The Jealous Sound

Summer 2000 saw the release of The Jealous Sound 5-song CDep on indie start-up, Better Looking Records. The band's fanbase grew rapidly as The Jealous Sound toured the country and shared the stage with At The Drive-In, The Get Up Kids, No Knife, Death Cab For Cutie and The Promise Ring. Magazines worldwide caught the excitement of The Jealous Sound's debut with glowing remarks in Maxim, CMJ, A.P., Kerrang and more. SPIN heralded The Jealous Sound as "the rock you must have".
With the success of Better Looking Records' CDep release, The Jealous Sound signed a record deal with Mojo Records in 2001. Within weeks of signing, Mojo lost their distribution and announced sweeping layoffs. The Jealous Sound found themselves in limbo. Months later, Mojo was bought out by Jive Records (home to such artists as Backstreet Boys, Jars of Clay and R.Kelly).
Obviously mismatched on Jive, The Jealous Sound managed to escape and wasted no time in signing back with former label, Better Looking Records. The Los Angeles record label is home to releases by No Knife, The And/Ors, Australia's Ides of Space and most recently, a sold-out Jimmy Eat World limited edition holiday single.
Better Looking Records is looking to release the much-anticipated 12-song full length "Kill Them With Kindness" by The Jealous Sound on June 3rd, 2003. The band just finished recording with acclaimed producer Tim O'Heir (All American Rejects, Superdrag, Sebadoh / Folk Implosion, Juliana Hatfield, Dinosaur Jr.).
Singer/guitarist, Blair Shehan says of the new record, "This is going to be a dark and moody record. The songs are still honest and revealing. With Tim producing, we're getting bigger more expansive sounds...the music will have much more of a sonic landscape."
Farewell Continental

Minneapolis, MN, a city known for great bands like Husker Du, Soul Asylum and The Jets has cultivated an entire new generation of up-and-coming talented artists. Something about the cold winters and abundance of cheap liquor has helped create a clan of mad scientist like musicians that have somehow infiltrated the city. Secretly, members of great currently active Minneapolis bands have started a new project. Going by pseudonyms based on Harrison Ford characters from movies, and clad in ski masks at their live shows, Farewell Continental have embarked on a new musical endeavor that strays from their other bands yet maintains the tradition of mediocre song writing. Their songs are layered with feedback and noise, yet the vocal hooks punch through at regularly predictable intervals. Influenced by Velocity Girl, Pavement, Swervedriver, the Pixies and fueled entirely by the delicious taste of bacon, Farewell Continental make a considerate nod to 90's indie rock, but never go as far as aping their influences.* Pressed on a square picture disc, this EP by a talented but secretive group of artists is the definition of shoegaze for the modern audience. Also recently released is the band's second EP, appropriately titled "EP #2." Featured on a one-sided 12" with a silk screened B-side, it comes in four delicious colors.