Gerald Veasley's Unscripted Jazz presents
Gerald Veasley Live at South, CD Release Party
Donald Robinson, Marcus Myers, Pablo Batista Latin Jazz Ensemble, Wendell Sewell, Carl Cox (Sax)
600 N Broad St.
Philadelphia, PA, 19130
Doors 6:00 PM / Show 7:00 PM (event ends at 8:15 PM)
Watch & Listen
Gerald Veasley Live at South
Gerald Veasley’s musical odyssey has taken him to the top of the contemporary music world as a bassist, bandleader, composer, producer, educator, and curator. His performance as a six-string bassist has been top shelf, as his extensive body of work attests. Veasley has recorded or performed with many of the world’s top artists in Jazz, R&B and Gospel: Kirk Whalum, Will Downing, Chuck Loeb, Maysa, Nnenna Freelon, Special EFX, Pieces of a Dream, McCoy Tyner, The Jaco Pastorius Big Band, Gerald Levert, Teddy Pendergrass, Philip Bailey, the Dixie Hummingbirds, John Blake, Odean Pope and Pat Martino.
Veasley’s new recording, Live at SOUTH is the latest chapter of a multi-decade career of combining jazz, funk and soul genres into a tantalizing blend of earthy sophistication. Schooled by his mentors Joe Zawinul of Weather Report fame and saxophone giant Grover Washington Jr., the six-string bassist continues to blur musical boundaries with his latest project. As the title suggests, Live at SOUTH was captured live at South Jazz Parlor, a premier jazz venue, located in Veasley’s hometown of Philadelphia. The recording documents Veasley’s outstanding band in a 10 song set of music that is fresh, in-the-moment and crackling with intensity. The songstress Carol Riddick is featured in a breathtaking version of the Sound of Philly classic, “You are Everything”.
Live at SOUTH is also the natural outgrowth of Veasley’s role as a curator of the Unscripted Jazz Series at SOUTH Jazz Parlor. Launched in October 2015 (co- curated by Roxanne Veasley), the series has presented over 140 exciting nights of music to enthusiastic audiences in an intimate setting. The "Unscripted” format is perfectly suited for artists who, like Veasley, have broad musical tastes and experiences. Allowing them to showcase their versatility, the series has attracted many celebrated guest artists: Gerald Albright, David Benoit, Rick Braun, Randy Brecker, Alex Bugnon, Maysa, Raul Midón, Janis Siegel, Peter White, Kirk Whalum, and a growing roster of established and emerging artists.
Having a passion to educate and motivate other musicians, Veasley has served on the faculty of the University of the Arts (Philadelphia). Veasley is also the Artistic Director and Co-Founder of Gerald Veasley’s Bass BootCamp. Established in 2002, the annual event has informed and inspired hundreds of bass players of all levels and ages.
Veasley has more intriguing projects on the horizon: “I Got Life”, a studio album and tour in tribute to the life and music of Nina Simone, an all-star album celebrating the musical legacy of his hometown of Philadelphia, and a spinoff of the Unscripted Jazz Series, Pablo Batista’s Latin Jazz Series.
Musician. Educator. Curator. Veasley’s life as a creative professional is clearly multifaceted. Indeed, he wears various “hats” yet he is motivated by a singular purpose - to translate his joy of music to the world - music without boundaries.
Donald Robinson, is an established presence in the music industry. He spent seven years as Keyboardist and Music Director for Grover Washington Jr and has played keyboards with jazz artist such as Gerald Veasley, Kirk Whalum, Kim Waters, Chuck Loeb, Najee, Stevie Wonder, Will Downing, Rick Braun, Walter Beasley, Eric Madriathal, Andy Snizer, Eric Darius and many others. His Productions credits include three #1 songs on the Billboard R&B charts, and he has arranged, written and /or produced songs for Nancy Wilson, Phyllis Hyman, Vanessa L.Williams, Rachelle Ferell, Stephiane Mills, Phil Perry, Gladys Knight, Tisha Williams, Jasmine Guy, Dawnn Lewis, and many more.
Mr Robinson has secured publishing deals with both EMI Music Publishing Company and Motown Jobete Music, Inc. He is an active member of BMI and ASCAP, and has serve as a board member of the Phila.Chapter Of NARAS of the Grammy Recording Academy. He is an accomplished performer and writer, having been selected to play keyboards on the 2 x Grammy winning CD Standing In the Shadow Of Motwn tour, as well as tour with bassist Gerald Veasley. His song "Constantly" recorded by Vanessa Williams and most recently recorded by Nina Girado ( 7x's Platinum female vocalist). Constantly can be seen on YouTube with over 1.2 million hits and counting.
In addtional to his duties with S.O.W. Productions, Mr Robinson is the Director Of Contemporary Music at Narberth Presbyterian Church in Narberth, PA. He is the husband of Carrie Robinson and the father of 3 children. ( Lyrica, Jacquelyn and Donald Jr.) He Graduated with a degree in the Fine Arts from the University Of The Arts in Philadelphia, Pa and an Associate Of Arts at Community College Of Philadephia.
Pablo Batista Latin Jazz Ensemble
Master percussionist Pablo Batista has performed, recorded and toured internationally for nearly 30 years with some of the biggest stars in rhythm and blues, jazz, Latin, pop, and gospel. These have included artists as diverse as Alicia Keys, Patti Labelle, Kirk Franklin, Jill Scott, Gerald Levert, Jeffrey Osborne, Phyllis Hyman, Teddy Pendergrass, Diane Reeves, Norman Brown, Manny Oquendo and Libre, Eddie Palmieri, and Musiq.
In 1981, Pablo’s student demo of folkloric percussion music recorded at Temple University brought him to the attention of Grover Washington, Jr. At the time, Washington was serving as producer for R & B star Jean Carne and he invited Pablo into the studio as a professional for the first time. That record became a huge hit and Pablo went on to record and tour with Washington periodically from 1985. From 1991 on, he served as his rock-solid percussion “road dog” right up to Grover’s untimely passing in 1999.
A drummer of amazingly diverse talents, Pablo B. is highly regarded for his professionalism, tireless work ethic, and ability to listen and integrate his playing into almost any style at the highest level of musicianship. During the heyday of “the Philly sound,” Pablo was frequently called in to play on Philly International Records studio sessions with some of the label’s most accomplished producers. Hired by legendary R & B producer Nick Martinelli, Pablo performed on Regina Bell’s debut album “All By Myself” which included the smash hit “Show Me the Way.” In the late 1980s, an audition for Jeffrey Osborne won him the percussion chair over a pool of 20 L.A. studio percussionists and he toured with Osborne from 1988-1991.
Raised in close-knit, education-oriented family from Puerto Rico, Pablo Batista grew up in Bethlehem Pennsylvania where he began studying Latin percussion at the age of 9 years. Starting with hand drums under the tutoring of master percussionist Miguel Candia, he went on to absorb popular Afro-Caribbean music styles and developed a special interest in salsa. Following graduation from Bethlehem Catholic High School in 1981, he attended Temple University where he earned a Bachelors of Fine Arts degree in 1985.
In 1985 Pablo became a Latin Percussion/LP endorser and clinician. That same year he began teaching Afro-Caribbean percussion privately and also with youth at Philadelphia’s Latin American Musicians Association (AMLA). During 2000, he began a more serious and protracted study of Afro-Cuban drumming and culture. In 1991, while teaching at AMLA between tours, Pablo received his first grant from the Pennsylvania Council on the Arts. This enabled him to do folkloric research in Cuba under sponsorship of the Philadelphia Folklore Project. He went on to receive this award four times and continued travel to Cuba to study under the masters Pello “el Afrokan,” Roberto Vizcaino, Miguel “Anga” Diaz and others. In 2000, Pablo was the recipient of the prestigious Pew Fellowship in Folk Arts. This enabled him to deepen his knowledge of the Afro-Cuban tradition at the source.
Artistically restless and never one to sit still for long, Pablo Batista continues to study, practice, record, tour, and teach. In 2010, after several previous tours and Grammy-winning, multi-platinum recordings with soul mega-star Alicia Keys, he was back on the road with her “Elements of Freedom Tour.” This culminated in a performance at the World Cup ceremonies in South Africa before an estimated combined live and broadcast audience of over one billion people. At mid-year, Pablo appeared as a guest with the Philadelphia Orchestra Percussion Group under the leadership of Don Liuzzi. He also found time for community performances at
local venues like the Robin Hood Dell East and West Philadelphia's Cedar Park Jazz Series. In addition to dates with the Ojays and Patti LaBelle, he taught disadvantaged students
in North Philadelphia and conservatory students at Curtis Institute of Music.
During 2011, Pablo Batista began working on a new, innovative series of compositions and arrangements that seek to integrate African Yoruba elements into the more accessible musical styles with which he is so familiar and so proficient. In 2013, Pablo received a second Pew Charitable Trust Grant to further his study of traditional folkloric music. He was also invited to perform, as a solo percussionist, at the renowned Caribbean Music Festival. While in Cuba for the music festival, he undertook daily studies in Afro-Cuban rhythms with The Ballet Folklórico Cutumba, one of Cuba’s most vibrant folkloric dance companies. Pablo hopes to make the traditional music more widely accessible to new audiences of varied ethnic backgrounds and musical tastes, and to show how deeply the “Latin tinge” continues to inform and animate American popular music.
Mr. Batista’s devotion to the traditional Latin forms is currently on display via his magnificent ensemble, Pablo Batista and the Mambo Syndicate. The band offers the best salsa dura and dance music in the tri-state area. They perform a range of Latin rhythms and styles reminiscent of the Sunday dance concerts at New York's legendary Palladium during the Golden Age of Latin Music. Songs by Celia Cruz, Tito Puente, Johnny Pacheco, Hector Lavoe, and Ray Barretto are featured in the Pablo Batista and the Mambo Syndicate’s repertoire. In addition to Batista's dazzling conga skills, the band consists of an exceptionally talented, dynamic, and well-schooled line-up of supporting players on piano, bass, horns, percussion, and vocals.
Session guitarist, producer, songwriter in Philadelphia, PA
Carl Cox (Sax)
South Jazz Club
Fri, January 18
Fri, January 18
Sat, January 19
Sat, January 19
Sun, January 20