Called the “great American romantic” by the New York Times, Edwin McCain has built an enviable career over the past 20 years by balancing his massive pop success with the year-round touring schedule of a tireless troubadour. His hit songs, authentic spirit and surprisingly affable sense of humor keep fans coming back time and time again for nights that feel more like parties with old friends than rock concerts. After recording two of the biggest love songs in the history of pop music, McCain now performs upwards of 100 shows annually throughout the US as a solo artist, with his full band or his acoustic trio. Recently, he’s added orchestras to his repertoire, performing with symphonies in select markets where he brings his powerful songs to majestic new heights.

Those enduring love songs (and wedding must-haves) “I’ll Be” and “I Could Not Ask For More” aren’t just for the romantic at heart; “American Idol” and “The Voice” contestants turn to Edwin’s ballads every single year to help them win over judges and fans alike (just ask last season’s AI winner, Nick Fradiani). Even Justin Bieber has been known to belt out “I’ll Be” during his own concerts.

Earlier this year, McCain suddenly found himself with a whole new crop of fans when his “Flipping Ships” television show debuted on Animal Planet. “Flipping Ships” took him from the chart tops to the boat shop – his very own Boats Have Souls (www.BoatsHaveSouls.com), a restoration outfit dedicated to bringing life back to vessels and customizing them to perfectly fit their new owners. “We started the business to put good boats into good families’ hands by restoring them in ways that might otherwise be financially out of reach,” Edwin explains. Viewers were fascinated by the blood, sweat and the occasional tear that he poured into his renovations while rehabbed boats found new life and new owners, including a few non-profit organizations in his homestate of South Carolina. Just like his songs, Edwin’s boats all have a story to tell; about the people who built them, Edwin’s team who defies all odds to reconstruct them, and the families who take them home.

But his heart remains on the road. Once the “Flipping Ships” season ended, Edwin picked up his guitar once again and returned to the stage. Whenever he can, he likes to drop by favorite club haunts, a comfortable return to his early days that delights both his fans and himself. “The 15-year-old me would have crawled through a river of fire to be the 41-year-old singer/songwriter that I am today, and I remember that. I am incredibly grateful to be able to do this.”

The Nouveaux Honkies

For many touring bands, the road is their home away from home, an ever-rolling muse that runs beneath their tires and works ...its way into every aspect of their lives, including their songwriting.

For hard- traveling Americana duo The Nouveaux Honkies, the road is literally their home, as the two live out of a creatively rebuilt RV that they use to tour throughout the year in the American South. Rolling along in their high tech, solar powered, self-sufficient chariot, equipped with its own espresso bar, mini studio, and more comforts than most studio apartments in NYC, Tim O’Donnell and Rebecca Dawkins worked out a great formula to tie their travels to their music. They set up in a key American city for a couple months at a time, soaking up inspiration and making friends, before moving on.

In this way, their new album Blues For Country, draws its sounds from the musical influences of New Orleans, Nashville, Florida, Austin, and the Texas hill country where they recorded it. “As far as genres are concerned, I don’t think it is an intentional thing for us to be bouncing around the map,” confesses Tim O’Donnell, The Nouveaux Honkies’ songwriter and lead singer. “It is just my personality. I love lots of stuff. To me there is good music and bad music and I really have no formula on what it is. I just know when I like it. Jimmy Webb, Jimmy Reed, and Jimi Hendrix all give me this crazy feeling when I listen to them.” With all these regional flavors, it’s no wonder The Nouveaux Honkies’ music jumps so easily and happily between genres, mixing up a bubbling Americana gumbo of blues, country, roots, R&B, Texas swing, honky-tonk and old-fashioned songwriting.

To record Blues for Country, The Nouveaux Honkies pulled their RV into the peaceful hill country town of Dripping Springs, Texas, a tiny town 30 minutes West of Austin. “We had our dogs, our espresso machine, our bed, our kitchen and the whole thing was super relaxed,” remembers Dawkins. “I think it reflects in the recording. It doesn’t feel frantic or rushed even though we were in and out in 8 days.” On Blues for Country, O’Donnell’s whiskey-tinged vocals are a perfect match for Rebecca Dawkins’ glorious harmonies and soaring fiddling; the two of them can sound as charming as an old-school country duet like Parton and Wagoner, or as bittersweet as that old recording of Townes Van Zandt and Emmylou Harris. In fact, the two cover Van Zandt’s “Pancho and Lefty” on the new album, though most of the songs are originals from O’Donnell’s pen.

O’Donnell’s songs track the road-rambling ways of The Nouveaux Honkies, from “Life Ain’t Easy,” an unvarnished look at the touring life of musicians, to “I Know Things You Read About,” a funny song that speaks to the hard-won life skills learned on the road, or “Hours Into Days,” which sadly chronicles the distance that can well up between two people. O’Donnell’s the best kind of songwriter–able to swing between bitingly funny and touchingly honest–and he showcases this on stellar songs like the opening track “Blues for Country,” which perfectly mixes R&B vocal swagger with Dawkin’s country fiddle.

On Blues for Country, The Nouveaux Honkies roll hard through songs that have soaked up the fresh air of the American backroads this duo drive through every day, informed by all the great cities of the South, and beholden only to the open road.

$35.00 - $50.00 General Admission $40.00 Day Of Show

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