Earth, Holy Sons — SOLD OUT!

Earth – Primitive and Deadly (Southern Lord)
Earth’s career, like its music, has always been a slow, deliberate progression. Each record slightly removed from the last, a constant refinement of a singular vision. Dylan Carlson has remained focused throughout on coaxing moments of strange beauty and reflection from “the riff”. This elemental foundation of rock is refracted, in their earliest recordings, through the prism of sheer volume & feedbacking drone or, in the twin Angels of Darkness, Demons of Light set from 2011 & 2012, via a sparse unraveling take on folk.
With Primitive and Deadly, Earth’s tenth studio collection, Carlson & long term foil, drummer Adrienne Davies, manage to pull off the trick of completing an Ouroborean creative cycle, 25 years in the making, whilst exploring new directions in Earth’s music. For the first time in their diverse second act, they allow themselves to be a ROCK band, freed of adornment and embellishment.
As much as Carlson’s guitar has always been the focal point of Earth’s music, it’s been surrounded by consistently diverse instrumentation. Here the dialog between Carlson and Davies drumming remains pivotal, underpinned by the sympathetic bass of Bill Herzog (Sunn 0))), Joel RL Phelps, Jesse Sykes and the Sweet Hereafter) and thickened by additional layers of guitar from Brett Netson (Built To Spill, Caustic Resin) & Jodie Cox (Narrows).
Perhaps the largest left turn on Primitive and Deadly, though, is prominence of guest vocalists Mark Lanegan and Rabia Shaheen Qazi (Rose Windows) who transform the traditionally free ranging meditations of Earth into something approaching traditional pop structures.
On Rooks Across the Gates, a song stylistically the closest to the folk inspired modality of Angels of Darkness, Carlson stretches out into some of his most lyrical playing to date, creating an almost symbiotic relationship between his performance and the vocals of old friend Mark Lanegan. From the Zodiacal Light, meanwhile, takes the late 60’s San Franciscan / freaked out jazz-rock transcendence of Bees Made Honey in the Lions Skull and quickly re-appropriates that sound into a musky torch song for the witching hour.
This contradictive tension between a band pushing themselves ever forward whilst surveying their history is reflected in the albums twin recording locales. The foundation of the record was laid in the mystic desert high lands of Joshua Tree, California where Earth recorded hour after hour of meditations on each tracks central theme at Rancho de la Luna. Upon returning to Seattle these were edited, arranged and expanded upon at Avast with the help of long-term collaborator Randall Dunn (who was previously at the helm for the Hex, Bees Made Honey in the Lions Skull and Hibernaculum sessions).
Thick, dense and overdriven, melodically rich & enveloping, Primitive and Deadly is Earth reaffirming their position as a singular point in the history of rock.

Selective Earth discography

Extra Capsular Extraction (Sub Pop) 1991*
Earth 2: Special Low Frequency Version (Sub Pop) 1993
Phase 3: Thrones and Dominions (Sub Pop) 1995
Pentastar: In the Style of Demons (Sub Pop) 1996
Hex; Or Printing in the Infernal Method (Southern Lord) 2005
Hibernaculum (Southern Lord) 2007
Bees Made Honey in the Lions Skull (Southern Lord) 2008
Angels of Darkness, Demons of Light I (Southern Lord) 2011
Angels of Darkness, Demons of Light II (Southern Lord) 2012
Primitive and Deadly (Southern Lord) 2014
*re-issued as A Bureaucratic Desire for Extra Capsular Extraction (Southern Lord) 2010

Holy Sons

Emil Amos, world renowned as drummer of the illustrious experimental rock groups Om and Grails, has an increasingly prolific, though relatively unknown, solo career under the moniker Holy Sons. Home recording over 1000 songs since the project's inception in 1992, Amos has spent the better part of the last two decades honing his song writing and production skills over a wide swath of genres in a mission to capture his internal world sonically.
Only a handful of shows have ever been played under the name (including opening stints for Quasi, Devendra Banhart, Will Oldham, J Mascis, Daniel Johnston, and a show at a community center in Dharmasala, India) and none of the records have been traditionally promoted, developing a dedicated underground fan-base through word of mouth alone.
Survivalist Tales! is Holy Sons' 9th record, and represents the apex of Emil Amos' obsession to push stylistic genres to their breaking point while wrenching psyche-anthems out of the darkest frontiers of self-confrontation. The songs are a seemingly impossible blend of nightmarish Blade Runner-esque moog music with the darkest side of 70's easy-listening psyche and feature some of the most unabashedly soaring choruses Amos has ever put to tape.
Combining avant-sound collage with lyrics culled from the hard-won truths of self-exploration, Survivalist Tales! builds a beautiful imagining of future music. For the first time ever Amos is poised to present the project publicly; this upcoming tour can legitimately be described as Holy Sons' first tour.

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