Doc Roc Presents
Blues Traveler - 30th Anniversary Tour
423 N Main St.
Tulsa, OK, 74103
Doors 7:00 PM / Show 8:00 PM
This event is all ages
Just over a quarter-century ago, the four original members of Blues Traveler, who had known each other since their early teens -- John Popper, Chandler Kinchla, the late Bobby Sheehan and Brendan Hill -- gathered in the basement of their drummer's parents' Princeton, NJ, home. And so was born a band that has released a total of twelve studio albums, four of which have gone gold, three platinum and one six-times platinum. Over the course of an illustrious career, Blues Traveler has sold more than 10 million combined units worldwide and played over 2,000 live shows in front of more than 30 million people. Their hit "Run-Around" is the longest-charting radio single in Billboard history, and earned them a Grammy® for Best Rock Performance by a Duo or Group with Vocals. Their movie credits include Blues Brothers 2000, Kingpin, Wildflowers and others. A television favorite, they have been featured on Saturday Night Live, Austin City Limits, VH1's Behind the Music and they hold the record for most appearances of any artist on The Late Show with David Letterman.
Their two-CD retrospective, 25 (Hip-O Select/UMe), offers an impressive overview of that career, with one disc featuring "greatest hits" like "Run-Around," "Hook," "But Anyway," "Carolina Blues," and a cover of Sublime's "What I Got." The second disc includes B-sides, unreleased demos and rarities— among them a remix of "Run-Around" by acclaimed electronic producers Gunslinger, and excerpts from the band's online concept album, Decision of the Skies: A Traveler Tale of Sun and Storm.
"We started this whole adventure as a team," says Brendan Hill. "We've taken every step of this as a group together, from the basement to moving to New York, getting signed, hiring a manager, to achieving all our goals."
"I'm a firm believer that rock and roll keeps you young," adds co-founding member Chan Kinchla. "Because I don't feel any different than I did when we started, even though I've got a wife, two kids and all kind of life in between. We still go back to that mentality we had as kids, smoking pot and learning to jam. We had our first epiphanies about music together. This is a real family affair."
"The way the songs have held up moves me," admits legendary front-man John Popper, who has gotten down to a svelte 280 from a high of 436 after a gastric bypass 10 years ago, which he admits saved his life. "We've really got nothing but love from our audience. If something has quality, it's constantly reconsidered through the ages. And that's what we're doing this for… posterity. We've never been 25 before, so having this kind of retrospective, as songwriters, it's an opportunity for long forgotten to songs get their day in court."
From the suburbs of New Jersey, Blues Traveler moved to New York in the late '80s, where they became part of a jam-band scene that packed clubs like Nightingale's, McGoverns and Kenny's Castaways, where they would share the bill with Spin Doctors and Phish. Represented early on by Bill Graham and son David, Blues Traveler's live reputation led to a deal with A&M Records, for whom they released their self-titled debut, which produced songs like the hit "But Anyway," "Gina" and "100 Years," eventually going gold simultaneously with the album four. The following year came Travelers & Thieves, also now gold, with songs like "What's For Breakfast." The subsequent gold release Save His Soul followed in 1993, with songs like "N.Y. Prophesie," whose lyrics were actually
co-written by John's Hungarian father, Robert. The recording, and resulting tour, was marked by Popper having to sing from a wheelchair, the result of a motorcycle accident that almost took his life and destroyed the band, which led to a deeper investment from
A&M to help support the band during a mettle-testing period in their career.
The band's four, released in 1994, was a watershed moment for the group, eventually selling more than six million albums on the strength of the singles "Run-Around" and "Hook."
"The fact we had that success in the middle of our career, rather than early on, was beneficial because it opened doors to a whole new audience that we continue to court today," says Hill.
The band's next album, the now-platinum Straight on till Morning, released in 1997, produced the memorable "Carolina Blues," a longtime staple of Blues Traveler's live show. After that, tragedy struck when bassist Bobby Sheehan was found dead in New Orleans on August 20, 1999, at the age of 31. It was a wake-up call for Popper, who vowed to lose his extra weight after help from friends like Howard Stern and Roseanne Barr. Deciding to soldier on, the group brought in Chan's brother Tad to replace Sheehan on bass and, at the same time, enlisted keyboardist Ben Wilson.
"I kind of vicariously grew up around the band," says Tad, four years younger than his older brother. "I saw all the trials and tribulations moving forward, and then lightning striking."
"They wanted to bring in someone who could be part of the band," recalls Wilson. "They wanted keyboard to play a little bit more of a part of the sound. Apparently, Bobby had always wanted to have a keyboard player in the band. So adding me was a bit of a nod to
The transition took place in 2001 on the aptly named studio album Bridge, the band's last for major label group Interscope Geffen A&M, on songs like "Back in the Day" and "Girl Inside My Head."
"That was us looking back," admits Popper. "It was the end of an era. We wanted to call it ‘Bridge Out of Brooklyn' as an homage to Bobby, but we decided to talk about where the bridge was going rather than where it was coming from."
Truth Be Told, recorded in Ojai and Santa Barbara, CA, followed in 2003 on the Sanctuary label and proved a fun experience for the band as they explored their more pop side on songs like Tad's "Let Her and Let Go" and "Unable to Get Free," both represented on this compilation.
Bastardos, produced by former Wilco member Jay Bennett for the Vanguard label, featured "Amber Awaits," Popper's ode to one of several New England Patriots cheerleaders with whom he fell in love while on a USO Tour of Iraq and Afghanistan. North Hollywood Shootout, recorded in 2008 and released on Verve Forecast, produces a pair of tracks for the collection, Chan Kinchla's Led Zeppelin-esque "Remember It" and Wilson's "You, Me and Everything."
The latest release Blow Up The Moon was the band’s twelfth studio album and the first to include outside songwriters in addition to the band members' contributions. Featuring Thompson Square, Plain White T’s, 3OH!3, Dirty Heads, Hanson, Jewel, Rome Ramirez (Sublime) and JC Chasez (*NSYNC), Blues Traveler took the opportunity of this milestone to not just look behind, but ahead.
“We wanted to experiment with co-writing since we usually try to do everything in-house, in this misguided homage to The Beatles,” says singer John Popper. Blow Up The Moon allowed Blues Traveler to expand their musical palette while holding the foundation of
their distinct and explosive brand of rock. “We found quality writers to see what they could bring to us as a band, and also people who could see our strengths, something that’s hard to see for yourself.”
The concept for Blow Up The Moon came about when the band was commemorating the 20th anniversary of their six-times platinum, award-winning and breakthrough album four. “Once the idea was put out there, the thing took on a life of its own,” says guitarist Chan
Kinchla. “We had so much fun reinvigorating our songwriting. This was an organic process that worked.”
“Only the living feel the ﬂow/only the loving let it go”- Unspoken
One of the highest and rarest aspirations in popular music is to reach for the transcendental, to access the spirit. On the third album “The Wave” by Nashville based Los Colognes, they succeed just this- in breaking through the conﬁnes of everyday pop song lyricism to tell a sort of holistic story. It’s not a concept piece, but it’s a brooding and still joyful song cycle ﬁlled with philosophical rumination, effortless hooks, inspiring musicianship, and expansive arrangements. It’s an album perfectly suited of the current zeitgeist of unease and hope.
“The Wave” is an album about archetypes and about the everyday. There are illusions to the Great Flood, to Plato’s Cave, to Poe, to the hero’s quest so iconically deﬁned by Joseph Campbell. There are recurring metaphors about the water, about the vastness of the ocean and the delicate balance between riding the wave and being pulled under. There is struggle, there is dread, there is hope, there is ultimately the knowledge only gained by a journey. It’s an album about attempting to gain acceptance with the ﬂow of adulthood, life in the music business, the changing awareness that only time and maturity can hand to someone.
Guitarist/singer Jay Rutherford opines in the album’s initial single , “Flying Apart" Nobody believed/We’re all just hoping/Floating down streams”. It’s a song that repeatedly invokes the wave metaphor of the album’s title while churning through its own sonic sea of shimmering keyboards and guitars anchored by drummer Aaron Mortenson. The music evokes any of the best moments of late seventies or mid eighties FM radio while never being weighed down by the specter of inﬂuence. Los Colognes are a young band who have managed to forge their own sound while channeling the best sonic worlds of the decades past.
Unlike the live approach used to record the group’s previous records, “The Wave” was built from the ground up so to speak and with attention to each track, each part. There is a certain economy of space in the songs that feels deliberate while never ceasing to be warm and inclusive. Guitar and keyboard lines drift off each other in between lyrical exchanges while Mortenson propels the beat, sometimes meditative, sometimes driving. Each song passes into another with a thoughtful pause- a passing keyboard chord, a drone, a bit of noise, a breath before the next reﬂection. Like any fully realized album, there is a cyclical wholeness to it that beckons the listener not just to hear it in its entirety from the outset, but to hit ‘play’ again or lift the needle as soon as the last chord of “Can You Remember?” subsides.
Rutherford sings on “Can You Remember?” - ‘When you were young/there was a ﬂood/ almost drowned’, but with the understanding that the journey didn’t end in tragedy, we didn’t drown, we are still navigating the waters and with new perspective. The journey to ﬁnish the recording of “The Wave” was its own quest of sorts for Rutherford and Mortenson, a more deliberate process of creation and craft that shows a band becoming fully aware of its voice and its vision. As current events in the world breed anxiety and unease, as the accelerating paces of the hyper information age make it yet harder to deliver contemplative messages in the arts, and as we all struggle to accept the uncertainty and mystique of ‘living in the moment’, Los Colognes have given us a singular collection of quietly anthemic tunes, held together by philosophical reﬂection and damn ﬁne rock and roll chops. The Wave is coming.
Tickets Available at the Door
Advance $23 | Day of Show $25 | Door $25 | Mezzanine (21+) $38
There is a $2 fee that applies to each ticket purchased at the Cain's Box Office.
No re-entry! No smoking! No refunds!
Support acts are subject to change without notice!