Milagres

New York was wearing on Kyle Wilson, lead singer & songwriter for the Brooklyn-based quintet Milagres. So he took off, away from the city and his band and his issues… all the way to the coldest, most remote part of British Columbia where he could get some space and breathe. As so often happens in life, he got a little more space than he bargained for – during a rock climbing trip he fell and ended up spending months bedridden with a back injury. Before he left New York, Wilson had thought he might leave the band behind entirely. But during the long days of his recovery he found himself writing songs again, and he realized he wanted to go back.
Upon his return to NYC, Wilson drafted Fraser McCulloch (bass, backing vocals, keys) into his new vision of Milagres, sharing with him the arrangements that he dreamt of while recovering from his injury. These demos were then refined with the addition of Eric Schwortz (guitar, backing vocals, percussion), Chris Brazee (piano/keys) and Steven Leventhal (drums, percussion), evolving into what would become the new group’s first LP, Glowing Mouth.
The musical scope of the album is big and due to the piano-based melodies and soaring falsettos, early press has compared the band to artists as diverse as Grizzly Bear and Prince, demonstrating the wide breadth of Milagres material. The first single, "Glowing Mouth", is a slow-burner made for dancing close on a hot summer night, whereas "Here To Stay" has a keyboard hook that won’t let you sleep. Kyle Wilson has a knack for writing dreamy story songs that also pack a punch in both chorus and melody. Songs like "Gentle Beast" and "Gone" suck you in and then haunt you for days afterwards – this is an album that stays with you.
Glowing Mouth is set-to-be released on Kill Rock Stars on Sept. 13, 2011. According to KRS boss Portia Sabin, Milagres is the first band she has signed to the label sight-unseen. “I just fell in love with the album and lost my head,” Sabin says. “It’s not a good chance to take, signing a band without seeing them live, but when I finally did it was totally worth it – they were even better live than on record, which is hard to do.”
Milagres completed an extremely successful self-booked first US tour in the spring, gaining radio support from KEXP, WFUV, and KCRW amongst others. Their next U.S. tour will come in the fall in support of their album release, make it a point to catch them while you can.
Songs were written over the course of years, some were etched magnetically into long shiny strands of plastic, or coded into virtual space. Others were lost forever. Some reached out to touch folks, others were medicinal and sticky - acquired tastes.
A lot of things happened to Milagres. They fell thousands of feet, they lost their senses, and they had to piece things back together numerous times. Along the way, they climbed mountains, rocks, trees and fire escapes to observe the places they were in. Eventually, they took what they learned and built a land bridge of somber and quiet beauty. It was an album called Seven Summits.
Milagres crossed the bridge they made, fell apart, and put themselves back together again. They moved into an elaborate zone of shinier, newer toys and bigger risks. A thousand planes flew overhead and dropped mysterious packages, hanging from colorful parachutes. Flowers, samplers and microbrews were everywhere. Milagres drank, ate, danced and went skinny-dipping before settling in to make something indescribable in a blue house next to a waterfall.
Eventually, a new album, Glowing Mouth took a glistening, dark shape. It was certainly the best thing they'd ever made and they were overcome with a desire to share their creation with the world they'd left behind in order to create it. Lost, Milagres collected their belongings, and forged out into the vast, mechanical wilderness, seeking other beings with which they could laugh, make noise and talk about robots.
In 2011, Milagres releases these new commitments to tape and travels deep into your heart via your iPhones, festivals and jukeboxes. Help them find their way in!
Kid Savant

During a summer spent in Montreal making music, Ryan (vocals + synth) and John (drums) sat on a stranger's porch early one morning tapping their feet to an imaginary beat. A pact was made between them to keep that beat going. The next summer, back in Brooklyn, they found Kevin (guitar) and the magic-man, Dene (bass + synth). Kid Savant will be bringing that beat across N. America on tour with their new EP, 'Drop It on the Stereo' this March/April. Look for us in your town. We'll be the guys trading cigarettes for a place to crash on your couch, floor and bathtub.