Khemmis

Slow, loud, heavy -- this is Khemmis, a four piece doomed rock 'n' roll outfit from Denver, Colorado.
Khemmis combines the soul of Black Sabbath, the soaring harmonies of Thin Lizzy and Iron Maiden, and the visceral weight of contemporary sludge and doom metal.

No regurgitation. No gimmicks. No trends.

In July 2015, the band released Absolution, a six track, forty-minute journey through transcendent melodies and pure auditory annihilation. Recorded with Dave Otero (Cobalt, Primitive Man) and Shane Howard at Flatline Audio, the album earned praise from listeners and critics alike. Decibel Magazine named it the #9 metal album of 2015, while Pitchfork named it their #5 release of the year. It earned accolades from NPR, Apple Music, Invisible Oranges, Noisey, and No Clean Singing, among others.

2016 will see Khemmis continue to spread the gospel of the riff both in the US and abroad. The band is also wrapping up their sophomore album, due late summer on 20 Buck Spin.

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Yet one can’t help but be moved – emotionally, spiritually, whatever you want to call it – by the sheer power Khemmis has harnessed on what is easily my favorite doom record of 2015. - Invisible Oranges

This is fuzzy and doomy and wizard-y metal, with a high, wailing voice that grips the heavens over Iron Maiden-like twin leads.
– Lars Gotrich (NPR)

Like many of the genre’s most successful names (think YOB, High On Fire, Samothrace, Pallbearer, et al), Khemmis’ multi-angled take straddles the two camps—their approach is wholly modern, but their roots are thoroughly aged. Songs like “Ash, Cinder, Smoke” dial up the stoner swagger and harsh barking vocals, while “Serpentine” goes ham with twin guitar noodling and a rafter-baiting croon; "Antediluvian" goes full NOLA, and the closing track is a huge, heart-stopping epic (the vocal harmonies alone will get you). - Noisey

The powerful vocals combined with the heart-tugging leads and guitar harmonies make for a rather emotional listen at times, but fear not; Khemmis still know how to bring the heavy. - Heavy Blog is Heavy

There are many little moments that jump out and make you want to hear them again, and they shake things up regularly by dragging in ideas from rock, stoner, goth and traditional metal. The end result is a doom album that refuses to play like one because it’s too damn energetic and dynamic. - Angry Metal Guy

Spirit Adrift

Psychedelic doom from the desert

"Expertly constructed... There are hints of AmRep-era noise rock a la Unsane, as well as sludgy riffs you might have heard cranking out of Josh Homme's amp back in his Kyuss days – and there's even a strange sense of kinetic propulsion mastered by fellow Denver residents Plane Mistaken for Stars... Lust. Love. Loss. is worth your attention."
–Substream

"Lust. Love. Loss. is a nimble crusher, managing to steamroll and get down with its bad semi-melodic self all at the same time... You will likely be reminded of Baroness, Mastodon and occasionally Neurosis, but only ever in a good way."
–Decibel

"Post-hardcore, filtered through big Melvins-esque guitar rigs... Abrams find the sweet spot on their independent debut, Lust. Love. Loss., about midway between Hot Snakes and Blood Mountain-era Mastodon, and toss in some great lyrics as well."
–Invisible Oranges

"The trio's self-released debut portends big, big things for the band. Effortlessly meshing angular mathcore with chunky stoner metal, Lust. Love. Loss. recalls Remission-era Mastodon..."
–MetalSucks

"Denver trio Abrams make their full-length debut... with an obvious focus on flow, complexity of songwriting, crisp execution, tight performances and an overarching sense of heft that is more than ably wielded... The three-piece seem to take their cues from the post-Baroness school of progressive heavy rock, bringing the occasional flourish of post-rock..."
–The Obelisk

"Similar, stylistically, to Remission-era Mastodon: polyrhthmic bluesy grooves hammer away as washed-out leads dance and skip around jazz-influenced drum fills. The combination fulfills a niche that hasn't seen a true successor since the aforementioned 2002 masterpiece."
–Heavy Blog Is Heavy

The synergy of melody, groove, and bullet-train force displayed on Lust. Love. Loss. sets Abrams in line with heavy transcenders like Mastodon and Pelican. Drummer Michael Amster pushes forward with crisp, ghost-noted beats that nod to Dailor at his best; twin brother Zach Amster scrapes shimmering melodies and massive crunch out of his axe; Taylor Iversen's basslines roll along like boulders down mountainsides.

When asked about their influences, the guys name-check heroes of post-hardcore like Fugazi and At the Drive-In. Indeed, Abrams' sound could be perceived as a turbo-boosted, sludged-up incarnation of those bands' spirits – driving and impassioned, traversing the spectrum of feeling, from mournful to triumphant.

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