Move Forward Music presents
FemDot, Deem Spencer
Brooklyn, NY, 11211
This event is all ages
Kweku Collins is a 20-year-old rapper/producer/songwriter from Evanston, IL that has been making music for most of his life. Born into a musical family, Kweku joined his dad on-stage playing African drums as early as the age of 4. As a teenager, Kweku transitioned to making his own music, crafting bedroom classics throughout high school. In 2015, just shy of his high school graduation, Kweku joined the Chicago's indie rap outfit Closed Sessions, and shortly after released his debut EP, Say It Here While It's Safe. The EP received critical praise and landed Kweku on Pigeons and Planes "20 Rappers Under 20" list. In 2016, Kweku followed up with Nat Love -- a proper LP that garnered an 8.0 Pitchfork review, produced a Pitchfork Best New Track, and landed Kweku in publications such as The FADER, Billboard, Chicago Reader, and more. Kweku's latest release, Grey, is available now via iTunes, Spotify, Tidal, and other digital retailers.
Deem Spencer’s music carries weight, so much so that it is difficult to believe that the artist is only 21 years old. His raps are searingly honest introspections, intensely personal to the point that listening in can almost feel perverse. Raised in Jamaica, Queens, Deem tells stories from the perspective of an old soul dealing with the turmoil that accompanies coming of age in New York City.
At a time when most hip hop is either cartoonishly braggadocious or phonily conscious, Deem’s music feels strikingly genuine. In September of 2016 he quietlyreleased a six track EP titled Sunflower, which went largely unnoticed. A few months later he posted a visual for “soap,” a track off of the project. The video shows two shots laid over each other, one of Deem standing over a small box and the other of the interior of the box where he moves a miniature version of himself around a model room. “Y’all niggas told me I’m a king, then you told me I’m a slave, then you told me imma win, then you told me I’m afraid, then you told me I’m a phony I’m a lame,” he raps as he throws himself around the room. The simple but powerful video caught the attention of a handful of publications and furthered Deem’s reach in the local scene in New York, leading to performances at SOB’s, Muchmore’s, and Silent Barn.
Deem is influenced by New York’s past, evidenced most in his production which features elements taken from hip hop’s golden era such as sped up soul vocals and jazz samples, but the music never feels weighed down by nostalgia. Having grown up in the city, New York is an inseparable part of Deem’s identity and an integral part of his story, but the young artist’s relationship with the city is not romantic. New York is a never-halting machine, and trying to survive while dealing with the transition from child to adulthood is unforgiving. Themes of insecurity, depression, and heartbreak are prevalent in Deem’s raps, but there is also a constant underlying sense of hope, a flickering light that is the real energy propelling Deem’s music forward.
The past year has been a slow and organic build of momentum, leaving both fans and critics in anticipation of Deem’s next project. If his recent output is any indication, Deem’s vision will only continue to grow and solidify as the young rapper proceeds to figure both himself and his art out; a process that we are all privileged to witness.