Hard Working Americans

Hard Working Americans

In the course of popular music history, the breakthrough albums for several legendary artists were live recordings, most famously At Fillmore East by The Allman Brothers Band, Frampton Comes Alive by Peter Frampton, and Alive by KISS. Now four decades later, history seems poised to repeat itself with the release of We’re All In This Together, the powerful, new live album by Hard Working Americans.

Hard Working Americans is the rock sextet some journalists dubbed a “jam band supergroup” because of it’s high-profile lineup: bassist Dave Schools and drummer Duane Trucks of Widespread Panic, guitarist Neal Casal of Chris Robinson Brotherhood, keyboardist Chad Staehly of Great American Taxi, and celebrated singer-songwriter Todd Snider on lead vocals. Shortly after the release of their first album, HWA added Tulsa guitarist Jesse Aycock to the fold.

“For the kind of band we are, I think this is a definitive statement for us,” Snider says of We’re All In This Together. “It captures a collective spirit, a collective muse being shared by a thousand-plus people.”

The album was recorded by monitor engineer Colin Cargile during the band’s 2016 tour in support of their second album, Rest In Chaos. Schools served as producer, as he has on all of the band’s recordings, while John Keane, the legendary producer who mixed the band’s first record, handled the mix. “He’s done a lot of live Widespread Panic mixing,” Schools says of the choice to work again with Keane. “I picked the versions of the songs, then I turned it over to him.”

Most of the 13 tracks Schools selected are from a show at Iron City in Birmingham, Alabama, but the album also includes performances from concerts at El Rey Theater in Los Angeles (“Ascending Into Madness”), The Buckhead Theater in Atlanta (“Something Else”), and Lockn’ Music Festival in Arrington, Virginia (Chuck Berry’s “School Days”).

Trucks, who has an encyclopedic appreciation for great live albums, says he is “stoked” about We’re All In This Together. “I think we captured what the band is trying to do live,” the drummer says. “We have the power of the songs in a live setting and have a good picture of the exploratory nature of the band. That’s what you hope for.”

According to Staehly, HWA “caught fire” at the Birmingham show that yielded the bulk of the material on the album. “It was one of those nights when everything we had been working on as a band came together,” he says.

“Unhinged” is how Schools recalls their performance that evening before a capacity crowd of 1,300 people. “It’s a great little place,” he says. “The crowd’s right up in your face, and the sound is really good.”

Aycock remembers the “great vibe” in the room at that show. “From the get-go, you could just feel the energy radiating from the crowd,” he says. “And everyone was just so locked in. It was one of those gigs where everyone walked away from it and said, ‘That’s where it’s at.’ ”

Four of the songs on the record appeared on the band’s eponymous debut, while five are from Rest In Chaos. Two of the tracks are reworked versions of songs from Snider’s solo album, Peace Queer, which the band perform regularly, and there also is the aforementioned Chuck Berry cover. In addition, the album includes one brand new number, the title track, which grew out of one of Snider’s spoken word bits on which he transforms into some sort of rock & roll evangelist while the band vamps behind him.

“Todd puts a whole lot of thought into what we call the invocations, two of which are on the record,” Schools says. “One is the sort of introduction to ‘Stomp and Holler,’ and the other one, we call ‘We’re All In This Together.’ We decided to make it into a whole song because he really worked hard on that story.”

Snider’s story that became the album’s title track is a metaphorical tale of how he and the band found one another, as well as an expression of the band’s philosophy of inclusion. “The moral of the story is Todd being lost at sea, and this band coming together behind him and teaching him we’re all in this together and that we’re stronger together,” Schools continues. “I think that message resonates really loudly in this day and age, where people are so divided. The whole reason of Hard Working Americans, and everything we’ve discovered as a band, is that we’re stronger together.

“We’re trying to convey that message, and I think the album artwork — the cover of the festival crowd — and the chanting of ‘we’re all in this together,’ it’s vital. It’s a message that needs to be heard and remembered.”

The Steepwater Band

The Steepwater Band’s latest album “LIVE & HUMBLE” was recorded in Chicago on 4/20/13 at the now defunct Ace Bar on West Fullerton Avenue. Jeff Massey (Vocal, Guitar), Tod Bowers (Bass), Joseph Winters (Drums) and Eric Saylors (Guitar, Backing Vocal) played over 200 shows together on the High & Humble Tour leading up to the night of this amazing show, and is the first TSB recording to feature this newly adorned 4-piece lineup.Critics and fans agree, LIVE & HUMBLE captures TSB’s kinetic energy, and their own brand of Rock n’ Roll improvisation. The record contains over 75 minutes of music, featuring tracks spanning from their previous studio LPs, “Revelation Sunday (2006)”, “Grace and Melody (2008)”, and “Clava (2011), along with a 16 minute version of John Lee Hooker’s “Boom Boom” that rips right into Zeppelin’s “How Many More Times” and back again, leaving the listener only wanting more. It is their humble devotion to music, and a commitment to achieving their goals without compromising the integrity of their musical vision that makes The Steepwater Band a rare find.

TSB recruited a Chicago music legend Timothy Powell, of Metro Mobile Recording, to record the show that fateful Spring evening. Timothy‘s impressive resume includes all the 93XRT Concert Broadcasts, including such greats as Gov’t Mule, Los Lobos, Ben Harper, Wilco, The Civil Wars, Robert Plant, and The Black Crowes. Those recordings then went to Producer/Engineer Colin Sipos, who has been at the helm for TSB releases dating back to 2010. Colin's mix is nothing short of amazing, as it sounds as if you are standing directly front-row-center: Guitars panned hard in each speaker, the Drums & Bass rattle you from the center, the vocals glide on top, while the crowd gathers around you.

Formed in Chicago back in 1998, The Steepwater Band’s signature sound is a nod to early British blues, combined with a modern, raw and gutsy musical approach. Founding members Massey, Bowers and Winters have a synergy that comes from years of playing together. Then in early 2012, the long-time trio was joined by Saylors, from Indianapolis, IN, who brought an added depth to the TSB LIVE sound. Although the band got their start as devotees of delta blues, they have since been expanding on their influences, absorbing everything from Psychedelia to Americana, from Jazz to 50’s Rock n’ Roll Music.

The Steepwater Band has maintained a grueling schedule throughout the last 16 years, averaging about 140 shows per year. They have toured and shared the stage with acts such as Gov't Mule, Buddy Guy, Wilco, Taj Mahal, Marc Ford, ZZ Top, T-Model Ford, North Mississippi All Stars, Leon Russell, Drive-By Truckers, Robert Randolph & the Family Band, Cheap Trick, Bad Company and Heart. In 2005, the band made its European debut, performing at the Azkena Rock Festival in Vitoria-Gasteiz, Spain. In the following years, the band has returned to the United Kingdom and Europe for multiple club and festival tours, increasing their loyal overseas fan-base.

"Live & Humble is the kind of concert album that makes you mad if you haven’t seen a band this bloody fantastic band yet, and chomping at the bit to see them again – soon, like this weekend or tomorrow soon." - Dennis Cook

$27 (Advance) / $32 (Day of Show)

Tickets

Ticket Prices listed do NOT include additional Ticket Fees added at online checkout & box office

Who’s Going

97

Upcoming Events
The Castle Theatre