Alex Lahey

Alex Lahey hocked her beloved 1999 blue Corolla to pay for the recording of her debut EP. First single out of the boot was last year's Air Mail, introducing the airwaves to the Melbourne-based rock artist knack for melodic, guitar-driven hooks.

Most recently Lahey has set the music industry abuzz with the insanely catchy You Don't Think You Like People Like Me. From the attention-grabbing opening bars (those drums sound like an angry landlord thumping your front door on a Sunday morning), it flips the classic break-up line "it's not you, it's me" on its head. Upon release in March, YDTYLPLM was immediately added to rotation on triple j, started popping up on music blogs everywhere. It was then Pitchfork gave it Best New Track and got the rest of the world talking.

Lahey live show has set the Australia media and fans buzzing and 2017 will see her take that show internationally with UK and European Tour as well as showcasing at SXSW and a US tour. Couple that with her debut album bring on 2017.

"This rules. Killer songwriting, hook filled chorus, plenty of punch in the delivery." –Zan Rowe, triple j

"The opening riff is a taut study in Room on Fire-era Strokes, and her writing lands somewhere between the charming specificity of Courtney Barnett and the soulful, emphatic delivery of fellow Aussie rockers Royal Headache." –Jen Pelly, Associate Editor Pitchfork

Dude York's Sincerely opens with a blast—the massive opening chords of "Black Jack," a squealing track that blends the swagger of glam with the heavy riffing and ringing hooks of arena rock. The Seattle-based trio—Peter Richards on guitar and vocals, Claire England on bass and vocals, and Andrew Hall on drums—is announcing itself with an album that couches its themes of anxiety and eroding mental health in rock tracks that amp up the sweetly melodic crunch of powerpop with massive distortion and bashed-to-heck drums. Sincerely is a loud, sweaty rebuke to those moments in life when it seems like nothing's working, a testament to the power of friendship, staring problems directly in the face, and finding solace in art.

Richards, England, and Hall have been through a lot during their four years of playing together, and tracks like the speedy, dark "Paralyzed," the Creedence-echoing "Twin Moons," and the frustrated yet ebullient "Something in The Way" combines lyrics that play on the trio's travails with jumpy, riff-heavy distorto-pop. England handles lead vocal duties on the zinging kiss-off "Tonight" and the slowly grinding "Love Is," the first time she's done so on a Dude York record. "Times Not on My Side," an intimate farewell note sung atop jangling acoustic, caps the album.

A first pass at a home-recorded version of Sincerely led to the band being told that there was "drywall in every piece of [the record]," says Hall, and they had to go back to the drawing board. Longtime Sleater-Kinney and Bikini Kill producer John Goodmanson and JR Slayer (aka The Blood Brothers’ Cody Votolato) helped Dude York craft a record that captured the energy of their live show while finding new ways to expand upon its ideas.

The band’s thoughtful approach to putting together Sincerely's songs echoes the album's overarching themes of almost-punishing inward focus.

"I feel like it's about losing perspective—a spiraling-inward perspective despite what may be ready support networks around you," adds Richards. "It's like, 'I don't need anybody's help. I should be able to do this myself, because it's just, like, living.'"

Bringing England's straightforward drawl into the mix underscores that idea, and its contrast to Richards' excited yelp heightens the tension on Sincerely, a chaotic, yet ultimately triumphant album that's a vital tonic for these increasingly confused times.

"Your back's against the wall," says Richards, "so all you can do is fight."

$12.00 - $14.00

Tickets

Who’s Going

14

Upcoming Events
DC9 Nightclub