The New Reign Tour
Born Of Osiris
Volumes, Oceans Ate Alaska, Within The Ruins, Fire From The Gods
1026 Spring Garden St.
Philadelphia, PA, 19123
Doors 6:00 PM / Show 7:00 PM
This event is all ages
Born Of Osiris
Many religions, cultures, and stories attribute power to the number three. In Egyptian mythology, it symbolizes plurality, and “triads” of deities comprise a complete system. It’s no surprise that the god Osiris was born to one such triad alongside siblings Horus and Isis. It’s also not a coincidence that Chicago heavy metal quintet Born Of Osiris found a similar significance within that number on their fifth full-length album, Soul Sphere [Sumerian Records]. In fact, over the course of 12 tracks, the record examines three tiers originally uncovered in a dream that Joe Buras [clean vocals, synthesizers, keyboards] shared.
“The whole story of the record involves three levels,” explains Joe. “The first one is The Binding. You’re hanging, and you’re stagnant. The second is The Fight. You were hanging, but now you’re pulling away from this linchpin, whether it’s physical, emotional, or spiritual. The final is The Release. You break away and feel free, connected, and loved.”
In order to properly explore the “tiers,” the group—Joe, Ronnie Canizaro [vocals], Cameron Losch [drums], David Da Rocha [bass], and Lee McKinney [guitar]—strengthened their bond exponentially. Since 2007, these five individuals have played countless shows alongside everybody from Judas Priest and Rob Zombie to Bring Me The Horizon and Killswitch Engage in addition to festivals such as Warped Tour, Mayhem Festival, and Music As A Weapon. After each album since their debut landed in the Top 100, including fan favorites A Higher Place  and The Discovery , 2013’s Tomorrow We Die ∆live earned the band their highest Billboard Top 200 debut, reaching #27 and selling over 13,000 copies first-week. After another marathon of touring, the guys headed to Michigan to write what would become Soul Sphere. They then hit the studio with Nick Sampson recording drums and added keys and effects, Lee handling production for guitars and bass, and Allen Hassler for vocals. They managed to click like never before, by drawing on nearly a decade of Born of Osiris.
“Over the years, you get better at creating, writing, and recording in the studio,” says Ronnie. “You improve each time you make an album. Once we had the direction, it started gelling.”
Born Of Osiris preceded the album with the fiery chant of “Throw Me In The Jungle,” showcasing their anthemic side. The follow-up “Resilience” evinced another angle. Its gnashing polyrhythmic guitars collide with orchestral electronics and a forceful and fiery refrain, tapping into the band’s hallmarks while fortifying the attack. “We wanted to use that title for so long,” Joe goes on. “Collectively, we’ve had so much resilience, going through different friendships and changes over the years but still maintaining our connection amongst us.”Then there’s “Illuminate,” which tempers a wall of distortion with a big chorus. The third single “Goddess of the Dawn” snaps from a thick groove punctuated by pinch harmonics before an entrancing clean hook. “We talk about feeling lost, finding yourself, and opening up to love,” says Joe. “It’s all three tiers in one song. As far as the title goes, the Native Americans referred to Aurora Borealis as ‘Goddess of the Dawn’ before they knew what it was. Many cultures and religions would actually worship it.”
Soul Sphere could only by conjured by a group of musicians so personally distinct. Beyond Born Of Osiris, each member continues to enrich his own sphere. In addition to being a partnered Twitch gamer and streamer, Lee is involved in multiple music projects, spanning electronic dance music and progressive rock. His solo guitar project landed in the Top 10 of the Rock Chart alongside System of a Down and Black Sabbath. David runs his own jewelry line D A V I and remains an avid fisherman. Cameron splits his time between drum lessons and composition. Joe oversees and designs the band’s stage production, aesthetic, and lighting, and Ronnie envisions the sweeping sci-fi concepts inside the lyrics and inspiring the artwork. “This group is five best friends together,” adds Ronnie. “We’re all different, and that makes something cool. Not every band has the closeness we do. We’ve all known each other since high school.”
Ultimately, Born Of Osiris relay a crucial message here, together. “I hope people feel creative and want to make their own art after hearing this,” Joe leaves off. “It might get them off their couches and off their phones to really dive into something and challenge themselves.”
Formed in 2009, VOLUMES are known to blend together an eclectic mix musical influences, forging a creative bond between several types of genres that are worlds apart. The line up includes Myke Terry (Vocals), Gus Farias (Vocals), Diego Farias (Guitar), Raad Soudani (Bass), Nick Ursich (Drums). Volumes has been a stand-out in their genre for having two dynamic vocalists, utilizing different ranges of singing and screaming to create a layered, charismatic, volatile sound which leaves listeners begging for more. The combination of their efforts results in a fusion between intricate patterns, melodies, aggressive, straight to the point, metal. The band is currently putting the finishing touches on their third full-length, which will follow 2014's No Sleep, and Via (2011), which both peaked at #1 on the iTunes Rock & Metal Charts.
Oceans Ate Alaska
Stemming from Birmingham, UK, Oceans Ate Alaska is made up of James Harrison (Vocals), James Kennedy (Guitar), Adam Zytkiewicz (Guitar), Mike Stanton (Bass), and Chris Turner (Drums). The band offers a progressive strain of experimental modern metalcore that has gotten them noticed as one of metal's most exciting and fresh young names. With music as unpredictable as it is expressive, the band found inspiration for their name from the world's largest recorded mega-tsunami - measuring at 1,700 feet high - that demolished Alaska's coastline in 1958. The band was attracted to the natural disaster's national headline that read "Oceans Ate Alaska" where they decided to carry the name on a path to make their own history. By pushing sonic boundaries, Oceans Ate Alaska aim to take listeners on an emotional journey through unpredictable arrangements (both heavy and melodic), ruthless riffs, and unforgiving guttural vocals; setting an atmospheric landscape that showcases the band's technical skill.
Within The Ruins
Who says a band needs to disappear for years at a time between albums? Pantera dropped a classic album every other year from 1990 to 1996. The late Chuck Schuldiner unleashed seven classic Death albums in the span of just over ten years. So when a band hits the kind of creative stride, chemistry and metallic momentum WITHIN THE RUINS tapped into with last year’s breakthrough album they’d be fools to slow down now.
Within The Ruins wasted no time in crafting a new career-defining landmark, Phenomena. The band’s new album is the next step forward from Elite, further jettisoning all but the best components of the oft-maligned “deathcore” genre to reveal a band whose all out assault of heaviness won’t be confined by genre. The band shreds with the best of them of course, maintaining a place next to Between The Buried And Me and The Faceless, but the new album is even more about songs than scales.
Phenomena maintains an emphasis on showmanship with ever increasing diversity, smartly sidestepping predictable structures and contrived breakdowns. Within The Ruins are exploring the type of sonic textures and esoteric territory explored by Gojira. In some spots, a more nuanced vocal assault creeps in, with powerful might.
Album kickoff “Gods Amongst Men” boasts a clearly defined chorus, the first of its kind to truly emerge. Fans of the slower, sludgy groove of “Feeding Frenzy” are sure to dig “The Other.” The dissonant guitars and evocative synthesizers of “Calling Card” would seem out of place in their earlier work, but on Phenomena, it’s just part of the rich tapestry.
“When we released our last album, we felt like we had finally found what we were wanting to do since we started the band,” explains cofounder Joe Cocchi, who proved his guitar shredding prowess, alongside his fellow cofounder appropriately nicknamed “Drummer,” with early rumblings like Omen. All Music likened the eclectic shred of Creatures to Metallica’s landmark Master of Puppets, but played “twice as fast.”
Vocalist Tim Goergen sounds as savage as ever, with a renewed focus on memorability and catchiness to his phrasing. Bassist Andrew Tate is as fluid and tasteful as before, keeping pace with this bandmates while offering his own twists and turns along the way.
“We’ve been known for technical, faster metal. But it’s the type of stuff that’s tough for someone to listen to if they’re not into a very, very specific subgenre,” says Cocchi. “The challenge we gave ourselves with Phenomena was to come up with something even better in a shorter amount of time, to really take advantage of the momentum.”
Elite established Massachusetts’ finest as frontrunners in the world of extreme metal, putting the hardworking group on the Billboard 200 and doubling the first week sales of their previous record, Invade (2010). Within The Ruins were once voted onto Summer Slaughter. Now they return, three years later, victorious, joining a 2014 lineup topped by death metal legends Morbid Angel. This is all hot on the heels of a tour with Whitechapel and a triumphant New England Metal and Hardcore Festival homecoming.
Born and bred in the same heavy metal rich Northeast soil as New Wave Of American Heavy Metal progenitors Killswitch Engage, All That Remains, Unearth and Shadows Fall and weaned on the dark sounds of classic death metal, the technical melodicism of Scandinavia and the precision staccato crunch of Meshuggah, Within The Ruins have busted their collective ass to carve out a unique identity for themselves from those ingredients and have succeeded like never before with this year’s Phenomena.
“There continue to be tons of new fans for us to make,” declares Cocchi. “There’s a ton of people who haven’t heard of us. One common thing to overcome in this genre is that people move on too quickly. We are still trying to progress and trying to bring something new to the table with every album. I believe that can always be done, even if it doesn’t always happen with every band. Hopefully people can see that with us.”
The fans wholeheartedly embraced Elite. Considering how much Phenomena takes Within The Ruins’ music to the next level, there’s no limit to how far this band can go.
Fire From The Gods
Heavy music deserves a heavier message.
That’s what Fire From The Gods deliver on their Rise Records debut, Narrative.
Speaking from a platform cast in heavy metal power, hip-hop consciousness, and even a little reggae spirit, the Austin, TX quintet—AJ Channer [vocals], Jameson Teat [guitar], Drew Walker [guitar], Bonner Baker [bass], and Richard Wicander [drums]—urge for change through conveying a story that’s both personal and universal.
That story stems directly from AJ’s life. Born in the Bronx to a single mother of Jamaican descent, he spent his childhood moving between London, New York City, Los Angeles, Norfolk, and even Ghana where he attended middle school. Drawing from this diverse experience, he speaks with unmitigated honesty about the state of the world.