MODEST MOUSE

MODEST MOUSE

Modest Mouse was formed in 1993 in Issaquah, Washington and over the last decade has become the indie rock standard and one of the few bands capable of treading the narrow path where massive popularity is possible without sacrificing their longtime fans.

The band released their first full-length album, This Is A Long Drive For Someone With Nothing To Think About, on the Up label in 1996. With the release of their second album, The Lonesome Crowded West in 1997, the band's status reached new heights with a legion of fans and critical acclaim. In 2000, Modest Mouse was signed to Epic Records and released their third album, The Moon & Antarctica. In 2004 came the release of their breakthrough album, Good News For People Who Love Bad
News, which included the hit "Float On" and has sold over 1.5 million copies and earned the band two Grammy nominations

Modest Mouse released We Were Dead Before The Ship Even Sank, on March 20, 2007 and immediately entered the Billboard Top 200 chart at #1. Most recently the band released the EP No One's First, And You're Next and also reissued Moon & Antartica on vinyl.

MORNING TELEPORTATION

Morning Teleportation formed in 2005 when Bowling Green, KY natives and lifelong friends Travis Goodwin (keyboards), Tres Coker (drums), and Paul Wilkerson (bass) met up with Chicago transplant Tiger Merritt (vocals/guitar), who had just moved to their hometown for college. From the beginning the band has built up a roller coaster of tumultuous rock 'n roll, featuring analog synths, heartfelt vocals, and sudden changes woven through psychedelia, electronica, and deep-space pickin' n' grinnin'. They've spent most of the past year on the road playing for enthusiastic crowds at Bonnaroo and Sasquatch and supporting the likes of The Flaming Lips, Cage The Elephant, and Modest Mouse.

To witness Morning Teleportation's live show is to experience a cacophony of improvisational mayhem draped with melodic twists and turns. Merritt's vocals dart sharply about the frantic, pulsing backbeat held down by the rhythm section, while his spacey fingerstyle guitar prowess embodies a style best described as "finger-trippin." And while their sound may be somewhat more modern than several of their cited heroes (including James Gang and CSNY), you should make no mistake: these are still some boys who want nothing more than to have a good time in the classic rock idiom.

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