With the heart of a genuine Texas bluesman, the head (banging) of a Zappa and Lemmy disciple, and boots resting in the dust outside of town at sunrise, Scott H. Biram journeys through the harrowing human condition like no one else. A walk on the Biram side straddles the chasm between sin and redemption and The Bad Testament lands somewhere west of the Old Testament and south of an AA handbook. It’s a record of hard-grinding lost love, blues and deep, dark Americana.

Scott H. Biram conjured the words and music for The Bad Testament during mad alchemical sessions at his homemade studio in Austin, TX. Through stacks of amps, spools of cable, and a prodigious collection of microphones, he spread his technical wings wide, while never losing the immediacy honed from a life on the road. He added a drum kit and rustic vocal duet to his skill set (which already includes all guitars, bass, keyboards, vocals, and percussion on the album). And strip away the one-man band eccentricity, SHB is out-writing any meeting taker on Music Row. The man writes on a razor’s edge of aggression and deftness, thoroughly contemporary but steeped in the backwaters, back porches and back alleys of our collective musical heritage.

Many in the one-man band field find their groove and stay in it, but stay in a groove too long and it becomes a rut. SHB has the groove, but never falls into a rut. On “Set Me Free” and “Red Wine” the wandering country soul of Jimmie Rodgers and the laid-back cool of Merle Haggard ride well with SHB’s distorted punk; it’s the 2-sided jukebox hit at the honky-tonk behind the looking glass of CBGB’s. “Righteous Ways” and “Still Around,” mellower, but no less determined, sound right out of the Folkways canon. Speaking to eternities and charlatans, Biram’s freewheelin’ with an edgy take on the Newport Folk vibe. With its surprisingly melancholy organ and in the back of the pocket tattered soul, “Crippled & Crazy,” recalls The Band. The haunting harmonica-soaked ballad “Long Old Time” is a chilling taste of existential desolation, “It’s gonna be a long old time/ before I pay for the crime that I done.” This is one lost highwayman.

Fear not, though, Biram is still The Dirty Old One Man Band. His brand of unvarnished and unhinged aggro-roots remains as exciting as ever. “Trainwrecker” blasts down the two-laner with the breathless fervor of a redneck metal “(I’m Not Your) Stepping Stone.” Try NOT singing along in the best Nordic Doom Metal voice we all carry around buried within our darker selves. He’s downright blunt on the R-rated Boomhauer TX rant “Swift Driftin’”: “It takes a real piece of shit to be a real piece of shit/ You should really just be headed on your way.” Yet the stark acoustic guitar country blues is updated and self-aware – a profane reboot of personal heroes Leadbelly and Mississippi Fred McDowell. The instrumental “Hit the River” is a throw the devil horns slide guitar boogie right in that sweet Biram groove. And. It. Will. Not. Let. Go. It’s short, not-so-sweet, and leaves you panting for more.

Scott H Biram is THE one-man band. The master of the realm. Why? Because even though he’s one man, he ain’t one thing.

Strahan & The Good Neighbors

"WAYLON WOULDN'T HAVE DONE IT THIS WAY, BUT HE'D HAVE APPROVED." --THE AUSTIN CHRONICLE

To put it simply, we are an American Band or if you're into the whole sub-genre thing, then call it American Old School. It's funky but it isn't funk; there's country, soul, and blues in there, but it isn't any of these; it's American, but it's not Americana. Like my favorite bands from the 60s and 70s, we're steeped in old school American music, but we've evolved into something all it's own.

Vocals, Guitar / Doug Strahan

Drums, Percussion / Michael "Lefty" Lefkowitz + Jason Corbiere

Keys, Vocals / Jackie Myers

Guitar / Dave Leroy Biller

Bass / Dave Wesselowski

Moving south from Illinois for warmer weather and a barroom education of country picking was, according to Doug, among a plethora of bad choices, one of the best decisions he's made in his adult life. After 13 years of playing lead guitar in various bands, as well as recording and co-­leading Austin's strangest boogie-doom­-beast, Chili Cold Blood and cosmic country purveyors of funky ­tonk, The Moonhangers, Doug released his debut solo album entitled “Coal Black Dreams, Late Night Schemes.” As much a stew pot of roots music as CCB and MH's previous albums, the solo record eases on in the direction of Blue-­Eyed Soul but finds home on the bar stool of the Dew Drop Inn, The Horse Shoe Lounge, your neighborhood watering hole. It was a different direction for Strahan, much to do with his time playing and writing with The Memphis Strange, but the Gary Stewart­-esque vibrato remains. In 2015, he and Good Neighbors released the sophomore, self-titled album, Strahan & The Good Neighbors. It's country funk at it's finest, with touches of Little Feat, JJ Cale, and The Allman Bros.

$12.00 - $15.00

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