Brooklyn Electronic Music Festival 2016
BEMF Presents: Kerri Chandler, Urulu, Manchildblack, Seth Magoon
177 2nd Avenue
Brooklyn, NY, 11215
Doors 10:00 PM (event ends at 4:00 AM)
This event is 21 and over
Kerri 'Kaoz' Chandler one of deep house music's originators, has been injecting soul into music since the early nineties. An ambassador of the natural and instinctive 4/4 beat, Kerri's influences can be traced back to New Jersey growing up in a family of jazz musicians. His father being a respected deejay, provided Kerri with a rich background in the origins of soul, disco and the New York Underground Sound (known also as "Garage" music). Accompanying his father to the gigs, Kerri began playing records at the Rally Record Club in East Orange, New Jersey at the tender age of thirteen. Exposed to such musical creativity, it wasn't long before Kerri found himself interested in production.
Since the signing of his first single "SuperLover/Get It Off" by Atlantic in 1991, Kerri began producing a prolific body of work that has helped coin him one of the most respected house producers in the world. This has been achieved by remaining true to his style. When listening to tracks such as the "Atmosphere EP" on Shelter Records and the seminal, "A Basement, Redlight and A Feeling" album on Madhouse, one has to marvel at Kerri's ability to not compromise his unique sound for commercial gain. His ability to blend tradition and innovation produces avant-garde music with soulful roots reaching back into the history of Afro-American music. Tradition as in the soulful roots of Jersey house, innovation as in his use of streamlined sparse arrangements and technology, Kerri masters rhythm and space piecing together vocals and instruments with uncanny precision delivering beautiful monster jams.
A spiritual man, Kerri prays before making a record. Each project is an attempt to inject his free spirit into a groove. In the expanses of his breaks the odd counter rhythm will inexplicably appear for a second and then disappear, creating fleshy excitement, not mechanical repetition. His now legendary bass-lines go from heavy and heady to playful and quirky while remaining deliriously intoxicating. His fusions, clamped to the beat of his unique thundering kick drum, redefine house music at every turn. His hooks are loving details, paying attention to horn hits, washes of synthesizers, and catchy choruses creating songs with brutal drive. A believer in peace and harmony, Kerri blames soulful house's positive vibes for its failure to make it commercially, as its openness to influences are difficult for many to accept.
Kerri is fascinated by technology and its application to creativity. He has built his own studio and spends hours creating new EFX units and sound machines. Taking a fearless leap into millennium technology, he has recently innovated new tools and employed creative ideas designed to revolutionize the way we think of traditional deejay mixing. Kerri uses his deejay sets to inject a spirit into the dance floor. More than a mere deejay spinning records, his sets are "live" during which he remixes tracks whenever he can by incorporating keyboards, vocalists, percussionists, guitars, violins, horns, projector screens, laser synths or just his own excellent soulful voice. Armed with a lap top computer, thousands of MP3 files, his own handmade mini-mixer and a cutting-edge imagination, Kerri has been wowing audiences around the globe while inspiring debate and envy in top industry circles about his new toys.
If you think all house music sounds the same, has no soul and is just four to the floor, then I suggest you do some rethinking and check out Kerri Chandler's latest releases and back catalogue…You'll be glad you did!
"Screaming divas, ethereal pads, and the smooth rush of TR-909 hi hats - '90s nostalgia is back full-bore, and with it an entirely new wave of retro-futuristic house music. At the forefront is Los Angeles-based DJ/producer Taylor Freels, aka Urulu. A fresh face on the scene, he specializes in an unabashedly nostalgic sound that creatively appropriates aspects of East Coast luminaries like Masters at Work and Kerri Chandler, while staying true to the computer-driven aesthetic of the present. What hasn't changed is the music's sense of intense euphoria, something that can be heard in recent single "1991," as well as his DJ sets."- SF WEEKLY
Manchildblack has become an in demand DJ, spinning opening sets for Meshell N'degeocello, Seun Kuti, Theophilus London, Georgia Anne Muldrow and the legendary Roy Ayers. As a recording artist, he put out a slew of dance music singles including: "We Are", "Live 4 Love", "Magic" and the future soul EP, My Mind's I. He has performed to sold out audiences at such venues as Blue Note, BAM Cafe, Symphony Space, Joe's Pub, Apollo Theater and even Central Park Summerstage for The Black Rock Coalition's Stevie Wonder Tribute. 2012 saw the launch of his digital record label, Hype Life Music. as well as musical collabos with DJ Afro of Los Amigos Invisibles (The Copasetic) and his partner, Monstah Black, (The Illustrious Blacks).