The Smithereens

The Smithereens

"I think it's as good as anything we've ever done," Pat DiNizio says of Smithereens 2011, the Smithereens' first album of original songs in 11 years.

"I hate to use the term 'comeback album,' and it certainly wasn't planned that way, but it really feels like it," adds his longtime bandmate Jim Babjak. "It has the raw vibe of our early albums, while showing that we're moving forward and that we're still at the top of our game after 31 years."

Indeed, the 13-song set shows the New Jersey-bred quartet to be making some of the most urgentmusicoftheirthree-decadecareer,deliveringtheirtimelessbrandofpunchy, heartfelt rock 'n' roll with as much fire as ever. Such instantly memorable new tunes as "Sorry," "One Look At You," "A World of Our Own" and "Rings On Her Fingers" exemplify the Smithereens'trademarkbrandofpunchymelodicsongcraft,drivenhome byDiNizio's expressive vocals and emotionally complex lyrics, along with fiery e n s e m b l e performancesthatshowofftheuncannymusicalchemistryoflongstanding musicalpartners DiNizio,BabjakandDennisDiken,andlateradditionSevero"the Thrilla"Jornacion,who joined in 2006.

Smithereens2011'stitleslylyacknowledgesthefactthatit'stheband's11thstudioalbum, and that it's been 11 years since their last collection of original material. The album's moniker—as wellasitscoverdesign—alsopaystributetothefoursome'sbeloved1989 releaseSmithereens 11. Smithereens 2011 also reunites the group with revered producer and kindred musical spirit Don Dixon, who was at the helm for the Smithereens' breakthrough 1986 debut album EspeciallyforYouanditsmuch-loved1988follow-up GreenThoughts,aswellas1994's acclaimed A Date with the Smithereens.

Thebandinauguratedthenewalbum'sbirthcyclebyspendingamonthhammeringtheir new compositionsintoshapeatthesame12-dollar-an-hourEastVillagerehearsalspace where they'd rehearsed in the 1980s. They then recorded the bulk of Smithereens 2011 in an action- packedthreedayswithDixonandhisfrequentcollaboratorMitchEaster,who servedasthe album'sengineer,atEaster'slegendaryFidelitoriumstudioinKernersville, NorthCarolina.

"We pretty much picked up where we left off with Don," Diken notes. "He's a super musical guy with great ears, and he has lots of good ideas for the arrangements. He knows our strengths as individuals and as a team, and he has the know-how to capture the essence of who we are and what we do. But basically, he puts us in the studio, mics us up and lets us go to work."

After the band returned from North Carolina, additional recording was done at DiNizio's
house in Scotch Plains, New Jersey. "There was no pressure, no rush," says DiNizio. "We didn'thaveadeadline,sothealbumwasallowedtoevolveorganicallyandfindits ownlevel."

The resulting album is a consistently riveting distillation of the qualities that set the Smithereens apart from the pack when they first emerged in the 1980s, and which have continued to endear the band to a large and fiercely loyal fan base in the years since.

The Smithereens' three-decade history is a story of substance, integrity and persistence triumphing over shallow artifice and transient trendiness—of hard-working underdogs achieving success on their own terms by sticking to their guns and ignoring the dictates of pop fashion and music-industry convention.

Jim Babjak, Dennis Diken and original bassist Mike Mesaros grew up in Carteret, New Jersey,forgingafriendshipasteenagersthroughamutualloveof'60srock'n'rolland other vintage sounds. After meeting the similarly inclined DiNizio, the four formed the Smithereens,andwonsomelocalrenownwithapairofindependentlyreleasedEPs, 1980's Girls About Town and 1983's Beauty and Sadness.

The Smithereens were already a seasoned live act by the time they achieved surprise commercialsuccessin1986withtheirfirstfullalbumEspeciallyforYou,withspawned the MTV hits "Blood and Roses" and "Behind the Wall of Sleep." The band continued to reap considerableairplay,criticalacclaimandfanloyaltywiththesubsequentlongplayers Green Thoughts, Smithereens 11, Blow Up, A Date with The Smithereens and God Save The Smithereens, which yielded such enduring numbers as "Only a Memory," "House We Used to Live In," "Drown in My Own Tears" and "A Girl Like You."

Smithereens 2011 caps an extended period during which the Smithereens limited their recordingeffortstoaseriesofthematicreleasesthatpaidhomagetothegroup's formative influences. They tipped their collective hat to the Beatles with the twin Fab Four tributes MeetTheSmithereens!andB-SidesTheBeatles,andhonoredTheWho withThe Smithereens Play Tommy. The band also delivered a memorable seasonal set with the holiday-themedChristmaswiththeSmithereens,andaffirmeditsstatusasoneof rock'smost powerful performing units with Live In Concert!, recorded on stage in the band's home state.

"I didn't realize how fast the time flew by since the last time we made a record of our own songs," Babjak observes. "But we never stopped playing live, and we've released five albums in the past four years, so it's not like we haven't been working."

The band members also engaged in an array of extracurricular projects during the years betweenGodSavetheSmithereens,theirpreviouscollectionoforiginals,and Smithereens 2011. DiNizio released a string of solo albums, became a satellite-radio personality, and emergedasapioneerinthehouse-concertfieldbyplayingsoloacoustic showsinfans' homes. Babjak worked with his side combo Buzzed Meg. Diken released an album with his newprojectDennisDikenwithBellSound,playedonalbumbya varietyofartistsranging from Tommy James and Ronnie Spector to the Minus 5 and Amy Rigby, and put his encyclopedic knowledge of pop history to work on a multitude of writing projects.

Throughitall,theSmithereenshavemaintainedabusyperformingschedule,preserving their reputationasoneofrock'shardest-workinglivebands,andcontinuingtothrillthe devotedfan base that's stuck with them over the years.

"These days, the band is playing as well as we've ever played, with more focus and more intensity," DiNizio asserts, adding, "We still feel like we have something to prove. We have to hit a grand slam every night, and we have to be twice as good as bands half our age. And we've got this body of work that spans over 30 years, so we'll play at least two, two-and-a-half hours every night and bang through the songs like a freight train."

The same qualities that have endeared the Smithereens to their fans over the years—and allowed the band to outlast the various fads and trends have come and gone during that time—are prominent on Smithereens 2011, which marks the beginning of an exciting new phase for the band.

"Wereallyplayedourheartsoutwhenwerecordedthesesongs,andIthinkthatthat comes across on the album," Diken says. "We have a lot of fans who've been with us since the beginning. But I've also been amazed at how many people at our recent shows have told us that they were seeing us for the first time. I think that this record will speak to both generations."

"Oneofthebeautifulthingsaboutthisnewrecordisthatnow,inthecurrentmusic- industry environment, we can do exactly what we want to do," DiNizio states. "Radio as we knew it in 1986 no longer exists, so we don't have to think about making things acceptable for the radio. The rulebook has been thrown away, which liberates us to just make the records that we want to hear. That's basically what we've always done, but now the gloves are really off."

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