Raw choral pop from right here in PDX!
Ages and Ages
Genders, Robin Bacior
830 E. Burnside St.
Portland, OR, 97214
Doors 8:00 PM / Show 9:00 PM
This event is 21 and over
Ages and Ages
If Ages and Ages’ debut album Alright You Restless declared independence from the cynicism and self-consciousness plaguing a generation; and the follow-up Divisionary was an exercise in confronting change, conflict, and loss; Something to Ruin addresses the debris of our collective failures and asks whether we might be better off letting go and starting over. Recorded at Isaac Brock’s studio (Ice Cream Party), the band’s fourth album is still full of their infectious and joyful melodies while also reflecting on several serious existential themes.
Early on in the writing process of this record, band leaders Tim Perry and Rob Oberdorfer traveled to Central America and visited indigenous ruins partly engulfed by surrounding forests – a tangible reminder of the impermanence of human civilization and the resilience of nature. Back at home in Portland, Oregon, their community was being engulfed by something entirely different. Like so many other cities around the country, rapid growth and development were changing both its landscape and culture.
Something to Ruin came out of this reflection, exploring what it’s like to watch your surroundings implode in a frenzy of real estate development and lifestyle branding. Songs like “Kick Me Out” and “My Cold Reflection” describe an existence where almost everything is monetized and loses it’s meaning. The album’s first track “They Want More,” deals with the struggle to live an honest life in this type of superficial cultural landscape.
To set the stage for this narrative, Tim and Rob embraced synthetic sounds and artificial textures– a marked difference from the organic and documentarian approach on their previous albums. The record is also more groove-laden, with electronic experimentation pushed to the surface. Tim’s vocal melodies and the richly layered harmonies of Sarah Riddle, Annie Bethancourt, Colin Jenkins and Oberdorfer mirror themes about the power (and impotence) of the individual and the need for community.
Isaac Brock’s unmistakable, marbled baritone and guitar jumps out on “So Hazy” and traces of old Modest Mouse can also be heard in the discordant and mechanical noises that bubble to the surface on the album’s title track and “All of My Enemies.” If there is an anthem on Something to Ruin comparable to “No Nostalgia” and “Divisionary (Do the Right Thing),” it resides in the album’s final track “As It Is” which contains the trademark exultant vocals that endear the band to its fans.
What’s most perplexing about Ages and Ages is their ability to address themes of isolation, obscurity, and rejection of the well-paved path while still infusing their songs with an infectious hope and earnestness that brings even the most cynical listener into the fold. It could be why President Obama felt compelled to add their song to his personal reelection campaign playlist, or a high school choir in Burkina Faso posted a video of them singing an Ages song, and why NPR claims their music “could actually change your life.”
The members of Portland’s Genders had already closed the book on their previous band by the time they received the news that it had been voted one of the city’s best new acts. Seemingly, this was just the motivation they needed to accelerate through the tiresome early stages of establishing their new project.
Now - four years and countless road hours later, including a full national tour opening for Built To Spill - the gang of four is preparing for their sixth release with the kind of confidence that can only be gained from experience. Phone Home features five new reverb-drenched rockers that take a slightly different approach than the band’s previous adventures with dream pop; the new bunch sounding more like a nightmare than any kind of dream.
The first glimpse of this is the sarcastically titled Life Is But A Dream, in which singer/guitarist Maggie Morris addresses a recent heartbreak through gritted teeth as she tunefully laments over dreamy guitars and a relaxed yet compelling groove.
Robin Bacior's voice speaks of a much older soul. Her songs reveal honest pictures with instrumentation as a medium to illuminate her lyrics. Her songs have received praise from NPR's All Songs Considered, MTV, NYLON, L Magazine, CBS, Stereomood, Soundcloud, along with various blogs and college radio stations throughout the states.