Lindi Ortega

Lindi Ortega

Lindi Ortega gives fair warning: “Don’t come any closer to my heart /If you’re afraid of the dark.”

However, that shroud is slowly lifted in Liberty . As the narrative unfolds in this concept album, a central character emerges – one who finally sheds the darkness of her past and emerges into the light. As melodies and tempos change throughout Liberty , her journey carries her steadily forward. Listen closely and you’ll find Ortega’s experiences in the lyrics too.

“I think the most important thing for me was that I ended on a very positive note because I've had so many people tell me that my songs helped them through really hard times in their life,” Ortega says. “That struck a chord for me, because just like everybody else, I have had hard times in my life, and continue to have pockets of difficult moments here and there. If I can provide some sort of solace with my music, then that gives me every reason to make music. I wanted this record to be all about helping people through the darkness.”

The melodies and arrangements of Liberty draw on the epic work of Oscar-winning composer Ennio Morricone, who became one of Ortega’s musical obsessions during the writing and recording of Liberty . Moreover she enlisted Nashville producer Skylar Wilson (Justin Townes Earle, Rayland Baxter) when she discovered their shared passion for Quentin Tarantino movies. It is fitting that NPR’s All Things Considered has described Ortega as “ genre-defying in both her music and her personal style.”

During the sessions at Battle Tapes studio in East Nashville, Ortega and Wilson scaled back the boot-stomping, throwback country approach that she’s known for, instead polishing a set of music that reflects her lineage. Her father is Mexican; her mother is Irish. The sonic landscape of Liberty is enhanced by Nashville band Steelism, known for their dramatic blend of pedal steel guitar and electric guitar, as well as Country Music Hall of Fame member Charlie McCoy on harmonica.

In 2017, Ortega opened select dates for Chris Stapleton and Dwight Yoakam. In addition, she married Canadian musician Daniel Huscroft and relocated from Nashville to Calgary. Liberty concludes with “Gracia a la Vida” from the pen of Chilean composer Violetta Parra. The title translates as “Thank you to Life.”

“Even though I always tried to have a silver lining, whether it's by making my songs tongue-in-cheek, or writing some dark lyrics to happy music, there's always been an element of balancing light and dark on my previous albums,” Ortega explains. “But this is a full story, and I wanted everybody to be able to take something away from it at the end of the day.”

Minor Characters

Minor Characters is a rock band in the truest sense. As lifelong Chicagoans, the men in Minor Characters carry with them that very American blend of wistful angst and ever striving hope. Their last record, 2014’s Voir Dire, “was such a stressful moment in all of our lives that I think the band kind of imploded and deflated because of it,” recounts Andrew Pelletier, whose sharpened tenor soars above the band’s thick layers of guitar. That stress combined with the facts of being American in 2016, when Andrew found himself writing again. The mixture of private and public tumult resulted in a series of deeply personal travelogue vignettes and sardonic reflections on the band’s health.

Minor Characters deliberately afforded themselves as much time as the record itself demanded of them. Rather than booking a sprint of sessions to bang out all the songs at once, Andrew and Shelby allowed the songs to morph with every taped iteration. “We're doing string arrangements on this record, horn arrangements, there's organ,” says Shelby, reflecting on the care and focus invested in producing We Can’t Be Wrong.

“To be honest, it feels like the start of a new band,” Andrew offers, showing the striving hope side of his Chicagoan nature. “It just feels like the start of my career, like everything that I've done before this, even with this band, has been a demo for what is about to come.”

We Can’t Be Wrong comes out April 6, 2018, with “Pimps of Freedom” and “Nola” out now as singles.

$15.00

Tickets

Due to family emergency, Hugh Masterson, who was originally booked to open up for Lindi Ortega at this show, will no longer be able to perform. Minor Characters (solo) will now open the show.

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