KCRW and Pappy + Harriet's Presents
53688 Pioneertown Road
Pioneertown, CA, 92268
Doors 7:00 PM / Show 9:00 PM
This event is all ages
Watch & Listen
Tickets are general admission and non refundable.
A ticket to this show does not guarantee a seat. This is a non-seated show. Which means, there will not be chairs on the Dance Floor, just the tables for dinner only. For sold out or nearly sold out shows, we remove the tables closest to the stage.
Set Times are Subject To Change
M. Ward returns with a stunning new album, More Rain, for release on Merge Records on March 4, 2016. Ward has released a string of acclaimed solo albums over the past several years, along with five LPs with Zooey Deschanel as She & Him and a 2009 collaborative album with My Morning Jacket’s Jim James and Bright Eyes’ Conor Oberst and Mike Mogis under the moniker Monsters of Folk. In addition to his celebrated work as a musician, Ward is an accomplished producer, handling those duties for such luminaries as Mavis Staples, Jenny Lewis, and Carlos Forster as well as his own musical projects.
M. Ward knows how to live with rain. Having spent the last decade-and-a-half based in the perennially damp Portland, Oregon, the singer-songwriter and producer has learned how to shine through the soggy gloom by simply embracing its inevitability. For Ward, there is inspiration in a dark sky and harmony in foreboding winds. And with his new album More Rain, he has made a true gotta-stay-indoors, rainy-season record that looks upwards through the weather while reflecting on his past.
“I think one of the biggest mysteries of America right now is this: How are we able to process unending bad news on Page One and then go about our lives the way the style section portrays us?” says Ward. “There must be a place in our brains that allows us to take a bird’s-eye view of humanity, and I think music is good at helping people—myself included—go to that place.”
This album, Ward’s eighth solo affair, finds the artist picking up the tempo and volume a bit from his previous release, 2012’s A Wasteland Companion. Where that record introspectively looked in from the outside, More Rain finds Ward on the inside, gazing out. Begun four years ago and imagined initially as a DIY doo-wop album that would feature Ward experimenting with layering his own voice, it soon branched out in different directions, a move that he credits largely to his collaborators here who include R.E.M.’s Peter Buck, Neko Case, k.d. lang, The Secret Sisters, and Joey Spampinato of NRBQ. The result is a collection of upbeat, sonically ambitious yet canonically familiar songs that both propel Ward’s reach and satisfy longtime fans.
More Rain begins with an actual rainstorm, then throughout the album, guitars chime, chug, and riff with Ward’s unmistakable earthy tone, while layers of atmospheric reverb and skittering drums climb and clip in equal measures. As the cloud of noise rolls in, the layers part ever so slightly to make way for Ward’s voice, which can play wispy and whimsical in one moment (“Pirate Dial”) or crackling and smoky in the next (“Time Won’t Wait”) just as well as it can climb to clear-sky clarity (“Confession”) then drop down to smooth, soulful crooning (“I’m Listening”), each one after the other. “Girl From Conejo Valley” is a nostalgic trot through people he used to know and a place he used to be, and “Slow Driving Man” is sweeping and lush in its orchestral climb towards confident heights.
As the album ends with the self-assured swing of “I’m Going Higher,” voices join together in a chorus of rising “ah”s and, for just a second, it seems the storm outside has slowed, making room for a ray of hopeful sunlight. As Ward knows, the rainy season is sure to return, but for now, More Rain is here to help us with our perspective.
Boston’s Palehound, lead by fierce vocalist and prolific creative force Ellen Kempner, has announced the sophomore album "A Place I'll Always Go", to be released June 16 on Polyvinyl Record Co. The collection is a frank look at love and loss, cushioned by indelible hooks and gently propulsive, fuzzed-out rock. As Kempner explains, "A lot of it is about loss and learning how to let yourself evolve past the pain and the weird guilt that comes along with grief."
Since forming in 2014, Palehound—Kempner, drummer Jesse Weiss (Spook The Herd), and new bassist Larz Brogan—have taken their plainspoken, technique-heavy indie rock from the basements of Boston to festivals around the world. A Place I'll Always Go builds on the promise of Palehound's critically acclaimed 2015 album Dry Food with songs that breathe Kempner’s evolved maturity, while asserting her core artistic fire.
A Place I'll Always Go, which channels feelings of anxiety — heart-racing moments both exhilarating and crushing — into songs that feel well-worn and comforting. The album was recorded at Brooklyn’s Thump Studios with the assistance of Gabe Wax, who also recorded Dry Food.
"Kempner has a knack for odd little about-turns that elevate Dry Food above the usual plainspoken acoustic indie fare... a discomfiting, unflinching debut." – Pitchfork, 8.0
“antsy and ambivalently sexy” – Rolling Stone, 4-star review
“… a dynamic new artist capable of embodying wide-eyed empathy and the all-consuming yearn of youth, while still demonstrating wisdom beyond her years. The most exciting part of all: Palehound is only beginning." – NPR, First Listen
“The way some people have a way with words, Palehound singer/songwriter Ellen Kempner has a way with a guitar: Looped lines tumble out in the knotty configurations worthy of a sailor’s handiwork, or maybe of academic writing." – SPIN, Album Of The Week
This Show is Sold Out. Thank you!