An Evening With Andrew Sords
110 Union St
Milton, DE, 19968
Doors 6:00 PM / Show 7:00 PM
This event is all ages
"It's not often that one finds this kind of sheer awe-inspiring talent in such a young musician, but Andrew Sords is an impressive example..." ProMusica, San Miguel de Allende, Mexico
Following a decade in the spotlight, American violinist Andrew Sords has garnered accolades on 4 continents for his performances combining visceral virtuosity and ravishing tone. Hailed in the press as “a fully formed artist” (Kalisz-Poland News), “utterly radiant” (Canada’s Arts Forum), and “exceptionally heartfelt and soulful” (St. Maarten’s Daily Herald), Sords has received numerous awards and distinctions reflecting his career trajectory, including the Pittsburgh Concert Society’s Career Grant, the National Shirley Valentin Award, and the NFMC Young Artist Award. A recent debut with the Boulder Chamber Orchestra (Arensky concerto) prompted Opus Colorado to declare: “[Sords’] remarkably flexible bow arm and relaxed left hand created the impression that he was having no difficulty whatsoever”.
Born in Newark, Delaware, Sords began piano lessons at 5, and shortly thereafter asked for a violin. After studying for seven years with Liza Grossman, Sords was a pupil of Linda Cerone, David Russell, and Chee-Yun Kim at both the Cleveland Institute of Music and Southern Methodist University. Early competition successes led to collaborations with more than 250 orchestras worldwide: of Sords’ Australia debut, the Melbourne Age declared, “Sords made a voluble soloist in the A Major Turkish concerto, forging his statements with an admirably firm clarity and bringing out the work's virtuosity as often as possible. His bowing arm showed an attractive suppleness and an attention to variety of phrasing that made even the episodic finale a pleasure.”
Andrew Sords has appeared with celebrated conductors and orchestras. The 2017/18 season features appearances with the Flagstaff Symphony, Pueblo Symphony, Spartanburg Philharmonic, Southeastern Ohio Symphony, Des Moines Orchestra, Grand Junction Symphony, Durham Chamber Orchestra, Longmont Symphony, and the Croatian Chamber Orchestra. In recent seasons, concerto collaborations have included the Oakland Symphony, Windsor Symphony, Motor City Symphony, Kalisz Philharmonic, North State Symphony, Chattanooga Symphony, Cleveland Philharmonic, Boulder Chamber Orchestra, Wisconsin Chamber Orchestra, Toronto Philharmonia, Gulf Coast Symphony, Melbourne Chamber Symphony, and the Dvorak concerto at Toronto’s famed Glenn Gould Studio. Sords will make his UK concerto debut in Edinburgh and Scotland (Tchaikovsky) with the Glasgow Philharmonia, and his Croatian debut (Mendelssohn) with Miran Vaupotic. In 2016, Sords returned to his childhood orchestra, the Contemporary Youth Orchestra, with the Barber Concerto (Liza Grossman). In Madison, Wisconsin, a recent outdoor performance of the Tchaikovsky concerto with the WCO was heard by an estimated audience of 30,000. Additionally, Sords has worked with myriad conductors including Robert Franz, Michael Morgan, Sidney Harth, Mario Mateus, Andrew Sewell, Carl Topilow, Scott Seaton, Luis Biava, and Matthew Kraemer.
As a prolific recitalist, Sords has appeared in St. Croix, Washington, D.C., Maui, New York City, Los Angeles, Chicago, Dallas, and at St. Augustine’s (FL) EMMA Series at Flagler College. In Fall 2016, Sords returned to Australia to present the Mendelssohn concerto and Vaughan-Williams “Lark Ascending”, and collaborated with cellists John Walz and Joseph Johnson in performances of the Brahms “Double” concerto. A 2015 Canada tour with the Mendelssohn Piano Trios and Violin Sonata will be reprised with Cheryl Duvall and Luke Severn in 2017 in the Brahms Trio Cycle with stops in Ottawa, Montreal, Guelph, and Toronto. First invited by San Miguel de Allende’s ProMusica Series in 2011, Sords has returned with six varied recitals, and performed two programs for West Palm Beach’s Norton Museum Series. As a frequent soloist in the Caribbean, Sords has appeared in Puerto Rico, Anguilla, St. Maarten, Trinidad and Tobago, Grand Cayman, and the U.S. Virgin Islands, and a series of performances with the Trinidad and Tobago Youth Philharmonic was profiled by "STRINGS MAGAZINE". From a Cleveland recital with Eriko Izumida, the review enthused: “Expertly performed, he brought a full and rich sound and gave a heroic performance of Ravel’s ‘Tzigane’, powerful and in control of the many notes. Sords impressed with his total command of technique, consummate musicianship and bravura as he tossed of scads of notes and sang out like a diva…he and Izumida kept the audience in the palm of their hands all afternoon.” (Cleveland Classical)
Sords has appeared on the festival circuit including summer appearances in Fairbanks, Minneapolis, Pittsburgh, and the Republic of Georgia with Liana Isakadze’s World Virtuosi. With Ms. Isakadze’s ensemble, Sords appeared in Carnegie Hall’s Zankel Hall. In 2018, Sords will collaborate with pianist Elyane Laussade at Australia’s Brunswick Beethoven Festival. After a successful debut at Toronto’s Glenn Gould Theatre in 2016, Sords will return with the Elgar Violin Concerto. Appearing annually in Canada with Cheryl Duvall, their collaborations next season include a return engagement on the Kitchener-Waterloo Chamber Music Society.
A man of diverse interests, Sords competed in the charity fundraiser “Pittsburgh’s Dancing With The Stars” as the first classical artist to do so. Sords has performed numerous times for LGBT outreach, including both the Tchaikovsky and Beethoven Violin Concerti in repeats collaborations with the Minnesota Philharmonic and Atlanta Philharmonic, and a summer 2017 appearance with Orchestra Amadeus in his New York City concerto debut. Featured four times as a guest on Sirius XM’s Derek and Romaine Show and profiled by “OUT Magazine”, NPR’S Morning Edition, and hundreds of media outlets, Sords also performed the National Anthem for ESPN2’s WNBA Pride Game (2014). Sords’s recent collaboration with Sean Christopher on the New-Age album “Transcendence” has been a commercial and critical success, with reviews stating: “much of this is owed to the gorgeous and precise playing by Andrew Sords, whose violin adds a thrumming undercurrent of pure life throughout the album’s stainless steel structure.” This album is available on iTunes, Amazon.com, and CDBaby.
The historic Milton Theatre is a uniquely diverse venue where you will find the best local, regional, national, and international talent. Free municipal and on-street parking are available. Full bar and light food options available. This facility is fully accessible.