Daddy Issues, Butthole
1 Cannery Row
Nashville, TN, 37203
Doors 8:00 PM / Show 8:30 PM
This event is 18 and over
Bully burst onto the scene in 2015 with their critically acclaimed album Feels Like. Today the band announces Losing. The album was engineered and mixed by lead-singer Alicia Bognanno in Chicago at Electrical Audio.
Fronted by Alicia Bognanno, Bully was born in 2013. Bognanno was an engineer who had cut her teeth working at Electrical Audio in Chicago. Together with guitarist Clayton Parker and Reece Lazarus on bass, they made a debut album received unanimous critical acclaim and Bognanno became a point of intrigue. A rock icon in the making, with her signature scream, messy blonde hair hanging in her face, and formidable skills as both a player and a engineer who prefers recording to tape. “The coarse Cobain head-scream of Bully singer, songwriter and guitarist Alicia Bognanno is its own resuscitating jolt of protest,” said Pitchfork. “She spends much of Feels Like tearing the house down with her howl.” The success propelled the band into an exhaustive touring cycle with spots on huge festivals such as Bonnaroo, Lollapallooza, Pitchfork Music Festival and ACL and a late night appearance on Conan.
While Feels Like tumbled headlong into the precarious nature of Bognanno’s young adult life, Losing is a document of the complexity of growth: navigating breakups with sensitivity, learning not to run away from your troubles but to face them no matter how messy they may be. The debut single, “Feel The Same’ is the album opener. Like an electric-shock Bognanno is back in your face tackling the angst of a young person feeling their way through the world. The song describes the prison of a manic mind-set, being trapped in your own head. On “Seeing It” she addresses the issue of personal safety and navigating the world as a woman. On “Running” she focuses on personal relationships and the avoidance of facing the demise of a personal relationship.
Losing is an internal, carefully focused record, a universalized diary and an exorcism—not of any one specific demon, but the host of them that characterize contemporary anxieties. Bully are growing up, sure, but their fire is in no way diminishing.
Daddy Issues has mastered the art of keeping it real. The band was originally conceived as a parody Twitter account by three close friends -- Jenna Moynihan, Jenna Mitchell, and Emily Maxwell -- who decided to turn their 140-character wit into three-minute pop songs. Thus, Daddy Issues was born. Their music lies somewhere between witchy grunge and surf glam-- kind of like what the girls from The Craft would sound like if they had opted to start a band instead of Invoking The Spirit. Their lyrics center on a young every-woman who celebrates small acts of rebellion while crushing on boys with blue hair.
Daddy Issues became somewhat of an internet sensation after they caught the ear of local label Infinity Cat Recordings, who posted their song "Ugly When I Cry" on Soundcloud. 200K hits later (and only six months after learning their instruments), the band was off to Austin, TX as an official SXSW artist. Now that they're back home, it's finally time for Daddy Issues to get physical.
Can We Still Hang is the first tape in the 2nd annual Infinity Cat Cassette Series and a punch in the face to the patriarchy. It's full of grungy earworms that take equal inspiration from Veruca Salt and Taylor Swift-- like their half-bratty, half-empowered first single, "The Bruise." Can We Still Hang pays homage to the rise of sad girl culture, without taking itself too seriously. This one goes out to all the Creepy Girls living in a Shitty World!
"Let's call it Butthole" she said, sipping gravy from a boat shaped chalice. To be continued.