “Lip” showcases Mason’s thoughtful heavy hitting, a soaring major-key triumph in the vein of fan favorite “Turn on the Summer”; the string-laden “A Willow Strong,” on the album’s back end, has a similarly mournful feel as the last record’s “Through the Holes in the Floor.”
Yet one can hear the Rutabega’s increased confidence from having found its voice and audience with Brother in Unreliable Narrator’s more live-sounding execution, the natural by-product of having played countless shows in the years between the two records. From “Shiny Destination” (also the A-side of a seven-inch released in the spring of 2015) and “Settle Down,” the double-shot of power-pop perfection that opens the record, to “I’ve Been the Armour,” the sparse, melancholic slow burn that closes it — which, in its final minutes, turns on a dime to screaming catharsis, an unhinged side of Hensley we’d never heard before now — this is the sound of an already-great band, in their prime, turning yet another corner. - CZ
(members of Bottomless Pit, Silkworm, Songs: Ohia)
Chicago, IL etc.
The God Eaters
Three dudes making loud noise in the upper peninsula of Michigan.
Photo-Curio is a mostly rock quartet making experimental noisy pop with as much honesty as they can muster. They are also from Chicago.
Tickets Available at the Door