Jason Scott - Living Rooms - Vinyl Release
Carter Sampson, Erik Oftedahl, Kyle Reid, John Calvin Abney
425 NW 23rd St
Oklahoma City, OK, 73103
Doors 7:00 PM / Show 8:00 PM
This event is 21 and over
Watch & Listen
Jason Scott is multi faceted musician
singer/songwriter from Moore OK.
Owner of ON Studios, lead man of jazz/pop group The Dulcets, and co-founder of String and Sound, Jason has played/sang throughout the country in various projects.
Jason can be found working in his recording studio or playing tunes at the local pubs when the wedding season isnt in full swing.
Jason is currently a student at ACM@UCO studying music production and business.
Carter Sampson is an Okie-born (Oklahoma City, OK) singer/songwriter with a big voice.
The Oklahoma City-based artist is blessed by a musical family legacy that includes talents like Roy Orbison.
Her journey as a naturally independent, free-spirited musician has seemed almost predestined at times. At age 15 she began experimenting with sound as a way to pass the time; now her creativity has matured into the dedicated and passionate performance that makes her a favorite female vocalist.
“I’m pretty much the same me working on the same goals … maybe a little more grown up. I think I am more confident than I was when I first started playing. I’ve always been brave, but I’m more sure of myself now,” Sampson exuded.
As a relatable artist, her empowering music appeals to a wide range of folks, who are incredibly and admirably loyal to her and her work. She’s the founder and director of Oklahoma City’s Rock ‘n’ Roll Camp for Girls, which always partners with nonprofit organizations that empower girls and women through music education.
The inspiring artist also averages about 220 shows annually – in areas like Oklahoma and Arkansas, as well as Colorado, New Mexico and Texas. But as the self-penned ‘Queen of Oklahoma,’ Sampson’s red boots are happiest when they’re on her home turf.
“I am proud to be from Oklahoma and really proud of the music that is coming out of the state right now. I wish we were more progressive in a lot of areas, but it feels like slowly change is happening.”
Though she travels for the love of making music, she’s no stranger to awards. She was named a Top 12 Finalist in the 2012 Mountain Stage NewSong Contest and performed at Lincoln Center in New York. This year, she won first place in the general category of the Chris Austin Songwriting Contest at Merlefest in Wilkesboro, N.C. – with her song “Wild Bird”, which was additionally released by Pinecastle Records.
She also won fourth place in the Colorado-based Telluride Troubadour Contest at the Telluride Bluegrass Festival and was a Top 10 Finalist in the Rocky Mountain Folks Festival’s Songwriters Showcase in Lyons, Colo.
Her third album, Good for the Meantime, was released in 2008. Then in 2011, she launched a Kickstarter project for Mockingbird Sing, in which she gave supporters rewards to help secure adequate funds within 30 days. After that huge success, she recorded a five-track acoustic EP, Thirty Three, at Treelady Studios in Pittsburgh/Turtle Creek, Penn.
“I feel like I am right where I am supposed to be doing exactly what I am supposed to be doing,” Sampson said, reflecting on the long road that led to right now.
Her fourth full-length studio album, Wilder Side, was released on Tuesday, Jan. 12, 2016. Like Good for the Meantime it features the heady handywork of producer/multi-instrumentalist Travis Linville, who, like Sampson, has a unique sound all his own.
With a strong base of folk, blues, and roots this powerful indie folk singer/songwriter has crafted a unique sound of his own. Carrying influences from artists such as Ani Difranco, Ray Lamontagne, Gregory Alan Isokav, Martin Sexton,and Ryan Adams, just to name a few, Erik The Viking isn't bound by genre, but broadened with a deep appreciation of the way all kinds of music can reflect the diversity of the human spirit.
John Calvin Abney
John Calvin Abney doesn't stand still. He would be the first to tell you that.
Abney originally made his name as a rowdy side man, playing guitar, pedal steel, keys and drums for a number of other acts. Thanks to years of extensive touring, both solo and as a gun-for-hire, Abney is now possessed of some impressive instrumental stage chops. Lately, it’s lyricism where he finds his inspiration, with encouragement from a host of Oklahoma songwriters in close proximity. His 2014 and 2015 releases, “Empty Candles” and “Better Luck,” find him abandoning his backseat post in favor of plaintive love songs and the misadventures of a handful of colorful invented characters. There are glimpses of technical prowess in this new chapter, to be sure—that is to say, to play is still the thing, but now with an intent focus on storytelling.
Few songwriters can weave so seamlessly in and out of genre that listeners are left wondering if they indeed heard what they thought they heard. And if they listen again, they’re likely to hear something else. Abney’s songs can be both frenetic and meditative, deeply affectionate and mired in loneliness, and, like Abney himself, both road-weary and ready for adventure.