BLACK MILK at Fulton 55 w/

With more than a decade and a half of industry experience and a rich catalog of recordings, Black Milk has transitioned from one of hip-hop’s rising stars to a genre-bending virtuoso with a well-rounded pedigree as a producer, rapper and performer. Acclaimed by outlets such as Pitchfork, Rolling Stone, and The Wall Street Journal, the Detroit-born artist has released seven solo rap albums, a handful of EPs and instrumental projects, and has collaborated with numerous artists, including Jack White, Danny Brown (most recently producing Danny Brown’s “Really Doe” ft. Kendrick Lamar, Earl Sweatshirt and Ab-Soul), Slum Village and many more. Returning to the scene amidst a turbulent political climate, Black Milk’s latest album, FEVER, is a socially aware body of work with a multi-genre soundscape, building on his style of fusing electronic programming with samples and live music. FEVER is out now via Mass Appeal Records and Black Milk’s label Computer Ugly.

"So like the rain that constantly hits the pavement in Seattle, so is the creative juices of J Pinder." -- themashup.net

J. Pinder has accomplished an extraordinary amount for such a young artist. He has worked with the cream of Seattle hip hop (Jake One, Vitamin D, Kuddie Fresh) and he has worked with characters such as Guilty Simpson. Pinder has made guest appearances on releases by Rhymesayers, and has been written up by both local press and heavy hitters such as URB and Okay Player. That’s so far... and he’s twenty two years old.

Such a fine resume alone would be astounding but J. Pinder has something else - something that eclipses these worldly accomplishments. J. Pinder's delivery, presence, and style suggest an understanding of the musical forms, of hip hop and beyond, that far exceeds his years on earth. His charismatic confidence and ability to tell complex stories in a poetic manner - but without mincing words and overwhelming the listener - intimate an artist that is well rounded, well listened, well versed and mature. His wide range of content, from the boisterous to the solemn, is always interwoven with his own very particular voice of strength and quiet grace. In a word J. Pinder is unique.

On his new single Go Far [FIN-LE12-009] J. Pinder expertly weaves his words through the backdrop of a Kuddie Fresh produced beat, live strings, live drums and live bass. Working with veteran Seattle producer Martin Feveyear, and employing musicians such as drummer Barrett Martin (Screaming Trees, Mad Season, Tuatara) and Seattle Symphony players masterfully performing a full string arrangement by Feveyer and Katie Freeze (The Hope) Pinder positively shines. His effortlessly delivery of well-crafted verses and unforgettable hooks is executed with stellar confidence. The rich, full composition behind his voice elevates the single further skyward. To call the material epic would not be an overstatement...this is song writing of the highest order.

The Cowboys, the Grassy Knoll, J.R. Ewing, the Stanky Leg… Dallas, Texas, is known for lots of things. Progressive, forward-thinking hip-hop has, until now, not been one of them. Quirky yet streetwise, fun-loving yet dead serious, A.Dd+, the duo of Paris Pershun and Slim Gravy, may just be leading the city towards a rap renaissance. With a recipe that falls somewhere between UGK’s downhome Southern cooking and the abstract vibes of the Native Tongues movement, Paris (a.k.a. 23-year-old Arrias Walls) and Slim (Dionte Rembert, 23) move easily between slang anthems (“Likeamug”), skirt-chasing tales (“Satellites”) and weighty raps about father figures and Black male incarceration (“Momma’s Brother”). Locally, they have even been labeled the “OutKast of Dallas.” As Paris states on “The Rapper & The Poet,” the lead track from A.Dd+‘s debut LP, When Pigs Fly, the group strives to offer listeners “a double dose of reality mixed with tragedy mixed with immortality.”

The A.Dd+ story begins in 2000 when Memphis-born Paris moved into the same North Dallas apartment complex as Slim. After years of rhyming together, the pair decided to make their partnership official in 2007, dubbing themselves A.Dd+ (Spoken “Aye-dee-dee,” with the plus sign silent) after attention deficit disorder, the most ubiquitous of youth behavioral problems. “A.Dd+ is whatever you want it to be,” explains Slim, who is also known as “D.D.” “It has many meanings like A Dynamic Duo, Analog and Digital. The plus sign symbolizes us being beyond what others are on, always adding to the craft never subtracting. It’s all about imagination and creativity.”

In 2008, Paris and Slim met manager/then sound engineer Rosalinda Ruiz and, after a year holed up in her studio, they emerged with their debut mixtape, Power of the Tongue. While the 2009 release earned them local acclaim and a “Best Rap Act” nomination from the Dallas Observer, it just as importantly led to their partnership with producer Picnic Tyme (of Erykah Badu’s Cannabinoids crew), who has become the group’s sonic sensei and unofficial third member. “He felt our creativity and really liked the setup of our first mixtape, and that was enough to get him interested in helping us develop a better sound for ourselves,” Paris explains.

Paris and Slim are at the center of a vibrant clique of Dallas MCs striving to do for their region what the Dungeon Family once did for Atlanta. “Basically, everybody we roll with are lyricists,” Paris says. “Everybody we roll with is more creative than what is seen on a national scale from Dallas artists.”

Coming off of the biggest performance of their career, opening for the Wu-Tang Clan at Dallas’ Granada Theater, A.Dd+ dropped When Pigs Fly in March of this year. Produced entirely by Picnic Tyme, the LP takes listeners on a ride through the streets of Dallas and a journey through Paris and Slim’s own offbeat imagination.

“When Pigs Fly represents the impossible,” Slim says. “We are doing what people are scared to do in this Dallas music scene. We’re making the impossible, possible.

Shon J w/ NoGenre

The musical style is a salad of influences including classic rock, reggae, R&B, hip-hop, and metal. Shon J's lyrical flow seizes the imagination, his words painting a lively picture of the streets of Fresno. Light sizzles and ethereal effects add pepper to some tracks while raw distortion and deep bass do the rippin’ and the tearin’ on the others.

Noah Tabakin is the man behind Ssssnake, a hip hop, funk and gospel-inflected soul project with a wild, joyous vibe. Defying categorization, Ssssnake has been likened to the lovechild of Ray Charles and MF Doom or a hip hop Jeff Buckley.

Tabakin produces all the music for Ssssnake on Logic software, which he pipes on stage through his iPhone. Rhyming, freestyling and singing over the tracks, Tabakin’s vocal work lands somewhere between Lenny Kravitz, Cee Lo Green and Lyrics Born. He often closes out the show in his underwear. Add in the antics of backup dancers Lil Bite and Venom, and the effect is a high-octane dance party with a sexual edge and a lot of humor.

“It’s an outlet for me. I can process things. It’s therapeutic,” says Tabakin. “When I’m on stage, I get real high off it. I’ve played to one person and I’ve played to 15,000; I love it all the same. I’m confident it’s what I’m here to do.”

Ssssnake is the latest project from one of Chicago’s most original and hardest working soul performers.

In addition to fronting Ssssnake, Tabakin currently songwrites and plays saxophone for national touring act Mucca Pazza, a punk circus marching band, with whom he has performed on the Conan O’Brien Show and Lollapalooza, and opened for Primus. He sings backup and plays keyboard and saxophone for art-rock band D. Rider as well.

Tabakin has been singing and making music for over two decades. His considerable tour of duty includes fronting three bands: soul and R&B group All Fours; live hip-hop band Tabakin, with whom he produced an album and opened for The Roots; and the soul-funk group Little Blue Crunchy Things, with whom he performed for ten years, selling 14,000 records.

Additionally, Tabakin has participated in a kaleidoscope of music collaborations and behind-the-scenes roles. From singing in the choir at the University of Wisconsin- Madison to contributing to the successful hip-hop compilation series “The Chicago Drop” to serving as co-director of the Tour de Fat’s house band, Tabakin has earned his self-appointed handle “solider of music” many, many times over.

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