Presented by Gear Gods
Exmortus, Midnight Eye
124 Market Place
Baltimore, Maryland, 21202
Doors 7:00 PM / Show 7:45 PM
This event is all ages
Marty Friedman’s new album, WALL OF SOUND, which will be released on August 4th, 2017 expands and destroys any conventional notions of instrumental music. It was produced by Friedman, engineered by Paul Fig (Ghost, Rush, Alice in Chains) and mixed by Jens Bogren (Lamb of God, Opeth). Legendary Queen producer, Mack, came on board to handle the mixing on two tracks, Streetlight and For a Friend, which Friedman proclaimed “an honor for me, for sure”.
Regarding the writing and recording process on WALL OF SOUND, Friedman responded with this, “It`s a challenge to evolve album after album, especially on your 13th solo album. Not only as a songwriter but it is imperative to do new things on my instrument as well. Luckily this is a challenge that I love. You will find this hard to believe when you hear the density and sheer amount of guitar coming at you from all directions, but in fact all of the final guitar tracks on "WALL OF SOUND" were done in 9 days.”
He continues, “This furious and productive pace was made possible by over a year of making demo after demo and spending more time listening and living with the music rather than just playing it. I had lived with the songs for so long and edited and re-cut them so many times, that by the time I got to the actual recording studio, it was like I had been playing the whole album on tour for a year already. I learned to do this from making INFERNO.”
“This is why a lot of artists` debut albums are so strong-because they have had so much time to reflect on and fix the music, and also more importantly, attach real life experiences to the songs. I feel like I have a debut album here.”
Once again, Friedman assembled an incredible and diverse group of musicians to record and guests on WALL OF SOUND. His core recording band is made up of Anup Sastry, a modern whiz kid sharing drum duties with uber-veteran Gregg Bissonette, and Japanese bassist Kiyoshi who is undisputedly the most aggressive female bassist on earth. Guests include Jinxx of Black Veil Brides, Shiv Mehra of Deafheaven and Jorgen Munkeby of Shining lends his voice to the only non-instrumental track on the album. Friedman comments on the guests:
“Jinxx from Black Veil Brides and I wanted to do something that would shock his fans and my fans. I arranged a monster of a tune called "Sorrow & Madness" based on a melody that Jinxx wrote on the violin. I took his sweet melody and added so many twists and turns that it became a mammoth of Martyisms in tandem with a large side of Jinxx that has yet to be heard by his fans. We are both very proud of what happened.”
“I think Deafheaven is the one truly heavy band that comes to mind when people ask me to recommend something that`s not Japanese! I was super excited to work with Shiv from Deafheaven. We wrote "Pussy Ghost" together and it is one of the most aggressive songs I have ever played, while at the same time evoking grotesquely beautiful moods that I have never felt before. One thing I learned from making "INFERNO" is that when you have a guest, let them come up with music first. Let it be their baby, so they are personally invested in the song. Then arrange it and do it my way, then add more things together. This gives you a final song that really sounds like both of the people put their heart and souls into the music, as opposed to one guy doing everything and the guest just blasting out a solo somewhere.”
“Jorgen from Shining also guested on "INFERNO" and when we finished that song we immediately started talking about what we would do next. For those who don`t know Shining, they are like a steroided out and "genius level musicianed out" version of Nine Inch Nails for the 21nd century, with a charismatic singer/composer (Jorgen) and a wicked sense of melody, that hits me in the gut on every song. "(Just Gimme) Something To Fight" is the one vocal track on the record and it kills. Even after finishing this song we have started working on more new things for who knows what...”
Marty Friedman released his first solo album, Dragon’s Kiss, on the influential Shrapnel Records. His tenure with Cacophony and Megadeth have created some of the most memorable music and jaw dropping guitar solos ever heard. He’s received gold and platinum awards from throughout the globe and continually pushes the boundaries of music. Fluent in Japanese, Friedman currently resides in Japan where he is a fixture on Japanese television and was recently appointed a Japanese Heritage Ambassador to promote the countries upcoming Olympic games.
Exmortus are an entity amongst themselves and their music, both complex and thoroughly hook-laden, refuses to lend itself to easy categorization. From their technical death-thrash riffage and surgically precise drumming to their neo-classical, twin virtuoso lead guitar attack, their appeal is vast. Fans of death metal, thrash, prog metal, traditional heavy metal and all true metal sub-genres alike enjoy having their craniums crushed by Exmortus.
Now partnered with the quickly-rising New York metal powerhouse Heavy Artillery Records, Exmortus prepare to take their metal domination worldwide with the release of "In Hatred's Flame" scheduled for July 2008. False metallers beware, Exmortus are heavily armed and they have come to destroy!
"I don't know how we got to this point. Maybe a bunch of dudes in
Washington, D.C., with Van Halen posters on their walls and crushed
Coors cans on the floor said, "Screw it. This will always be Ian
MacKaye's town. Let's just shred." Thus, Midnight Eye, the hybridized
power-NWOBHM-progressive-thrash metal band with modded Jackson guitars
(probably), a penchant for King Diamond-style wails and Evil Chuck
switchbacks, plus a severely wry sense of humor. Pure shred escapism."
-Lars Gotrich (NPR Music)
$25 ADV $28 DOS
Box Office is open Wednesday-Saturday 12-6pm and All Show Nights, 410-244-0057. Unless otherwise noted Maryland State's 10% Admissions and Amusement Tax is included in the ticket price.
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