Sun Foot, Lens Mozer
428 S Hewitt Street
Los Angeles, CA, 90013
This event is 21 and over
For years, Sonny Smith has built his own brand of indie-folk and rock & roll, growing into a cult favorite along the way. To those who know his work, he's an incredibly prolific creator, with a dozen albums to his name and a handful of related projects — including multiple stage plays, a full-length musical and his nationally-recognized art installation, "100 Bands" — under his belt. A longtime fixture of San Francisco's arts scene, he's managed to fly just beneath the mainstream's radar for decades, while still releasing a string of acclaimed records with labels like Fat Possum and Polyvinyl.
On his newest record, Rod For Your Love, he gets back to basics. Produced by Black Keys frontman Dan Auerbach and recorded in Nashville, Rod For Your Love roots itself in old-school, guitar-fueled rock & roll. These are love songs built for the garage and the dance floor, with big-hearted melodies and thick harmonies. It's the stuff you might've heard in the 1960s, back when groups like the Kinks and the Velvet Underground were making left-field pop songs that celebrated the form while still bending the rules. With stacked vocal harmonies that sweep their way throughout the track list, Rod For Your Love nods to the past while still moving forward. It's a classic-sounding album that still belongs to the 21st century.
Released on Auerbach's new label, Easy Eye Sound, Rod For Your Love was recorded at the end of a cross-country tour. Smith and his band were firing on all cylinders, their rough edges sanded down by weeks of nightly shows. Meanwhile, 10 new songs had been written. Smith, who'd fallen in love all over again with his roles as a bandleader and frontman, didn't want to produce the tunes himself in a home studio. He wanted to focus on the music. Having heard that the Arcs, Auerbach's side-project, had covered one of his own songs during their own tour, Smith reached out to the Black Keys singer. Connections were made, studio time was booked, and Smith wound up finishing that countrywide tour in Nashville, where he and his road band tracked the album at Auerbach's studio.
Portland Los Angeles 3 piece who play low volume tunes through small amps and a drum set that consists of a hand drum, cymbal, pan lids, and electronic drum pad, all three singing, playing random cheap electronic keyboards maybe, and switching of instruments probably. Good to listen to if you are interested in the sun and tired of negativity. Sun Foot (Ron Burns [Smog, Hot Spit Dancers, Swell], Chris Johanson [the painter, The Deep Throats, Tina Age 13], and Brian Mumford [Dragging an Ox through Water, Jackie-O Motherfucker, Thicket, Jewelry Rash]).
Warm guitar nudges and a comfortable bass line invite you in to listen to Los Angeles musician Lens Mozer’s new single. It’s called “All My Friends,” but it’s not a cover of LCD Soundsystem (or Snakehips, for that matter). Rather, this “All My Friends” is a hypnotic and easygoing guitar-pop track in the tradition of Galaxie 500. Mozer observes to a fellow comrade, “I feel like you’re moving forward, taking chances getting older,” even though they feel the exact opposite. He advises, “Take your time and twist a little, take it in and dance in sunlight.” It’s pretty awesome advice — a fellow lover of reveling in vitamin D is always a necessary friend indeed. The song ain’t bad either, so listen below. - Stereogum