Thu, Nov 30
Sat, Dec 9
TRADE ROUTES: Festival Pass
ATOM-r, J'Sun Howard, Mitsu Salmon, Winifred Haun & Dancers, Kanopy Dance Company, Upended Teacups, Brother(hood) Dance!, Michael Sakamoto, Emily Schubert
3111 N. Western Ave.
Chicago, IL, 60618
TRADE ROUTES: A FESTIVAL OF ARTISTIC EXCHANGE
Five Chicago-based artists/companies have been selected to participate in TRADE ROUTES, a festival of artistic exchange. Each local artist has selected an out of town partner they would like to host in Chicago and split a bill with during our festival, and each exchange project is given a travel stipend so that the Chicago artist can finance touring to their partnering artist’s hometown.
Judd Morrissey and Mark Jeffery formerly of Goat Island Performance Group co – founded Chicago based ATOM-r (Anatomical Theatres of Mixed Reality) in 2012. ATOM-r is a provisional collective exploring forensics, anatomy, and 21st century embodiment through performance, language, and emerging technologies. The work is interdisciplinary and evolves through large-scale projects with long durations of research and practice that generate outputs across a range of platforms including Internet art, augmented reality, site specific installation, choreographed movement, books, films and objects. ATOM-r was conceived in response to the historical architecture of early modern anatomical theaters, spaces designed for viewing human dissections and early surgical procedures. This physical and conceptual arrangement is used as a symbol throughout their work to explore histories and experiences of the body, sexuality, and prosthesis. ATOM-r core members: Mark Jeffery (choreography), Judd Morrissey (text and technology), Justin Deschamps, and Christopher Knowlton (collaborators/performers).
J'Sun Howard is from Chattanooga, TN. A Chicago Dancemaker’s Forum grantee, 2014, his choreography has appeared at local venues Links Hall, Northwestern University, Sonotheque, Lincoln Square Theatre, Insight Arts/Center for New Possibilities, Epiphany Church, and Rumble Arts. In 2009, J'Sun was selected to be a LinkUp Residency to deepen his artistic practice at Links Hall and in 2010 he was granted the Julius Margolin "Youth in Labor" Award to protest at the gates of the School of Americas in Fort Benning, GA. He has also performed at Patrick\'s Cabaret (Minneapolis, MN), had work commissioned by the Chicago Academy School for the Arts, and been a sponsored artist at High Concept Laboratories. J’Sun has performed for many choreographers including Malcolm Jason Low, Asimina Chremos, Sara Wookey, Paige Cunningham, Selene Carter, but most extensively with collaborators Darrell Jones and Damon Green in their research of (e)feminized ritual performance, which received a 2013 Juried Bessie Award in support of Hoo-Ha (for your eyes only). His collaboration, Utopic Monster Theory, with poet Jennifer Karmin has been performed in exhibitions "I Can't Breathe" at ARC Gallery, "Law and Disorder" at Women Made Gallery, and Small Traffic Press's production of Poets Theater Festival (San Francisco, CA), and the IN>Time Performance Festival. His literary work can be read in the journals: Chicago IRL, Inkwell, Danspace’s Constellations and Influences, Garland Court Review, Storyglossia, 3rd Language, Bird's Thumb, and Manifold, The Body.
Mitsu Salmon creates original performance and visual works, which fuse multiple disciplines. She was born in the melting pot of Los Angeles to a Japanese mother and American father. Her creation in differing mediums, the translation of one medium to another, is connected to the translation of differing cultures and languages.
Salmon received her MFA from the School of the Art Institute of Chicago in 2014. In 2005 she graduated from NYU where she majored in Experimental Theater. She has performed solo work at places such Performance Space 122, Dance Theater Workshop, Highways Performance Space and internationally at Hebbel Am Uffer (Berlin) Central Saint Martins (London), and Urbanguild (Kyoto). She has participated in the Asquared Asian American Performance Festival in Chicago, the Berlin Performance Art Festival, and Act Art London Performance Art Festival.
She has been awarded artists residencies at Earthdance in Massachettes, Oxbow in Michigan, Tsung Yeh in Taiwan and Villa Pandan Harum in Bali, Indonesia. In Chicago, she has been awarded residencies through High Concept Lab, the Cultural Center, and Links Hall.
Winifred Haun & Dancers
Winifred Haun & Dancers was founded in Chicago in the 1990’s by award winning choreographer and dancer, Winifred Haun. In 2001, the Company went on hiatus for several years while Ms. Haun raised her young children. The Company re-located to Oak Park in 2006. In the two decades since its founding, the Company has garnered numerous awards and accolades, including features in the Huffington Post, Chicago Tribune, Chicago Sun-Times, WTTW-TV (PBS), and WBEZ (NPR) Radio. The Company has also received Critic’s Choice awards from the Chicago Reader, and TimeOut Chicago, and reviews and articles at NewCity.com, Madison.com, 4dancers.org, RogueBallerina.com, and others.
In 2000, the Company received the Ruth Page Award for “Outstanding Contribution to Dance in Chicago” for initiating and producing Chicago’s NEXT Dance Festival, which grew to be the midwest’s largest dance festival for the new work of Chicago area artists. In 2009, the Company was selected to receive the Oak Park Area Arts Council’s prestigious “Best in Class” Award and in 2014, the Company was chosen to present Vision, Faith & Desire: Dancemakers Inspired by Martha Graham at the Pritzker Pavilion and at Pleasant Home. In 2015, the Company received an award from the MacArthur Foundation for an international artistic collaboration, “Trashed.”
WINIFRED HAUN has been choreographer and artistic director of her own modern dance company since 1991. From 1985 to 1991, she was a soloist with the critically acclaimed Joseph Holmes Chicago Dance Theatre, under the direction of Randy Duncan. Wini won three Ruth Page Award nominations and in 2000, she won the Ruth Page Award for Outstanding Contribution to the Dance Community. Her work has been seen at many prestigious venues throughout Chicago, the midwest, Texas and Colorado, including: Athenaeum Theater, Ruth Page Center, Link’s Hall, Fermilab’s Ramsey Auditorium, Overture Center (Madison, WI), Epic Center (Kalamazoo, MI), St. Mary’s College (IN), Montrose (CO) Pavillion and in many non-traditional spaces, such as Historic Pleasant Home and Cloud Gate in Millennium Park. Wini’s choreography has been commissioned by Chicago Ballet, Aerial Dance Chicago, MOMENTA, Oak Park’s Handel Week and many other Midwest and national groups. She has taught modern dance and dance composition at the Joffrey Ballet, Beijing National Dance Academy and at numerous festivals and workshops worldwide. Currently, Wini teaches modern dance at Hubbard St. Dance Chicago, Deeply Rooted Productions, and Legere Dance Center. She and her husband theoretical physicist, Stephen Parke, have three daughters and they reside in Oak Park, IL.
Kanopy Dance Company
Kanopy Dance Company presents original dance, historical masterworks, works by its Artistic Directors, local, national and international choreographers, linked by the desire to create thought provoking dramatic dance. Kanopy is comprised of Kanopy Dance Company, Kanopy2, Kanopy Academy and Kanopy Studio.
Directed by Cleary and Thurrell since 1995, Kanopy is resident company of the Overture Center for the Arts in Madison Wisconsin (founded: 1976).
Kanopy’s annual season includes performances in its home theater at Overture, touring, and outreach. Kanopy performs new works and historical masterworks licensed by: Martha Graham Dance Company, Sokolow Theatre Dance Ensemble, Charles Weidman Fdtn, Pascal Rioult, RIOULTDANCE NY, Martin Lofsnes 360 Dance Comany, Donlin Foreman On Common Ground, Sandra Kaufmann, Miki Orihara, Yuriko, Carrie Elmore Tallitch, Deborah Hay, Stanley Love, Stanley Love Performance Group, Kraig Patterson, Bopi Black Sheep Dance, Amit Lahav,Gecko Theatre (UK), Steve Wasson, Corinne Soum, Theatre L’Ange Fou (UK), and others.
Kanopy has had Artists and Dance Company’s perform along side Kanopy Dance in its Seasons at Overture to include: Charis Haines, Jere Hunt Rioult Dance NY, Martin Lofsnes, Allessandra Prosperi, Chuck Wilt 360 Degree Dance, Sandra Kaufmann, Deb Goodman, Donlin Foreman, Jenny Emerson Foreman, Miki Orihara, Senri OE, Carrie Elmore Tallitch, Ede Thurrell, Stanley Love, Kraig Patterson, Steve Wasson, Corinne Soum, Winifred Haun and Dancers, Lonny Gordon GordonDance, and others. Kanopy tours regionally, and NYC, Chicago, and Minneapolis.
Upended Teacups is the collaborative identity of artists Stefanie Cohen and Corey Gearhart. Since 2010, they have presented their performance works and site-specific installations —exploring the inner lives and fantasy worlds of everyday objects and activities — at SITE:Lab, Grand Rapids; The Sidewalk Festival of Performing Arts, Porous Borders, Spread Art and Theatro Chico, Detroit; SOMAFest, NYC; Links Hall and The Chicago Cultural Center, Chicago, and in movement-based performance festivals in Chicago, Michigan and Wisconsin. They teach workshops in movement and generative artistic process in private studios, festivals and academic institutions; and curate performance through our space, Light Box in Detroit.
Brother(hood) Dance! is an interdisciplinary duo that seeks to inform its audiences on the socio-political and environmental injustices from a global perspective, bringing clarity to the same-gender-loving African-American experience in the 21st century. Brother(hood) Dance! was formed in April 2014 as a duo that research, create and perform dances of freedom by Orlando Zane Hunter, Jr. and Ricarrdo Valentine. We have performed our works at FiveMyles, Center for Performance Research, B.A.A.D! (Bronx Academy of Arts and Dance), VCU-The Grace Street Theater, DraftWork at St. Marks Church, JACK, Movement Research at Judson Church, Colby College, Denmark Arts Center and other venues.
Orlando Zane Hunter,Jr. is an international artist, who has performed in Trinidad and Tobago and Zimbabwe, Africa with Ananya Chatterjea. He has received a B.F.A. in dance from the University of Minnesota. Recently he choreographed and danced in “Redbone: A Biomythography” that debuted at the Nuyorican Café, Wild Project Theater and Duke University: Women’s center. Orlando Hunter’s solo, Mutiny, was selected in the 2015 Dancing While Black performance lab held this year in Trinidad and Tobago. He has presented his choreography at Thelma Hill and on Time Warner cable network through Germaul Barnes’s project, Black Bones. Since his arrival to New York City, Orlando has performed works by Christal Brown, Edisa Weeks, Germaul Barnes, Andre Zachary/ Renegade Performance Group, Forces of Nature and Ni’Ja Whitson-Adebanjo/NWA project. In addition, he is the co-founder of Brother(hood) Dance and 2015/16 Dancing While Black Fellow.
Ricarrdo Valentine uses art as a vehicle for activism. Ricarrdo’s education includes Urban Bush Women: Summer Leadership Institute, Bates Dance Festival and Earl Mosely Institute of the Arts. He has presented his choreography at Bates Dance Festival, Brooklyn Museum, El Museo de Barro and LaGuardia Community College. Ricarrdo continues to collaborate and work with Christal Brown/INspirit, Edisa Weeks/Delirious Dance, Paloma McGregor, Dante Brown/Warehouse Dance, Malcolm Low/Formal Structure, Jill Sigman/Thinkdance, Ni’Ja Whitson-Adebanjo/NWA project, Andre Zachary/RPG and Emily Berry/B3W. He is the co-founder of Brother(hood) Dance! In addition, Ricarrdo is the 2015 Dance/USA DILT mentee and 2015/16 Dancing While Black Fellow.
Michael Sakamoto is an interdisciplinary artist active in dance, theatre, media and photography and one of the leading butoh-based performers in the USA. Dedicated to nurturing intercultural dialogue and cultural sustainability through performative and visual methodologies, Michael creates choreographic and narrative performances, media works and photo essays designed to challenge audience assumptions and reveal diverse experiences across geography, language and social boundaries. His works have been presented in 14 countries throughout Asia, Europe and North America, including at REDCAT, Vancouver International Dance Festival, Dance Center of Columbia College (2016), TACT/Fest Osaka, UCLA Fowler Museum and many others. He is currently touring: “Flash”, a butoh/hip-hop duet with acclaimed choreographer Rennie Harris; “Soil”, a dance theater trio with Southeast Asian dancers; and “blind spot”, an intermedia solo performance exploring intellectual property censorship and corporate militarism. Michael is also writing a book project, “An Empty Room: Butoh Performance and the Social Body in Crisis” for Wesleyan University Press.
Emily Schubert is an interdisciplinary artist working mainly in the worlds of puppetry, performance, sculpture and collage. She hails from the borderlands between Cincinnati, Ohio and Northern Kentucky and earned a degree in fiber and textile art from the Maryland Institute College of Art in 2013. Since graduating she has worked on costumes for traveling Broadway shows, participated in puppet theater festivals and workshops in Europe, Indonesia, and the United States and has found a passion for organic farming. She is inspired by the fantastical and the everyday and how these shape peoples’ perception of the world. Drawing from mythology, folktales, memories, and personal experience she creates narratives and characters that aim to make some sense of our existence by giving form to our collective anxieties and desires. Enthralled by the emotive power and depth of expression achieved through puppetry and storytelling, she believes that within these realms lies a source of real-life magic that is deficient in much of our daily lives.
Festival Pass includes all festival performances (November 30- December 10) for only $40
Thu, February 1
Thu, February 15
Thu, February 22
Fri, February 23
Sat, February 24