The Wood Brothers
638 South State Street
Salt Lake City, UT, 84111
Doors 7:00 PM / Show 8:00 PM
This event is 21 and over
Watch & Listen
The Wood Brothers
In a career chock full of highlights, The Wood Brothers hold a special place in their hearts for their performances at Levon Helm's legendary Midnight Ramble. As repeat special guests at Helm's famed Woodstock barn, the trio—guitarist Oliver Wood, bassist Chris Wood, and drummer Jano Rix— developed a cherished friendship with the late icon that transcended simple musical collaboration and left an indelible mark on their songs and their lives. That shared history made it all the more emo- tional when The Wood Brothers returned to the barn on August 19, 2016, for their first Ramble since Helm's passing. Captured pristinely on their new album, 'Live At The Barn,' the band's sold-out performance that night spanned their career and showcased the kind of singularly eclectic and electrifying performance style that's earned them devoted legions of fans around the world.
"We're huge fans of Levon's and count him as a big influence," says Oliver, who named his son for Helm. "Since we actually got to know him, his influence was more than musical—it was personal. He was one of those unique and powerful personalities, and I’ll always remember how gracious he was. We also got to know his daughter Amy quite well and have had great tours and collaborations with her. She’s a beautiful soul just like her dad, and we have fond memories of playing with both of them in that barn."
Live At The Barn follows 2015's critically acclaimed Paradise, which the band recorded at Dan Auerbach's Easy Eye studio in their adopted hometown of Nashville, TN. Hailed by Rolling Stone for songwriting "that hits both the heart and head" and praised by American Songwriter for its "spry, soulful folk-rock," the album debuted at no. 1 on the Billboard Heatseekers Chart and launched The Wood Brothers into the most successful year of their career, with performances everywhere from Bonnaroo to Red Rocks to Carnegie Hall.
NPR's World Cafe raved that "there is so much warmth, soul and musicianship at a Wood Brothers show, it's no surprise that the band's audience keeps growing," and Live At The Barn is no exception. Over the course of the album's nine tracks, the band careens from soul to folk to funk to blues to rock, mixing acoustic and electric instruments and effortlessly blending eras and regions of American music. While the album documents their remarkably adventurous musicianship and tight interplay, it also manages to capture their extraordinary relationship with their fans, an essential ingredient in the magic of any Wood Brothers concert. On "I Got Loaded," the exuberant audience joins in a rousing call and response, while the bluesy groove of "Tried And Tempted" elicits whoops and hollers from listeners overcome by the energy in the room. The Wood Brothers can effectively transform any venue into a revival tent with their exhilarating performances, but there's something singular about playing in that barn.
"It’s so intimate and casual that it feels less like a concert and more like a living room jam," says Oliver. "The spirit in there is strong, from the history and the intent that Levon had when he built the place to all the great music and musicians that have played there."
With Live At The Barn, The Wood Brothers weave their own little moment into the rich and ever expanding tapestry of Levon’s barn, while at the same time tipping their cap to the influences that came before them. It's only fitting, then, that the record ends with The Band's "Ophelia," a mainstay of The Wood Brothers' live show from a time well before any of them ever imagined performing, let alone recording an album, in such an historic space.
"We're just proud and honored and humbled that this album was made in the barn," says Oliver. "I’d like to think we're part of the same lineage as The Band. We certainly draw from a lot of the same roots, and they've always been an inspiration. Their music reminds us to be ourselves.”
"From a very young age, I just knew that I was gonna spend my life making music," Sean McConnell states. "I never really questioned it, so I just forged ahead and didn't let anything stop me."
Although his self-titled new Rounder album will serve as his introduction to many listeners, the personable young artist is actually a seasoned, distinctive songwriter and an experienced performer with a quartet of D.I.Y. indie releases to his credit. Having built a substantial grass-roots fan base through tireless touring and old-fashioned hard work, McConnell is primed for a mainstream breakthrough.
Sean McConnell demonstrates exactly why McConnell has already won such a devoted audience. He writes vivid, forthright, effortlessly catchy songs whose incisive melodic craft is matched by their resonant emotional insight. Such instantly memorable tunes as "Holy Days," "Beautiful Rose," "Bottom of the Sea" and "Best We've Ever Been" are both catchy and personally charged, conveying an unmistakable sense of personal experience while exploring universal truths.
"This record's a bit of a step for me," McConnell asserts. "It's a real storyteller record, and it's pretty autobiographical. I'm learning how to be more honest and understated in my writing, and I wanted to match that sonically and vocally. When I look at this collection of songs, I see a lot of nostalgia, and looking back on sacred moments. I'm kind of nostalgic and reflective by nature."
McConnell recorded the album in his adopted hometown of Nashville with producers Jason Lehning and Ian Fitchuk, who also contributed keyboards and drums, respectively. The recording took place prior to McConnell signing with Rounder, with the artist financing the sessions himself.
"This project started," he explains, "when I went to a cabin by myself for a week, with the intention of writing some songs. In that week, I wrote about half of the songs on the record, and I could see the thread of what this record was gonna be. That was exciting for me, because it normally takes me a year to find an album's worth of songs that belong together. The whole recording process was really fun and liberating, and the energy in the studio was really positive."
Songwriting and music-making have been a part of Sean McConnell's life for as long as he can remember. "My mom was a singer and my dad was a guitar player and songwriter," he notes. "They'd play in coffeehouses and I'd go along and watch them perform, and seeing that lifestyle showed me that music was an option. And seeing my dad painstakingly writing songs had a huge influence on me, and gave me license to feel like I could enter into that world."
By the age of ten, he had become proficient on guitar and was writing his first songs. "I fell in love with the instrument first," McConnell recalls. "Learning guitar gave me a feeling of uncharted territory laid out in front of me. And as I got better on guitar, the songs started to come naturally. At around the same time, we moved from Massachusetts to Georgia, and the first song I wrote was about the feeling of leaving the familiar and feeling lost in a new place. Music gave me a focus and became an emotional outlet for me."
His supportive family background helped to instill the confidence and drive to pursue his muse early on. "I started playing in middle school, doing any gig I could get just to get my chops up," he says. "By high school, I would be doing local gigs and really promoting them, bringing out a couple hundred kids to my shows a few times a month and starting to make a decent living at it. That made me think that maybe I could do this in other towns. So I started traveling around the southeast a little bit, and there was always enough progress to take things to the next level. While I was in college, I did a lot of college touring, just me driving all over the United States in a Toyota Corolla. It was hard work, but it showed me that I could do it."
McConnell was just 15 when he self-released his first album, Faces, in 2000. Followed by 2001's Here In The Lost and Found, 2004's 200 Orange Street, 2006's Cold Black Sky, 2007's Tell The Truth, 2008's The Walk Around EP, 2010's Saints, Thieves and Liars, 2012's Midland and the 2014 EP The B Side Session.
"I had a guitar teacher in Atlanta who had a home studio, and he was the first one to say 'Hey, you should make a record,'" he says. "If I go back and listen to that first record now, the songs are kind of crude, but at the same time there's a directness about them that I like. My writing has evolved since then, but at the same time I've tried to hold on to some of that directness."
"I'm really attracted to songwriters who just put it out there honestly, and I feel like I'm getting back to basics and expressing things in a simple, direct way on the new album," he continues. "I'm just trying to learn how to be a more honest storyteller, trying to get my mind in a place where I'm not actually thinking and the music's just kind of happening naturally. When I read interviews with songwriters that I admire, they always say that the best songs are the ones that just kind of happen, like they're operating from the unconscious. That's a place I want to get to."
Having spent much of his life honing his craft and paying his dues, Sean McConnell is eager to launch the next chapter of his career.
"I kind of feel like I've been in a really long boot camp," he concludes. "I'm really grateful for that, because I feel like I've gained enough experience to know the deal and be prepared for anything. I'm excited to see where the next part of the journey takes me."
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We are a 21 and over venue featuring the best in nationally touring artists.
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