Reverend Horton Heat

Loaded .38s, space heaters, and big skies. Welcome to the lethal littered landscape of Jim Heath’s imagination. True to his high evangelical calling, Jim is a Revelator, both revealing & reinterpreting the country-blues-rock roots of American music. He’s a time-travelling space-cowboy on a endless interstellar
musical tour, and we are all the richer & “psychobillier” for getting to tag along.

Seeing Reverend Horton Heat live is a transformative experience. Flames come off the guitars. Heat singes your skin. There’s nothing like the primal tribal rock & roll transfiguration of a Reverend Horton Heat show. Jim becomes a slicked-back 1950’s rock & roll shaman channeling Screamin’ Jay Hawkins through Buddy Holly, while Jimbo incinerates the Stand-Up Bass like Jerry Lee Lewis on steroids. And then there are the “Heatettes”. Those foxy rockabilly chicks dressed in poodle-skirts and cowboy boots dreamily dancing the night away. It’s like being magically transported into a Teen Exploitation picture from the 1950’s that’s currently taking place in the future.

Listening to the Reverend Horton Heat is tantamount to injecting pure musical nitrous into the hot-rod engine of your heart. The Reverend’s commandants are simple. Rock hard, drive fast, and live true. And no band on this, or any other, planet rocks harder, drives faster, or lives truer than the Reverend Horton Heat. These “itinerant preachers” actually practice what they
preach. They live their lives by the Gospel of Rock & Roll.

From the High-Octane Spaghetti-Western Wall of Sound in “Big Sky” – to the dark driving frenetic paranoia of “400 Bucks” - to the brain-melting Western Psychedelic Garage purity of “Psychobilly Freakout” – The Rev’s music is the perfect soundtrack to the Drive-In Movie of your life.

Jim Heath & Jimbo Wallace have chewed up more road than the Google Maps drivers. For twenty-five Psychobilly years, they have blazed an indelible, unforgettable, and meteoric trail across the American musical landscape with their unique blend of musical virtuosity, legendary showmanship, and mythic imagery.

Okay it’s time for me to put this loaded gun down, jump in my Five-Oh Ford, and nurture my pig on the outskirts of Houston. I’ll be bringing my lovewhip. See y’all later.

C. M. Talkington
Writer/Director

Love & A .45

Not In The Face

East Texas boys with country-fried roots show that they know how to rock, get dirty, and spin a good yarn with their cleverly titled first release Bikini. Jonathan Terrell has been delighting the Austin live music scene going on four years now in different arrangements as both a solo acoustic country-blues artist, but it was not until he partnered up with drummer Wes Cargal (White Rhino, Ryan and the Relics) and formed the versatile punk-rock-blues-a-billy two-piece Not in the Face that they began electrifying Austin audiences with infectious high energy live performances.

Jonathan’s country roots and influences still lurk just below the surface in some of his Not in the Face lyrics; he tells cautionary and love-lorn tales set to rock rhythm and blues like imagined scenes from films yet to be made. Yet it’s the versatility of musical stylings that really comes through on the album: some tracks will have you moving and shaking, other tracks will have you slow dancing with your steady, and on other tracks you’ll find yourself having hot and dirty anonymous sex in a public bathroom.

Whiskey Shivers

Hatched in the twilight months of ought nine, these five young men came from all corners of the US looking to do one thing: knock the dust off roots music. A freewheelin', trashgrassin', folk tornado, the Whiskey Shivers take traditional instrumentation, soak it in gasoline and send it into outer space. Breakneck speeds, killer grooves and impeccable musicianship: it's enough to make Bill Monroe himself do a double-take as he spins in his grave.With upright bass, fiddle, washboard, banjo, guitar, and reasonably priced merchandise, Whiskey Shivers
adds a fine layer of grit on top of the hard-driving rhythms of traditional bluegrass. They've been called everything from "trashgrass" to "hardcore roots" to "crazy-assed redneck music" — whatever the words, the meaning is the same: Whiskey Shivers brings the house down.

WHISKEY SHIVERS PRESS

As legend has it (depending on whom you ask, or whoever is telling the story), Austin quintet Whiskey Shivers formed around 2009. Some say they were hatched in a woodpile. Others say they tumbled out of one-a them rancid whiskey bottles and frightened the locals. But mostly, it was a talented bunch of musicians who figured they’d make great music together. - Laurie Gallardo - KUT Austin


...bopping, hillbilly songs about the Mario Brothers? Who are these guys?! - Drew Edwards - Rockabilly Online

“Awwwwyeaaahhhhahahaa!!” If you could package Whiskey Shivers into one common sound, that’d be it. - Luke Border - Austin Music Weekly

Whiskey Shivers gives a great music performance (with an oddly hypnotizing video) - William Goldman - CBS News



This is crazy-assed Redneck music with a twisted music video that turns dark as the deepest night right at the end... FHM Magazine

This is what you could refer to as hardcore roots – traditional country with a bit of Appalachian mountain music executed on punk rock jet fuel. - Laurie Gallardo - KUT Austin, 90.5 FM

You may have never heard of Whiskey Shivers, but as of today, you're never going to hear the end of them. - PerezHilton.com


Whiskey Shivers would've been an ideal replacement for Old Crow Medicine Show at the 2011 Austin City Limits Music Festival. - Austin Powell - Austin Chronicle

The band’s ultra country singing and bango [sic] playing is actually really good; however the music video, in lack for better words, freaks me out! - RyanSeacrest.com

$20.00 - $150.00

Tickets Available at the Door

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