777 Valencia Street
San Francisco, CA, 94110
Doors 8:00 PM / Show 9:00 PM
This event is all ages
Watch & Listen
Thurston Moore moved to NYC at eighteen in 1976 to play punk. He started Sonic Youth in 1980. Since then Thurston Moore has been at the forefront of the alternative rock scene since that particular sobriquet was first used to signify any music that challenged and defied the mainstream standard. With Sonic Youth, Moore turned on an entire generation to the value of experimentation in rock n roll – from its inspiration on a nascent Nirvana, to Sonic Youth’s own Daydream Nation album being chosen by the US Library of Congress for historical preservation in the National Recording Registry in 2006. Thurston records and performs in a cavalcade of disciplines ranging from free improvisation to acoustic composition to black/white metal/noise disruption. He has worked with Yoko Ono, John Zorn, David Toop, Cecil Taylor, Faust, Glenn Branca and many others. His residency at the Louvre in Paris included collaborations with Irmin Schmidt of CAN. Alongside his various activities in the musical world, he is involved with publishing and poetry, and teaches writing at Naropa University, Boulder CO, a school founded by Allen Ginsberg and Anne Waldman in 1974. Thurston also teaches music at The Rhythmic Music Conservatory (Rytmisk Musikkonservatorium) in Copenhagen.
Presently he performs and records solo, with various ensembles and in his own band, The Thurston Moore Group (with mbv’s Deb Googe, Steve Shelley & James Sedwards). In 2014, the band released The Best Day which critics described as “optimistic and sun-drenched in beauty” and “[has] experimental attitude dovetailed with instantly accessible pop melodies.” The Best Day was a record defined by positivity and radical love.
The Thurston Moore Group’s new full-length album, Rock n Roll Consciousness was recorded in The Church studios in London with producer Paul Epworth. The songs are expansive, anthemic and exploratory with lyrics that investigate and herald the love between angels, goddess mysticism and a belief in healing through new birth. Ranging from opener “Exalted”, an unfolding and emotional journey in homage to sacred energy and exaltation, to “Cusp” a charging, propulsive piece with a feeling of Sonic Youth mixing in with My Bloody Valentine. “Turn On” is a pop-sonic poem to holy love both intimate and kosmiche to the contemplative mystery of life-defining time travel in “Smoke of Dreams”. The record concludes with “Aphrodite”, a strange and heavy no-wave rocker in salutation to the idol of love, beauty, pleasure, and procreation.
San Francisco’s Heron Oblivion is the new group featuring Meg Baird (Espers), Noel Von Harmonson (Comets on Fire, Six Organs of Admittance, Sic Alps, The Lowdown), Ethan Miller (Comets on Fire, Howlin’ Rain, Feral Ohms), and Charlie Saufley (Assemble Head in Sunburst Sound).
Heron Oblivion’s origins date to 2013 in SF’s Bayview district, where its four members– fueled by a love of 60s/70s scuzz and commune jams, folk rock, noise, and P.S.F. Japanese underground—would get together for what Miller describes as “blistering, extended free jam sessions.” The four musicians realized that their initial chemistry (which was strong from the outset) was undeniable and it’s vision unified. Heron Oblivion was born.
Ultimately, Heron Oblivion fused song craft to its improvisational leanings. What materialized is a mesmeric compilation of English folk rock and earthy West Coast psychedelia spiked with feedback and explosive dissonant elements. The sum of these elements will make up their Sub Pop debut, due out spring 2016.
$25 adv / $28 door