Daedelus: Antidote Tour

Like his mythological namesake, Daedelus is an inventor, a creator of sonic labyrinths combining sounds from an eclectic palette into an innovative genre all his own. Otherwise known as Alfred Darlington, the Los Angeles producer has over two-dozen releases on a variety of labels and collaborates with musicians in many worlds: electronic, jazz, hip-hop, etc. His music runs the gamut of emotion, alternately intense and mellow, exuberant and melancholy, danceable and introspective.

Daedelus has performed over a thousand shows for audiences on five continents, everywhere from Iceland to Istanbul. He is a founding father of the L.A. "Beat Scene," often playing the storied Low End Theory club nights. Each live show is unique, employing Monome controllers and open-source software which allows for on-the-fly improvisation. The backdrop onstage is Daedelus' collaborative invention Archimedes, a robotic array of moving mirrors which reacts to and reflects the performance. Daedelus most recently composed the soundtrack for the award-winning video game Nidhogg.
Alfred was born in Santa Monica in 1977 to an artist mother and psychologist father. Musical from very early on, as a child he was classically and jazz-trained in a number of instruments, but his interests were broad and varied – less a prodigy than a renaissance boy whose obsessions ranged from Greek legend to the mountains of Wales. As a 15 year old he finally persuaded his parents to take him to the Principality. Whilst in a YMCA in London he flipped the radio dial, found a pirate radio station and taped some UK rave and hardcore. “It was my first ‘Eureka!’ moment in music,” he says.

Back in the US he joined local rock bands, jazz bands and ska bands, which he enjoyed but felt limited by,too. At home he was listening to Warp, Ninja and your harder electronic stuff. He started DJing out the more leftfield side of drum and bass and making his own rudimentary productions. They were meant to be drum & bass but they kept turning out different and from his outsider’s experiments his own style was born. He chose the name Daedelus as he had a childhood obsession with invention, and what was he doing, after all, if not tinkering and fiddling and experimenting like the “gentleman inventors” of old?

Free The Robots

Chris Alfaro is Free the Robots. The genre-defying artist pulls together heavy doses of traditional jazz, psych, electronic and hip-hop, with progressive melodies and devastating drums into a rich pot of sound. His techniques create harmony between genres with the blending of obscure samples with analog and digital compositions.


Based out of Santa Ana, CA, Free The Robots started as a side project by Alfaro in 2003 while also playing with different bands, producing MCs and DJing. Having worked with so many different styles of music, Free the Robots brought everything together under one roof, allowing further exploration. With the use of samples, Controllers, and other live instruments, Alfaro creates a balance between the sounds of the past, present and future. As a musician, beat maker, DJ, and owner of the iconic restaurant / bar, The Crosby, he has always had the ability to jump in and out of other worlds inspiring a unique signature sound that hints at jazz, psych, electronic, and hip hop, while remaining un-genre-fiable. His open-ended imagination and tendency to break free from any boundaries keeps a steady flow of ideas running through his head, constantly moving him forward; away from robotic monotony, ultimately freeing the robots.

Rooted in Santa Ana, CA, Free the Robots has spent over a decade taking his craft to audiences around the globe. Known as one of the pioneering artists to come out of LA's beat movement, he continues on building his line up of original recordings in directions still unknown. The energy and technical skill behind his live performances have landed him among the greats, sharing stages with the likes of Dj Shadow, Prefuse 73, Flying Lotus, to Afrika Bambaataa, The Glitch Mob and more.

In defying the laws of tradition, Los Angeles based music producer Mono/Poly has managed to outstrip the logics of multi-genre producing. Known for his distinct madness of face melting bass, paired with his dreamy astral soundscapes of glitch-based hip-hop, Mono/Poly has proved himself to be a natural phenomenon.

Mono/Poly appears on releases from Warp records and Planet Mu, featured alongside fellow artists Flying Lotus, Thundercat, Daedelus, and Nosaj Thing. His gravitational attraction to revolutionary sounds has gained vast recognition among listeners and artists as one of the hottest up-and-coming producers in the world. He started 2015 with a featured track on the new Grand Theft Auto 5, the release of Ne-Yo's 'Religious', and 'Skip Skip' by Tha Dogg Pound & Snoop Dogg.

2017 has been a busy year for Mono/Poly with a recently released remix on Noisia’s newest album “Outer Edges: Remixes”, as well as working on Thundercat’s newest album “Drunk”, Kendrick Lamar’s latest “DAMN.” and releasing “Union EP” with london vocalist Alyss in July. He continues to perform his live sets across the globe having covered places such as Greece, Switzerland, France and Lithuania, in addition to his touring in the US.

Phonographiq (spinning throughout the night)

Phonographiq is a vinyl anthropologist / rhythmic technician living in Fishtown, Philadelphia. Phonographiq plays phonograph records at the wrong speed and is the former chairman of the United States Department of Boom Bap. Phonographiq moonlights as a computer music composer typically between the hours of 1 and 5 AM and no longer distinguishes the distinction or difference between 128kb Soundcloud rips and 180gram virgin vinyl. Phonographiq rotates records clockwise as per RIAA standard and has lofty ambitions to be the first vinyl-only DJ on the moon.

$17.00 - $20.00

Tickets

All shows are 21+ Proper I.D. required for admission

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