Glam and sleaze, desert grit and subway rats, scum-bags and fakers, hot messes and cold shoulders: welcome to the world of Whitehorse, a rock duo from Toronto.

Whitehorse's brazen sonic breadth encompasses psychedelic surf, arid border rock, lo-fi ingenuity and icy 80's sparseness. Luke Doucet's Gretsch White Falcon and impeccable tone, combined with Melissa McClelland's blazing vocals and badass P- Bass playing, have made the duo's sound is unmistakably, inventively 'Whitehorse.' The duo's songwriting is distinguished by its cinematic fiction, full of flawed characters, foiled plans and anti-fairytales that transform real life into sleek, stylized collages of neo-noir drama and high-gloss.

Whitehorse began as something of a folk duo, but quickly outgrew that box with their inventive instrumentation and resistance to expectation. The duo moved into 'space cowboy' twang territory on the debut apocalyptic full-length The Fate of the World Depends on This Kiss, a fitting title lifted from a Wonder Woman comic. From there, Whitehorse expanded the intergalactic atmospherics with Leave No Bridge Unburned, a chase-scene-velocity acceleration into rock n' roll, with lethal riffs and near indecent vocal heat. Most recently, the duo rebuilt early electric blues for The Northern South Vol. 1, which showcased the duo's adventurousness and enviable guitar collection.

The duo's profile has grown exponentially with each release. The pair now sells out Massey Hall, Canada's most prestigious venue. Last year, Whitehorse won a Juno Award and performed on the award's live television broadcast to millions. Press highlights in the USA, include airtime on NPR's Morning Edition and Weekend Edition, and coverage from Rolling Stone, the Wall Street Journal, Paste and more.

With the new single "Boys Like You," Whitehorse once again mixes things up, adding hip-hop producers and processed beats, and expanding their studio sound with samplers, vintage drum-machines and more. The result is a song that is an irresistible fusion of 90s guitar rock riffs and Brit pop-inspired swells with futuristic, cinematic production.

The Cabin Project

The Cabin Project, made up of four Portland-based women, is an indie rock band whose sound stems from haunting choruses, three-part harmonies, pedals, synths and string sections. The songs are musically expansive, yet retain an intimacy similar to that of The National, Warpaint and Bon Iver.
Born in an attic "cabin" studio lined with Douglas Fir, the band started as a project of Katie Sawicki, a former-folksinger from Brooklyn who became inspired by electric guitars, keys, synthesizers, and balancing all three onstage.
After moving to the Pacific Northwest in 2008, Sawicki sought out musicians to collaborate with, leading her to musical partner Zanny Geffel, an orchestral drummer, rooted in jazz and percussion, with a preponderance for poetry and onstage mayhem. Rebekah Hanson, Jean Mastaler and Kelly Clifton create the band’s strings and bass section.

"Like their name suggests, the band’s sound is reminiscent of the kind of intimate space created by artists like Bon Iver. The group uses traditional orchestral and choral methods to create a track that is inexplicably modern, heavy, and pop at the same time." - American Songwriter

“…impressively educated string section with octave pedals and vocal harmonies to create music that’s both intimate and otherwordly.” – Bitch Magazine

I've attached our picks and stage plot for venues as well. Just wanted to get everything on one email....

$12.00 - $13.00

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