Waking Windows

September 29th & 30th, 2017.
100+ bands, authors, artists, performers, comedians, thinkers, and so much more across 15 venues.

Milo • No BS! Brassband • O'Death • Xenia Rubinos • Loone • Rough Francis • Open Mike Eagle •
Marissa Nadler • Toughcats • Sammus • Olga Bell • Ava Luna • Peter Broderick • Tredici Bacci

(New England) Patriots) • A Severe Joy • Ada Lea • Amelia Devoid • Amiright? • Arc Iris • arms and sleepers • Back Bay Rockerz • Bright Boy • Cedric Noel • Chandra Oppenheim • Chani Bockwinkel • Charlie Parr • Color Hex • Computer at Sea • Disco Phantom • Ed Askew Band • Endless Jags • Ethan Snyder Trio • FonFon Ru • Fond Han • Forêt Endormie • Friend Roulettete • Friendship • Great Western Plain • Grooms • Hammydown • Hi Tiger • HOME BODY • Jagweed • Jane Blanchard • Jared Fairfield • Jeff Beam • Jennifer Vanilla • Jimmy Dority • Johnny Cremains • Lauren Tosswill • Lina Tullgren • Lingua Ignota • Maine Youth Rock Orchestra • Mega Bog • Million Brazillians • Mini Dresses • Morgan Bouton • Mosart212 • Mouth Washington • O/S/O/S • Ossalot • Paper Castles • Poolside w/ HOT JUAN • Purse • Redline Graffiti • Rick Rude • Rob Jacobs • Shook Twins • Sierra D'Amours • Small Sur • Sterling Black • Sunset Hearts • The Asthmatic • The English Muffins • The Furry Ambers • The Yawpers • Thelma • Tiger Saw • Uni Ika Ai • Video Nasties • Walrus • Wedding Camp • Wilsen • Woodpainting • Wren Kitz • Young Songwriters Project • Zenizen

Page Burner Reading Series • No Chill Comedy • Portland Record Fair • A Life In Waves • Cringe! • Justin Bieber Ted Jalk • Kesho Wazo • Lorem Ipsum • MTV Crits • New Fruit • Synth Club Petting Zoo • Virtual Reality Congress St

Rory Ferreira (born February 3, 1992), better known by his stage name Milo (often stylized as milo), is an American alternative hip-hop musician from Maine. He has collaborated with Busdriver and Open Mike Eagle, among others. He has been a member of the Hellfyre Club collective.

No BS Brass Band

Based in Richmond, Virginia, No BS! Brass Band has quickly earned a reputation as a premiere band to see for heart-pounding energy and uncontrollable dancing. They take their music into uncharted territory, embracing the spirit of New Orleans into its original East Coast modern funk and fearlessly combining elements of James Brown, John Coltrane, Michael Jackson, and Led Zeppelin into their fiercely original sound.

Founders Reggie Pace and Lance Koehler have cast this 11-piece band in which nearly every member has had conservatory training, holding various degrees in music. In putting together the compositions and arrangements, the “b.s.” has been stripped to give the audience something solid, unique, organic, real, and powerful. They have the look of New Orleans with the raw sound all their own -- music is a true definition of the “Richmond sound.”

O'Death

O’Death is an American alternative country band from Brooklyn, New York. They combine elements of folk, bluegrass, punk, metal and Americana music.

Members:
Greg Jamie - Vocals, Guitar
Gabe Darling - Backing vocals, Ukulele, Guitar, Banjo, Piano
Davd Rb - Drums, Whoop
Bob Pycior - Fiddle, Guitar, Piano
Grabby - Bass
Dan Sager - Trombone, Euphonium, Keys

Xenia Rubinos

Xenia Rubinos has learned a valuable lesson — "You have to know where you come from to know where you're going" — and applied it to her remarkable music. Rubinos' work contains traces of her Afro-Caribbean roots, but when she and her band do things like use two bassists to play a counter-melody in her song "Lonely Lover," they defy classification.

That's what brings me to her music: the surprises, like the unexpected change-ups she brings to the way voices are presented. It all sounds heady, even heavy, but underneath it all, she and her band lay down serious grooves designed to move both your body and your intellect. (Felix Contrereas, NPR)

Currently an all trans and genderqueer four-piece, Loone grew out of several years of Noel'le Longhaul's solo work as a home recording artist. Loone is able to exist as a performance project through the assistance of Nick Berger, Alyssa Kai, and Ruby Vespertillo after the construction of an expansive and diverse series of recordings of many tiny thoughts. Loone in its current formation presents a itself as a funnel of many years of stored and catalogued energies and movements.

Rough Francis

Rough Francis is a punk rock band from Burlington, Vermont formed by three brothers—Bobby (Jr.), Julian and Urian Hackney—along with their friends Paul Comegno and Steve Williams. The Hackney brothers originally formed the group in 2008 to pay tribute to the music of their father (and uncles') early 1970s proto-punk band Death.

After a few tribute shows, the group began to write and record their own music. The loud screams and maximum volume of Rough Francis still echoes Death—but they also manage to crystallize a unique sound of their own, channeling live energy from 60's garage rock, Motown and 80's Hardcore.

Open Mike Eagle

Michael Eagle grew up in chicago listening to alt-rock on q101 and taping underground rap shows on WHPK. He also occasionally snuck and ordered music videos on the Box.

He went to college at southern illinois university and battled everybody everywhere and freestyled all the time. He graduated with a degree in psychology but somehow it never occurred to him to go to Scribble Jam.

He moved to LA and linked up with Project Blowed. He toured with Busdriver, Aceyalone, and Abstract Rude. He started a rap group called Thirsty Fish with Dumbfoundead and Psychosiz and the Swim Team with Alpha MC, VerBS, Sahtyre and more. He worked as a teacher during this time and usually had a hangover.

His new album is Dark Comedy. Its 45 minutes of attempting to giggle at the abyss. It features raps from Hannibal Burress and Das Racist’s Kool A.D. Beats from Jeremiah Jae, Dibia$e, Busdriver and more. Its his first release on Mello Music Group.

For more than 12 years, Marissa Nadler has perfected her own take on the exquisitely sculpted gothic American songform. On her seventh full-length, Strangers, she has shed any self-imposed restrictions her earlier albums adhered to, stepped through a looking glass, and created a truly monumental work.

In the two years since 2014’s elegiac, autobiographical July, Nadler has reconciled the heartbreak so often a catalyst for her songwriting. Turning her writing to more universal themes, Nadler dives deep into a surreal, apocalyptic dreamscape. Her lyrics touch upon the loneliness and despair of the characters that inhabit them. These muses are primal, fractured, disillusioned, delicate, and alone. They are the unified voice of this record, the titular “strangers.”

Sammus is the stage name adopted by Ithaca, NY producer, rapper, activist, and PhD student Enongo Lumumba-Kasongo. Known as much for her rousing stage presence as she is for her prowess as a beatmaker and lyricist, Sammus has spent the past several years cultivating a strong following of activists, hip hop heads, punks, and self-proclaimed nerds and geeks, among others.

Olga Bell (born Olga Balashova, 3 October 1983) is an American musician, music producer, composer, and singer-songwriter. She was born in Moscow, Russia, raised in Anchorage, Alaska and is currently based in Brooklyn, New York. A classically trained pianist and self-taught electronic music producer, she has worked in a wide range of genres, including classical, electronic pop, and Russian folk. Best known for Край (Krai), a tribute to her Russian heritage, and Diamonite, an album she produced with Gunnar Olsen and Jason Nazary under the moniker BELL, she has also played in Chairlift and Dirty Projectors and collaborated with Tom Vek under the name Nothankyou. In 2016, Bell released her third studio album Tempo.

The roots of Brooklyn-based indie art funk septet Ava Luna began in frontman Carlos Hernandez's high-school bedroom, where he would write and record songs under the name Ava. In college he met Julian Fader and Nathan Tompkins, and the three of them changed the band name to Ava Luna, figuring "Ava" was probably already taken by a more prominent act somewhere. Hernandez spent time as an engineer and working on various small-scale noise and punk projects after college, with Ava Luna coming in and out of focus as the years went on. With 2009's 3rd Avenue Island, a homemade CD-R release, the band congealed yet again, this time featuring Hernandez on vocals with a host of various singers and a minimal musical backdrop of drums and synthesizers. The band followed in 2010 with the Services EP, featuring a different lineup and a sound that continued toward the heavy vocal harmonies of bands like Dirty Projectors with increasingly obtuse neo-soul-inspired musical backdrops. A proper debut surfaced in 2012 with the release of Ice Level. By this point the band was more or less in a stable lineup, featuring Hernandez on vocals and guitar, Fader on drums, Tompkins on synths, Ethan Bassford on bass, and a trio of female singers, Felicia Douglass, Becca Kauffman, and Anna Sian. The group toured in support of Ice Level, opening some larger shows for Twin Sister. They returned with the less chaotic follow-up Electric Balloon in 2014. ~ Fred Thomas, Rovi

Peter Broderick

Auto-Bio:

I have spent a good portion of my life playing music. Some people know me as a solo musician, others know me more as an accompanist, a session player, or an engineer/producer.

I love all music. Which is not to say that every song I hear touches me . . . but I am open to all styles of music and encourage anyone and everyone to partake in the process of creating music, regardless of their level of technical expertise. My aim is to approach music with a sense of openness and wonder, and to never be tied down to any one particular style.

I also love lots of other things along with music. I love food and I love to cook. I love books and all forms of poetry and storytelling. I love all living things from donkeys to dandelions and I also love things in which life is sometimes not so apparent to us humans like stones and mountains. I love the parts of our lives that are impossible to describe, the very subtle things that we feel that are so fleeting and amorphous and which there simply are not words for. I love the idea that perhaps no matter how many words we invent, no matter how much we dig to understand our experience, that we’ll never be able to understand it all, and that maybe the best way to describe this vast interglactic-multidimensional-neverending-neverbeginning-mishmash-kaleidoscope-of-life is with no words at all.

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