SOLD OUT (thanks!) Willy Tea Taylor, Tommy Alexander, and Taylor Kingman (($20))
65 Capp Street
San Francisco, CA, 94103
Doors 7:30 PM / Show 8:00 PM (event ends at 10:30 PM)
This event is 12 and over
Willy Tea Taylor
Willy Tea Taylor is a father, brother, and son. His remarkable ability to sing about profound subjects in a simple way makes his songs a great place to lose yourself. Much of that comes from his upbringing.
Willy grew up surrounded by rolling hills and horses in the small town of Oakdale, California. Known as the “Cowboy Capital of the World” for breeding so many world champion rodeo cowboys, Oakdale is still Willy’s home and the setting for many of his songs.
Despite coming from a long line of cattlemen – his grandfather Walt was one of the most respected of his generation – Willy’s first love was baseball. As a catcher, he had a gift for the nuances of calling a game from behind the plate. When a knee injury ended his ability to catch, Willy turned his attention to music.
At the age of 18, a discerning and intimate set by Greg Brown at the Strawberry Music Festival inspired Willy to pursue life as a folk singer. Strawberry would play an integral role in Willy’s development as a musician, going from spectator to stagehand, to performer. He made his main stage debut with his band the Good Luck Thrift Store Outfit at the 2009 festival. In 2015, Willy made his solo debut on the main stage. Willy has charmed fans at some of the best festivals in the country.
Willy calls John Hartford, Roscoe Holcomb, Bob Dylan, KISS, Weird Al Yankovic and Willie Nelson his biggest influences, but is always quick to advocate for his favorite contemporary songwriters which include Tom VandenAvond, Nathan Moore, and his Good Luck partner in crime, Chris Doud. He and VandenAvond have travelled the country together on a series of tours they call “Searchin’ for Guy Clark’s Kitchen” where each evening’s show is just a precursor to an endless quest for the kind of serene late night scene depicted in the cult classic documentary Heartworn Highways.
On his new release Knuckleball Prime, Willy received support from greats like Benmont Tench (Tom Petty & the Heartbreakers), Greg Leisz (Bruce Springsteen, Eric Clapton), and Gabe Witcher and Noam Pikelny of the Punch Brothers. Of the album’s title, Taylor says “most baseball players peak in their twenties, but knuckleball pitchers tend to blossom in their late thirties and early forties. I’m staring down my knuckleball prime.”
Led by producer Michael Witcher, the songs on Knuckleball Prime are arranged and accompanied magnificently by a first rate team of musicians and engineers. If you’re a fan of well-written lyrics, alluring melodies, and a voice that ties them together with emotion as deep as the artist’s own roots, you’ll savor Knuckleball Prime, and just about anything else Willy Tea Taylor has ever done.
"A phenomenal talent." - Micheal McDonald
"Wicked Indie rock." - Brett Lanier (Barr Brothers)
"A different kettle of gravy." -Willy Tea Taylor
“The downright truth about Alexander is that he is an expression of rebellion in a society that is trapped within institutional conformities and down-the-road retirement plans. Filled with an introspective and strikingly truthful style of songwriting, his music can be downright mind-bending -- especially for those of us who have grown used to Pandora's corporate jukebox and the cultural clichés that run with it.”
- Huffington Post
Tommy & co have been fortunate to share the stage with bad-as bands like: Mac Demarco, Michael McDonald, Big Thief, Willy Tea Taylor, Spirit Family Reunion, Aaron Lee Tasjan,Twain, People Under The Stairs & Susto
Over a short period of time, Tommy Alexander has emerged as a modern-day DIY trailblazing troubadour. When he was in his early twenties, the now 31-year-old songsmith had just dropped out of college, quit baseball and was sleeping on a friend's couch, working at a pizza shop. For his 21st birthday his parents bought him a Fender acoustic guitar, and as he started writing songs and playing guitar, his life started taking shape.
In 2009, Alexander traveled to the Northeast United States, landing in Vermont with $100 and his guitar. Tommy recalls feeling pulled to the NE by his pre-California family roots. "The air is different out there. The food tastes different," he said. "I love New England." After settling in Burlington, Vermont, two years later, Tommy founded a non-profit artist collective: Jenke Arts. Jenke became a staple of the underground Vermont art scene and quickly grew into a community center, recording studio, and even boasted an after school program to teach inner city youth basic recording and videography. For those first two years in Vermont, Alexander slept on a couch in order to prioritize music and art. "Being able to play and write songs all day was my goal. If you don't have a job or a rent it seems the most possible way to accomplish this."
By 2014, Jenke was hosting over 100 donation-based classes a month and a handful of shows, many of which Alexander recorded for release as a steady stream of tapes, CDs and digital downloads. He spent much of his time recording traveling bands who did not have a demo to their name. Finding outside funding and allowing these bands to record demos for free helped them book shows and grow.
Alexander kept himself very busy running the studio as well as fronting his own musical endeavors: Quiet Lion, Agent Slacker, and Set Up City. By 2014, Quiet Lion had done some regional touring including one extensive tour that took them as far West as Chicago. At this point, Alexander fully realized his love for being a touring act. In 2015, It became clear to Tommy that it was time to leave the Queen City and the NE & relocate to Portland, OR where he could focus solely on writing, recording and touring.
After a year of solo touring, which included a 65-show national tour and multiple west coast runs, Alexander's music found its way to legendary songsmith Michael Mcdonald. Mcdonald invited him to open a couple shows that year. "What a trip that was. And my parents were very excited," Tommy reminisced. Tommy decided it was time to make a record. After 3 full lengths, two EPs under other band names and countless of recordings for other people, Alexander made a record for himself, calling it Old News.
Alexander recalls hoping the record would be a step towards forming a band. "The idea was that the album would manifest a band. I figured if I could get a more full, rounded out sound it would be easier to put a group together."
Old News, was produced by Mike Coykendall (M. Ward, Blitzen Trapper, She and Him, Bright Eyes) and features guest appearances by Robert Burger (Iron and Wine), Jay Cobb Anderson (Fruition) and Buddy Weeks (Sallie Ford). Old News combines groovy rock beats with traditional folk influences, mixing modern sounds with meaningful messages.
The sound has been over and over again hailed unique and hard to pinpoint. Praised as infectious across the board, the music is palatable, powerful, and honest.
Taylor Kingman makes music that resets the clocks. You know the feeling of standing beneath a trestle on a hard day, a can of cheap beer, flicking a lighter and dreaming up wild ideas until a heavy train comes thundering overhead and you scream and scream until your voice gives out and you feel lighter? That’s the thing that lives deep in Taylor’s songs. There’s something so rubbed-raw honest and drunken-truth about them. You can’t help but be transfixed and transformed.
Born in Portland, OR and raised in Marion County, Taylor picked up a guitar and started writing at 12. In high school, he formed The Hill Dogs, a raucous, powerful band that hit hard beneath his explosive lyrics. After graduating, he wrote like a madman, played out heavily with the band, and taught guitar on the side.
In 2015, Taylor packed up and headed to Portland where he played anywhere and everywhere with The Hill Dogs until he blew out his voice and had to halt the band. The restrictions of his healing vocal chords gave way to a deluge of new writing. Taylor joined multiple projects around the city with some of Portland’s finest and recorded his debut solo album Wannabe at the great Mike Coykendall’s studio, due out November 17th on Mama Bird Recording Co. He recently formed ‘TK and the Holy Know Nothings’ with Lewi Longmire, Jay Cobb Anderson, Tyler Thompson, and Josh Simon as a vehicle for a growing ocean of new material.
Of writing songs, Taylor says, “Each word is a world waiting to swallow me whole. I get drunk off the pitter patter poetry of lines that root me to the cold, unforgiving ground, all at once, drowning me in the violent beautiful futility of humanity, yet, also, set fire to my eyes, sending me swirling and whirling, floating blind and thoughtless through the maze of the mind. I want the words to explode bloody in all their truth, for better or worse. Vivid images dripping with feeling bursting like lightbulbs in the back of the head.” Enough said. Train thundering. Sparks raining down.
Private Parlor Shows are open to all friends and fans of The Lost Church and the performers.
Seating is first come, first served. We recommend you buy in advance to ensure being a part of the event (parlor shows often sell out), but you can also try purchasing at the door on the night of the show.
Online sales are active until 9:30pm the night of show (unless sold out). You can purchase tickets right at the door using a card via your phone and the above Ticketfly.com link. Old-fashioned cash is also accepted.
Ages 12 and over are welcome. (Parental discretion is advised for some events).
The Lost Church
Thu, January 25
Fri, January 26
Sat, January 27
Mon, January 29
Tue, January 30