Quantic (Live), Photay (Live)
Lemonade (DJ Set)
599 Johnson Ave.
Brooklyn, NY, 11237
This event is 16 and over
British multi-instrumentalist, producer, DJ, remixer and band leader.
Photay is the solo musical endeavor of Evan Shornstein, a 21-year-old hailing from the lush and peaceful evergreen valley of Woodstock, NY.
Having been introduced to Aphex Twin at the tender age of 9, he quickly began to embrace music in all of its forms. This early inspiration provided a foundation for his musical growth in drumming, turntablism and eventually composition. Drawing on a wide range of global influences, he dove headfirst into the world of audio experimentation, initially through mixes recorded using his turntables, and later on through the use of digital audio software.
After an eye-opening trip to Guinea, West Africa, Photay was born. Combining his newly acquired knowledge of polyrhythmic percussion and years of experimenting with sampling and field recordings, he went on to create and self-release his first project under the alias. Seamlessly combining a variety of audio sources and techniques, Photay’s sound is a balancing act of analog and digital, of natural and synthetic. It is not designed exclusively for headphones nor the dancefloor, but is genuinely at home in both contexts.
This unique and confident young voice is in full effect on his debut self-titled release for Astro Nautico. Restlessly playful, Photay’s unique range of compositional skills are immediately apparent, with tempos and moods spontaneously emerging and evolving organically. Fusing catchy melodies with unusual textures, this is invigorating music that speaks an ancient language. It is vibrant, dynamic and beautifully unexpected. It will move you.
Lemonade (DJ Set)
Formed in San Francisco, Lemonade initially crafted visceral, psychedelic, and vaguely tropical rave journeys that touched upon dozens of the group's influences (Liquid Liquid, Sons of a Loop Da Loop Era, Digital Mystikz) without sounding particularly like any of them. Early shows offered otherworldy, mind-bending experiences that drew a loyal MDMA-crazed local following. The phenomenon only intensified after the release of the band's self-titled debut LP in 2008 and subsequent move to New York.
That mostly improvised, ecstatic collection of "agile, hedonistic pop music" (as called by Radio 1′s Mary Anne Hobbes) earned praise from the indie and dance communities alike. Pitchfork wrote, "it vividly replicates that first sensation of losing yourself in a peak-hour, strobe-lit reverie, where the communal act of dancing teeters between liberation and disorientation."
2010 saw the band's second release, Pure Moods, an effort by Lemonade to steer their schizophrenic palate through pop waters. Combining warped old-school rave, R&B, grime, a variety of global rhythms, and other styles too numerous to list, the record was an important stepping stone for a group that was only beginning to discover the emotional potency of out-and-out pop songwriting.
Now, more than two years later, that transformation is complete, as Diver documents Lemonade operating as a focused unit, one that's more interested in speaking to your heart than blowing your mind. Traces of the group's disparate musical interests still populate the record, but make no mistake, Diver is a bold and sensual electronic pop record.
Diver swims ecstatically in every thing from the melodies of early 90′s R&B, UK 2-step Garage, Balearic house and NY freestyle to '80s pop-rock nostalgia, wispy new age, boy-band innocence, and synth-driven Euro-trance. The production, assisted by Fisherspooner collaborator Le Chev, is exceptionally crisp. Diver also contains some of most easily digestible music Lemonade has ever produced, yet it is anything but shallow. Callan's lyrics now look inward, to his attempts to hold on to redemptive love and romance in a cybernetic, information-rich world.
"The three San Franciscans-cum-Brooklynites in the band Lemonade ... process the best bits [of dance-music subgenres, hot world music, and the post-punk revival] into something practical and satisfying. ... With their muscular, aggressive approach to dance music, Lemonade operate from a similar base as other percussive post-punk new-schoolers, from party-starting outfits like !!! and Professor Murder to more abrasive acts like Aa and Liars. But the trio strike a singular balance between weird and wired: eight-minute centerpiece "Nasifon" finds Clendenin's voice sliding further into indecipherability-- imagine Metal Box-era John Lydon bellowing out Sigur Rós' Hopelandic lyric sheet-- but layers it with Arabic-accented melodies, machine-gunned synths and a pounding 4/4 beat that would go over both in Williamsburg warehouse parties and Dubai super clubs." --Pitchfork