Three-piece Toronto "death country" - kazoos included
830 E. Burnside St.
Portland, OR, 97214
Doors 8:00 PM / Show 9:00 PM
This event is 21 and over
Elliott BROOD is a three-piece Folk Rock Alt Country band based in Hamilton, Canada. Their brand of fuzzed-up roots music has always made for a captivating, and frenetic live performance. That energy has always translated onto the band’s five previous critically acclaimed records. In 2013 the band won a Juno Award for their World War One inspired album “Days Into Years”. Over the course of their career they have been nominated for a total of five Juno awards. In 2009 they were shortlisted for the prestigious Polaris Music Prize and in 2012 the band found themselves nominated for a Genie Award for their original song “West End Sky” that was featured in the film “Grown Up Movie Star”. Their style has been called everything from ‘blackgrass’ to ‘death country,’ but those descriptions don’t capture the transcendent heights of their unique approach to roots music. Fall 2017 will see the band release their sixth full-length studio album “Ghost Gardens” via Paper Bag Records.
The title “Ghost Gardens” alludes to a phenomenon whereby the perennial gardens of houses and buildings having been abandoned or forgotten for years or even decades, continue to grow and reappear year after year, despite their original caretakers' absence.
Elliott Brood's “Ghost Gardens” began with the rediscovery of lost demo songs from a decade and a half earlier, the beginning of the bands career to be exact. The misplaced hard drive had long been forgotten in a garage, just sitting dormant in an old suitcase. The recordings were demos and rough pencil sketches of song lyrics and melody ideas. Not often in life does a band get to step back in time to rediscover their lost younger selves and get to amend or alter that existence, in an odd way this is the band rediscovering their former selves while simultaneously being years wiser both musically and lyrically.
Elliott BROOD are Mark Sasso, Casey Laforet and Stephen Pitkin
2004 Tin Type (weewerk records)
2005 AMBASSADOR (Six Shooter Records)
2008 Mountain Meadows (Six Shooter Records)
2011 Days Into Years (Paper Bag Records)
2014 Work And Love (Paper Bag Records)
Nick Delffs is a seeker. He’d never identify himself that way. He’s unassuming and self-effacing, careful to discuss song meanings and biographical details without indulgence or melodrama. Delffs cut his teeth playing basement shows in Portland a dozen years ago, just before that city’s cover was irreversibly blown. It was a time when being musically ambitious meant impressing other local musicians. You were a joke, in that world, if you proclaimed yourself an artist or promoted your band with any zeal. So Delffs would probably find “seeker” a rather grandiose title.
But Nick Delffs is, in fact, a seeker. He’s an old-school rustler of the human condition; a tireless navigator of social and spiritual landscapes; a genuinely curious and wide-eyed, mankind-enthusiast. Soon after meeting him, one gets the impression that Delffs could be dropped in some far corner of the Earth and he’d not only survive, but he’d make a lot of friends—maybe even start a new band. In both casual conversation and his songwriting, Delffs gravitates to the universal. That’s his search. His life’s work is in the identification and removal of our shared illusions. And that is, largely, what Delffs writes songs about. Songs come to him when he’s “feeling detached from the world but totally in love with it at the same time,” he says. “Mostly they come when I am patient and I don't need them or care about them too much.”
They happen to be pretty catchy songs. Delffs first emerged in 2003 as the frontman for the seminal Portland band The Shaky Hands, known for their jangly, pulsing and introspective songs and their high-energy live shows. The band would sign to the venerable Kill Rock Stars imprint and tour internationally with bands like The Shins and Meat Puppets.
The Shaky Hands went on hiatus in 2011, and the changes came fast and furious for Delffs. He released a stripped-down, self-titled EP as Death Songs. He became a father. He relocated to Idaho. He took odd jobs and worked as a landscaper. All the while, he was strengthening his musical chops by collaborating with artists like Luz Elena Mendoza (Y La Bamba) and Ali Clarys—both of whom play important roles on his new LP, Redesign.
Living in Boise, Delffs remained a beloved figure throughout the Northwest—traveling often and moonlighting in friends’ touring bands. Slowly, through collaboration and time off, the pressure of being a full-time songwriter subsided and a thrilling new confidence emerged in Delffs’ own work.
“I like to disassociate myself with being a songwriter,” he says. “I like to forget I even do it. In the past that would have freaked me out, but I have a healthier relationship with my songs now. It’s less codependent.”
Redesign is the first full-length album Delffs has ever released under his own name. He first shed the Death Songs moniker in 2015, when he unceremoniously dropped a four-track EP of fantastic story-songs simply titled Home Recordings, and last year Mama Bird released Delffs’ reworking of the traditional English Christmas carol, “As I Sat on a Sunny Bank”. But Redesign is a self-contained universe of songs that play with themes that, on the surface, seem at odds with one another: longing for nature (“Somewhere Wild”, an ode to off-the-grid living) and learning to take responsibility (“Song for Aja”, a sweet and percussive tune about Delffs’ now six-year-old son that recalls Cat Stevens and Paul Simon). Musically, these themes are stitched together by the album’s warm, organic production and Delffs’ playing—he’s behind every instrument on the record—but Delffs also connects those seemingly disparate dots under the heading of Redesign. Heading into wilderness provides the insight for dealing with life’s heaviness; the responsibility of being a parent is also an opportunity for endless imaginative self-exploration.
The title track “Redesign” was written during a rafting trip in Eastern Oregon. “I couldn't go for the full three days, so I went for one day and hiked back to my car alone,” Delffs says. “It took maybe nine hours, and I had no shoes, and there were rattlesnakes. I took naps, I sang in caves. I felt like I let a lot of things go on that walk.”
A redesign means “to change out the parts of yourself that don't work, or don't serve anyone,” Delffs explains. “And if you are changing and growing, your relationships have to as well. It seems like redesigning our relationship with the world—and staying open to change and curious about the future—is more important now than ever.”
This is what you can depend on from Nick Delffs. In a world of noise and madness, he will use his music to try and scratch at something human and real. Something helpful. Nick Delffs is a seeker. He shares his discoveries. Redesign is his greatest gift yet.