Consider The Source feat. David Fiuczynski of Screaming Headless Torsos
23 East Lancaster Ave
Ardmore, PA, 19003
Doors 7:30 PM / Show 8:00 PM
This event is 21 and over
Watch & Listen
Consider The Source
NYC trio Consider the Source defy easy description. If intergalactic beings of pure energy, after initiation into an order of whirling dervishes, built some kind of pan-dimensional booty-shaking engine, powered by psychedelics and abstract math, it’d probably just sound like a CTS tribute band. Drawing from progressive rock, fusion and jazz, with alien sounds soaked in Indian and Middle Eastern styles, CTS blends disparate parts into a striking, utterly original whole. Dubbed “Sci-Fi Middle Eastern Fusion”, the band’s music strikes a rare balance between cerebral and emotional, intellectual and primal. A relentless touring schedule has won the band a fervent following from California to Israel, with fans ranging from jam-band hippies and jazz cats to corpse-painted headbangers and prog geeks.
Formed in 2004, Consider the Source features Gabriel Marin on fretless double-neck guitar, bassist John Ferrara, and drummer/percussionist Jeff Mann. Called “the guiding light for his generation of six-stringers”, Marin channels the mystical fury of McLaughlin and Coltrane into wailing melodies, kaleidoscopic soundscapes and boneshaking riffs. With a background in classical musics both Eurpoean and Indian, and an instinct for avant-jazz and destructive metal, Marin’s hypnotic fusion of styles is ever unpredictable. Ferrara’s propulsive, percussive attack, equally suited to simple grooves and impossible chords, can ground the music or launch it into space. His madcap gumbo of slap bass, Indian rhythms, earthy minimalism and complex tapping constantly pushes into strange new worlds, whilst still dropping thick booty-clap beats. Underneath them lies Mann’s rolling thunder; dense rhythmic architecture built from pure swagger and bounce. Half double-bass prog-metal, half crackle-pop Buddy Rich swing, with African and Balkan swirls, Mann’s muscular, freewheeling polyrhythms are the engine fuel for Consider’s multiversal mischief. Even when not improvising, Consider’s music is always a conversation, a roiling stew of dynamic interplay. Each member of Consider the Source alternately leads and follows, spars and assists; in any single song, alliances are made and broken, bargains struck and divorces finalized.
Touring from coast to coast, as well as Europe and the Middle East, has not only earned the band thousands of fans, but has allowed them to perform with a wide variety of well-known artists, including Victor Wooten, Wayne Krantz, King Crimson Projekt, Kris Myers (Umphrey’s McGee), Wyclef Jean, Andy Statman, Matt Darriau (Paradox Trio), Oteil Burbridge, Jacob Fred Jazz Odyssey, Dumpstaphunk, Keller Williams, George Porter, Jr., Jeff Sipe, Panzerballet (Germany), Eatliz (Israel), Freak Kitchen (Sweden), Morglbl (France), and many others. They have performed at numerous festivals and events, including Burning Man, Gathering of the Vibes, the NYC Fretless Guitar Festival, Catskill Chill, Sun Seekers Ball (Canada), Aura Music & Arts Festival (Florida), Jazz Fest (New Orleans), Head For The Hills Festival & SXSW (Texas), Rootwire (Ohio), and the NYC Gypsy Festival. The band’s latest release, “World War Trio (Parts 2 & 3)” (2016) is available at considerthesourcemusic.bandcamp.com.
Philadelphia-born iNFiNiEN combines eclectic musical personalities into a visionary, unified force. Far from the typical rock band, they explore new territories of sound by using exotic scales, chords, and rhythms. Using rock, jazz, soul, world, and classical influences, the quartet plays intricately composed songs with flights of fiery and explosive improvisation, driving polyrhythmic grooves, and socially insightful song lyrics. With three albums under their belt the band has found it's niche as something truly unique within the international progressive scenes.
The quartet's newest record, "Light at the Endless Tunnel" is a pinnacle of the bands sound and approach to composition and takes cues from all over the music world. Full of beautiful engulfing soundscapes, old world melodic lyricism, heavy metal riffs, explosive improvisation, futuristic synth textures, Movie Score level grandeur, and socially conscious lyrics. One can expect to hear in any given piece a vast array of influences and styles presented in an evocative presentation. Their compositions borrow just as much from romantic composers like Debussy and Faure as from contemporary artists like Bjork, Tori Amos and Radiohead, world music such as Indian Carnatic Music, West African, Middle Eastern and Latin, and even adventurous fusion like Mahavishnu Orchestra, Secret Chiefs 3, John Coltrane and John Zorn. An entity unto itself, iNFiNiEN stirs listeners through a singular and moving musical adventure.
"Calling it "fusion" isn't even entirely correct, since that smacks of cocktail parties and easy-listening boredom. This is the sublimation of styles, a group of highly trained players sacrificing their training for the sake of something more exciting."-Philadelphia City Paper
"iNFiNiEN’s set is dynamic and energizing, with Loftus rolling her head and emoting like a languid seductress. The music is moody, jazzy, lounge-y and dramatic, with dissonant chords resolving into melody and tinkering Middle Eastern sounds. For most of their set, they’re joined by New Orleans saxophonist Kyle Cripps, whose jazzy playing adds another layer to their sonic creations. Their last track, “Perpetual Twilight,” is 10 minutes long, and devolves into a raucous, thrashing collage of sound. It’s the perfect end to a long evening, and I leave feeling like the possibilities for music are truly infinite."-Phrequency.com
Years in the making, gnarbot is a project that draws from a broad sonic palette to create a unique blend of sounds inspired by modern artists like Animals as Leaders, The Donny McCaslin Quartet, and Flying Lotus as well as classics like The Mahavishnu Orchestra, Herbie Hancock, and King Crimson. Still in their 20's, members of the band have attained great experience in the music world: tours with Jon Anderson of Yes and John Wetton of King Crimson/UK, bills shared with Parliament Funkadelic, Lettuce, Project Object, Papadosio, Squarepusher and Mark Guiliana, and endorsements by major companies such as Meinl Cymbals and DigiTech. As a new band on the scene, gnarbot endeavors to push boundaries, turn heads, and offer a fresh and energetic musical perspective.
$13 Advance / $17 Day of Show / $23 Reserved
The Ardmore Music Hall
Wed, March 21
Thu, March 22
Thu, March 22
Fri, March 23
Sat, March 24