217 E Houston St.
New York, NY, 10002
Doors 6:30 PM
This event is 21 and over
Lindi Ortega gives fair warning: “Don’t come any closer to my heart /If you’re afraid of the dark.”
However, that shroud is slowly lifted in Liberty . As the narrative unfolds in this concept album, a central character emerges – one who finally sheds the darkness of her past and emerges into the light. As melodies and tempos change throughout Liberty , her journey carries her steadily forward. Listen closely and you’ll find Ortega’s experiences in the lyrics too.
“I think the most important thing for me was that I ended on a very positive note because I've had so many people tell me that my songs helped them through really hard times in their life,” Ortega says. “That struck a chord for me, because just like everybody else, I have had hard times in my life, and continue to have pockets of difficult moments here and there. If I can provide some sort of solace with my music, then that gives me every reason to make music. I wanted this record to be all about helping people through the darkness.”
The melodies and arrangements of Liberty draw on the epic work of Oscar-winning composer Ennio Morricone, who became one of Ortega’s musical obsessions during the writing and recording of Liberty . Moreover she enlisted Nashville producer Skylar Wilson (Justin Townes Earle, Rayland Baxter) when she discovered their shared passion for Quentin Tarantino movies. It is fitting that NPR’s All Things Considered has described Ortega as “ genre-defying in both her music and her personal style.”
During the sessions at Battle Tapes studio in East Nashville, Ortega and Wilson scaled back the boot-stomping, throwback country approach that she’s known for, instead polishing a set of music that reflects her lineage. Her father is Mexican; her mother is Irish. The sonic landscape of Liberty is enhanced by Nashville band Steelism, known for their dramatic blend of pedal steel guitar and electric guitar, as well as Country Music Hall of Fame member Charlie McCoy on harmonica.
In 2017, Ortega opened select dates for Chris Stapleton and Dwight Yoakam. In addition, she married Canadian musician Daniel Huscroft and relocated from Nashville to Calgary. Liberty concludes with “Gracia a la Vida” from the pen of Chilean composer Violetta Parra. The title translates as “Thank you to Life.”
“Even though I always tried to have a silver lining, whether it's by making my songs
tongue-in-cheek, or writing some dark lyrics to happy music, there's always been an element of balancing light and dark on my previous albums,” Ortega explains. “But this is a full story, and I wanted everybody to be able to take something away from it at the end of the day.”
Lost + Found is an apt title for Hugh Masterson’s first solo effort, set for a June 2, 2017 release on Rock Ridge Music. The six songs cover a heartfelt journey through surviving loss and life changes while gaining self-awareness through experience. His self-deprecating way of viewing himself is endearing, and his songs are deeply personal. “I use songwriting as therapy,” he says. “I think other people will relate to these songs. Finding happiness daily is not an easy thing.”
Recorded at Key Club Recording Co. in Benton Harbor, Michigan, the album was co-produced by Masterson and Bill Skibbe, best known as engineer for The Black Keys, Dead Weather, The Kills, and many others. The duo succeeded in bringing Masterson’s own unique perspective to the Americana music he makes, his sound boasting a Midwestern bounce and jangle coupled with Nashville wail and grit. It’s easy, it’s familiar, it’s twangy-goodness, pedal-steel Southern rock; it’s a dusty ride down a road winding through rural Wisconsin or backwoods Tennessee.
Growing up in Butternut, Wisconsin, Masterson lived a very rural life in a tiny town: population (as of 2013) is 372. “There were no businesses, really, besides the gas station, a bakery, bars and taverns,” Masterson explains. “The bar was the meeting place. The parents would take the kids there so people could socialize and listen to whatever music was playing on the jukebox.” Their dad’s ultimate favorite was The Band, which was a constant in the Masterson household, along with the Beach Boys, Led Zeppelin and the Rolling Stones, along with John Hiatt and Lucinda Williams.
The first single, the title track “Lost + Found,” tells the story of Masterson getting mugged one night in Milwaukee. He was hit in the head with a tire iron and his jaw was broken in two places. I got beat up just walking around town/Hold my head up high still on the ground/ Don’t know why I came here/Don’t know what I’m fighting for. Masterson explains: “It’s about when you feel like you're not sure why things happen to you. You’re not sure how to navigate life the best way that you possibly can, because you're not seeing the signs that you need yet.”
Several years after the mugging, and following the death of his mother, Masterson made the move from Milwaukee to Nashville. Unbeknownst to him, this move would end up being the catalyst for the breakup of his band, Hugh Bob and the Hustle, who were starting to enjoy both industry and fan attention. Masterson was set on leaving Wisconsin while the rest of his band decided to stay put. “I had planned on moving to make a better opportunity for all of us,” Masterson says. “I just assumed everyone else was going to come with me… that was the plan. Then I got here and no one else showed up. Life changed.”
Masterson took quickly to the East Nashville music community, befriending a number of artists with whom he’s toured recently, such as The Lone Bellow, Margo Price, Nikki Lane, Anderson East and several others. Additionally, he’s drawn attention from the Americana Music Association, CMT, KCRW’s “Morning Becomes Eclectic,” Rolling Stone, World Café, and South by Southwest.
Even though he always felt music calling, Masterson is also a skilled woodworker, which is his creative and rewarding day job. “I’ve always liked working with my hands,” he explains. “Growing up where I did, if something broke, you fixed it. You figured it out somehow. I feel really calm when I have stuff to do with my hands.”
Masterson plans to hang up his woodworking tools long enough to hit the road to bring his intensely personal songs to a live audience later in the year. “Playing solo, I feel a responsibility to be captivating and keep people’s attention. I’m just trying to be entertaining, to have a decent message people can relate to, and to play good music.” With Lost + Found, Masterson is poised to achieve his goal of helping other people by sharing his own experiences. “I hope people can find something in these songs they can relate to, whether it be fun times or hardships.”
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