BoomBox: Western Voodoo Tour



A little house, a little blues, a little funk, a little rock, and a whole lot of soul blast through BoomBox.

Since first emerging in 2004, founder, songwriter, producer, and multi-instrumentalist Zion Rock Godchaux has been quietly seasoning this simmering recipe to perfection. However, it reaches a boiling point on his forthcoming 2018 fifth album, Western Voodoo [Heart of Gold Records].

At the same time, the Muscle Shoals, AL native stays true to what attracted countless fans in the first place.

“I remain open to anything you would hear coming out of a boombox,” he explains. “There are a lot of different vibes and angles, but it still adheres to a universal rhythm. This new record is the most musical and varied, yet it’s tightly wound in respect to that syncopation. There are only a few rules. It should be heavy groove. It should make you want to move. Overall, I’ve further developed the sound people are used to.”

Following up 2016’s fan favorite Bits & Pieces, the artist found himself at something of a crossroads. Longtime collaborator Russ Randolph amicably parted ways with the band at the end of the year. For the first time, Godchaux would solely produce the bulk of a BoomBox record by himself inside of his new studio, while DJ Harry joined on tour in January 2017. Another first, he even performed live bass on the album, opening up the creative palette dramatically.

“I’ve learned more about engineering and the technical aspects of recording. It’s been a time of soul searching. I can follow any Ideas that I want to. So there’s a lot more organic instrumentation. I’m just trying to develop more sonic real.” Appropriately, he dubs the sound of Western Voodoo, “Dirty Disco Blues.” Within that realm, Godchaux fuses a funky strut with electronic energy and danceable swagger powerful enough to cast a spell of its own.

“You hear about different forms of magic around the world,” he goes on. “The West, in general, has its own voodoo influenced by the blues. That’s what shaped me as a musician growing up in this country. It’s hard to put in the words, but you know it when you hear it.”

You hear it in everything that BoomBox has done thus far. Over the course of four albums, the group has become a streaming favorite with numerous tracks cracking a million plays on Spotify. Moreover, they’ve made audiences groove everywhere from Electric Forest and Hangout Music Festival to High Sierra Music Festival. To welcome DJ Harry into the fold, they performed 75 shows in 2017, with that number expected to grow in 2018.

“Harry picked up everything in a really short amount of time,” he explains. “The parties are just as hot, if not hotter. The music is getting tighter. He stepped in and kept the plane in the air.”

In the end, the new music kicks off the brightest and boldest chapter yet for Godchaux. “Our best side is somewhat medicinal,” he leaves off. “All of the rhythms, melodies, and frequencies add up to these healing properties. I hope people feel rejuvenated and re-focused on some level when they hear us. That’s Western Voodoo.”



As history has proven, anything can change in a day. The future happens as you live it. We’re existing in a time when the basics of tomorrow are up in the air; the politics of tomorrow are anything but predictable; the communication of tomorrow is not cut and dry; the music of tomorrow is not stagnant players reciting the same melodies, and therefore the band Of Tomorrow should embrace these unknowns as well. Of Tomorrow is a band growing out of DC who is redefining what it means to make music in this time and bringing audiences to new highs at festivals and venues across the eastern seaboard, including DC’s venerated 9:30 Club. Anchored by three pillars of diverse but precise musicianship, they invite the best virtuosos they know to create a unique experience for the audience every time, tying strong melodies, harmonies, and lyrics together with improvisational antics. No matter who accompanies the band of Tomorrow, and you’re bound to be enthralled.

Led by the power trio of Geoff Browning on guitar, Nick Söderström on bass, and Jon Modell on drums, the band curates a rotating cast of musicians and an ever-evolving encyclopedia of music: funk, rock, reggae, samba, hip-hop, soul - the list goes on. Browning leads on vocals, shying away from no subject and belting a versatile range both from his voice and his axe. He’s an ideal host for guest singers and rappers, passing the proverbial and literal mic across the stage all night. Of Tomorrow’s ever-steady bass player (Söderström) is on a planet all his own, consistent yet versatile, jumping from sitting in the pocket to blazing fast solo runs, driving the tension and release of the groove. His rhythmic other half (Modell) builds a flawless percussive foundation on which any number of players can offer the beat they feel, yet he still shines as the nucleus of this living, breathing musical being. The three core members Of Tomorrow balance and challenge each other through an expressive musical journey that fans share with them as they go. The music may never be exactly the same, but the songs and musicianship are unyielding, noone is ever a stranger, and everyone is part of the experience Of Tomorrow.

$20

Tickets

Upcoming Events
9:30 Club