Bumpin' Uglies, The Players Band
815 V St. NW
Washington, DC, 20001
Doors 8:00 PM
The seed was planted in 1990. A bunch of friends started a band with no pretensions: the idea was to make music for house parties, not to make a career out of music. These guys and a girl grew up in and around Washington, D.C. The scene was small and all the Punks, Skins, and Mods intermixed in those days. You were as likely to see a Mod at a Scream show as you were to see a Punk at a Toasters show. This varied influence is what informed the covers that the Pietasters played and the originals they wrote trying to emulate their favorite bands. From Two-Tone Ska, to Jamaican crooners like Alton Ellis, to Stax, Motown, harDCore, and British Punk, the Pietasters played what they liked to play and the house partiers appreciated the mix and crammed into basements and living rooms for sweaty all night keg drinking and dancing.
Playing on weekends and during the summer they slowly expanded their touring area, made new friends, and gained the notice of music fans up and down the east coast. The influence of D.C.’s DIY punk scene informed the band of how you should tour, on your own terms. After releasing a self-titled album in 1993 they hit the road in an old school bus and headed west. Relentless touring through the early 90s got them friends all over the U.S.A. MOON Records took notice and the band released two albums, Oolooloo, and Strapped LIVE, on that storied label during the magic days of third wave ska alongside bands like Hepcat, The Slackers, Toasters, etc.
In 1997 Hellcat/Epitaph signed the band to a two album deal. Willis, and Awesome Mix Tape #6 followed. Both albums benefited from the direction of legendary producer Brett Gurewitz. At the same time ska blew up. The Mighty Mighty Bosstones, No Doubt, and Sublime ruled the airwaves. The Pietasters were lucky enough to tour extensively with The Mighty Mighty Bosstones. The Plaid Boys from Boston introduced the Pietasters to Europe and beyond as well as taking them on tours of the US and Canada. From this point on, the Pietasters were established as one of the best live shows money can buy. From the circus that is the Warped tour (US/Canada/Europe) to a once in a lifetime support slot with Joe Strummer, the Pietasters crisscrossed the world, leaving the dance floor covered in blood, sweat and beer.
After the 2002 release of Turbo on Fueled by Raman the Pietasters' hard work was rewarded with more good luck. In 2003 the Pietasters were chosen to back James Brown at the WHFS Holiday Nutcracker Ball at Washington, D.C.’s MCI Center (now Verizon Center). This was no support slot: this was the Pietasters playing as Mr. Brown’s band for the night. This was the start of a friendship with the Godfather of Soul that lasted until his passing.
All of these influences, events, and memories were distilled in the band’s 2007 release All Day. The album showcases how the band grew from playing sweaty house parties to sweaty nightclubs to sharing the stage with some of the world’s best musical talents. While playing live they can’t get away with not including most of Oolooloo in the set, but they try to slip in as many cuts from All Day as they can. The Pietasters continue to deliver a world-class performance of their style of Ska, Rock and Soul - sing along songs and dance-through-your-socks rhythms played by friends who remain true to their roots. A new album is in the works and they can’t wait to get back to a club near you.
For nearly a decade now, Bumpin Uglies have been playing their brand of groove-heavy jams – a curiously fun mix of ska, Reggae and good ole’ punk rock – all while putting strong lyrics at the forefront of the music. It’s a formula that quickly took them from local favorites, playing around Annapolis, to a national stage. With a wildly infectious sound, tattoo-worthy lyrics and an itch to take their music to the masses, the band piled into the van years ago and have rarely seen home since.
The Bumpin Uglies’ origin story begins with singer/guitarist Brandon Hardesty playing open mics around Maryland. He met bassist Dave Wolf not too long after and Bumpin Uglies was born. With a proper set of wheels and TJ Haslett on drums, they went off to spread their music across the country like modern day Johnny Appleseeds. The group recently added Chad Wright on keyboards, expanding on their sound.
Raised on everything from Bad Religion and The Beach Boys to Sublime and Reel Big Fish, Bumpin Uglies have managed to take inspiration from some of the best out there, run it through their own distinctive filter and end up with a truly original take on the various genres creating an original hybrid. With a unique sound that’s nearly impossible to ignore, the band has gotten everyone from dreadlocked kids to PBR-fueled tattooed punks moving their heads to their music at festivals and on headlining tours across the country.
When they aren’t on the road, they’ve been camped in the studio, churning out three full lengths, two EPs and a live record. Their latest, 2016’s Keep It Together came out on Right Coast Records and is proof that the band has found their groove. The album consists of a dozen stand-out tracks, any one of which could be considered instant classics for the band. They’re already at work on the follow up, but true to their rep as being on the never-ending tour, chances are they’ll be coming to a venue near you soon.
The Players Band
Approaching their 500th show since 1999, The Players Band continues to deliver sweet Jamaican ska, rock, and reggae sounds to the Mid-Atlantic. The band has opened for Rock and Roll Hall of Fame’s The Isley Brothers and Joe Strummer, Grammy Award Winners Toots & the Maytals and Rebirth Brass Band, as well as The B-52s, The Mighty Mighty Bosstones, The English Beat, Matisyahu, Citizen Cope, Fishbone, The Skatalites, and many others, and has headlined Baltimore’s Inner Harbor New Year’s Eve Spectacular, First Night Annapolis, and welcomed Olympian Michael Phelps headlining “Maryland's Olympic Tribute Celebration at Fort McHenry”. Music Monthly strongly recommends music listeners to, "go out and check [The Players Band] live, for such bands like this do not come into being very often and what they can do with music is phenomenal." The Baltimore Sun, described The Players Band as, "pioneers of an innovative style... focused on fanning the soul flame that ignited ska.” AP Magazine describe The Players Band as, "A rocking big band out of Baltimore and DC, the Players can hit all the styles and are a must-see live."