Monday Night Residency - Lauren Ruth Ward

Baltimore bred, Los Angeles based singer/songwriter, Lauren Ruth Ward, is back in the studio recording new material as a follow-up to her recent self-titled EP.

While integrating herself into the LA community as a Barber, Lauren is also tirelessly performing at venues such as: The Bootleg Theatre, The Echo, The Lyric, Dirty Laundry, Viper Room, The Mint, Echo Park Rising, Hotel Café and partnering with organizations like SoFar Sounds LA, World Arts, and Play Like a Girl.

Recently enlisting producer/engineer, Grey Goon (Champagne Fever, US Royalty) for her full length LP, Lauren has also partnered with former Paperhaus guitarist, Eduardo Rivera, resulting in songs that draw from early 60s blues/psychedelia to todays pop while still maintaining her distinctly unique vocal style.

Liv Slingerland

Liv Slingerland is an alternative rock singer-songwriter and multi-instrumentalist based in Los Angeles, CA. In 2016, Liv self-released her band’s first single, “Shouldn’t Bother,” and has now added two tracks to complete their debut EP, Come Back to Me, co-produced by Scott Heiner. Slingerland’s second single, “Hold on To,” is described as “anthemic,” “vibrant,” and “reminiscent of the ‘90s” in the track’s premiere on L.A. music and lifestyle blog, Grimy Goods.The EP’s final statement, “Come Back to Me,” captures the band’s young twenty-something angst and highlights Slingerland’s versatile guitar work and punchy vocals. Over the past year, Liv has been playing live with her band at Los Angeles venues such as the Hi Hat, Harvard and Stone, The Echo, and The Satellite, in addition to festivals including Chinatown Summer Nights and Echo Park Rising, named the Best Music Festival by LA Weekly (2016).


YIP YOPS has a retro wave sound that blends the underground scene of the 80’s with a raw feeling lost in today’s popular music. YY’s 2017 release of their debut EP, Eyes, has been described by Chris Aspromonte of Casulin as, "an incredible high energy sound that cannot be easily replicated. This is a blend of genres that is unique to YIP YOPS and cannot be heard anywhere else at the moment." The EP is a diverse collection of the bands early works and represents some fan favorites. Jaded Culture writes, "This is the type of album that will make you either dance along, or sit quietly while you reflect and analyze your life. It’s truly a delicious experience!"

YIP YOPS was founded within earshot of the Coachella Valley Music and Arts Festival. Having the festival so close provided a backdrop that fueled the musical interest of the band members. Songwriter and lead vocalist, Ison Van Winkle co-founded the band with bassist Jacob Gutierrez and drummer Ross Murakami in 2013. Soon after, Mari Brossfield completed the lineup, adding keyboards and songbird vocals. Ison’s low-lit and chilling lyrics puts a spotlight on today’s divided culture and are complimented by the complex and colorful instrumentation. Soundscape magazine writes, “There isn’t a lot of music out there right now that sounds as original as this.” The band has been produced by Multi-Platinum and Diamond Certified, Oscar and Grammy-nominated Producer Ronnie King (2pac, Mariah Carey, The Offspring, Rancid, Snoop Dogg).

A top priority for the band is to offer a visually stimulating live performance that paints the story written in the music. YIP YOPS are known for their quirky on-stage fashion and antics as Ison’s performance has been compared to a “mad scientist." Comparisons have been made to Jim Morrison, Michael Hutchence and other iconic front men. In addition to being added to the Coachella 2017 lineup, they have shared the stage with Fitz and the Tantrums, Moving Units, The English Beat, Classixx, Gram Rabbit, Fishbone, and Royal Canoe to name a few.

The EP will be available mid-2017 with tour dates and music videos to follow.

Ramonda Hammer is a Los Angeles-based grunge band whose name comes from a lady featured on the early 2000s reality television show Cheaters. The show is funny and sad, kind of how frontwoman and band founder Devin Davis writes her songs. "Davis is the queen of grunge,” says KSPC. In 2017, the band caught Rolling Stone's attention, with writer Maura Johnston naming their "Destroyers" EP an editors' pick and writing "Devin Davis' knotty, unguarded wail and Justin Geter's distortion-heavy, brutally melodic riffs on tracks like the churning 'Bender' and the breakneck 'Care to Slam?' are like an alternate Nineties where L7 was the biggest band in the world." The band's rhythm section – bassist Andy Hengl and drummer Mark Edwards – turn Davis' songs into fully formed anthems: "crunchy, grungey, no-B.S. ’90s-style alt-rock” as Buzzbands.LA described it. They've shared stages with likeminded bands like Slothrust, Palehound, Priests, Potty Mouth, Colleen Green, Dude York, Pile, and were named one of L.A.'s hardest working bands by Oh My Rockness last year. In 2018, the band will reissue the "Destroyers" EP on vinyl, release an album on the New Professor label, and tour the U.S. extensively in support.


Art student Jessica Ramsey and island-raised Andrew Martin’s collaboration began in a small horse stable home in the back swamps of Louisiana in 2013. Within two weeks of meeting, the two declared each other “musical soul mates,” and Moon Honey was born. Their vigorous work ethic and unorthodox approach to songwriting culminated in the critically acclaimed debut album Hand-Painted Dream Photographs, mixed by Greg Saunier of Deerhoof. The unlikely collision of Bjork-esque melodies with late 60’s inspired, freak-out guitar riffs landed the band in The New York Times, NOISEY, and NPR, launching a number of cross country tour performances including an in-studio KEXP session and official SXSW showcases featured on NPR’s Top 100 Acts.

After garnering a vigilant west coast following, the pair relocated from Baton Rouge to Los Angeles in 2015. In a short period of time, the group released the single “Boy Magic” dubbed “Splendid prog-pop” by Amoeba Records, playing L.A. venues such as The Echo and Bootleg Theater with shows presented by L.A. Weekly and BuzzbandsLA. Inspired by their current tropical terrain and the outlandish culture surrounding the project, the band has just recorded a new album helmed by John Goodmanson (Blonde Redhead, Sleater Kinney, Death Cab) to be released in 2017.



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